首页 | 本学科首页   官方微博 | 高级检索  
相似文献
 共查询到20条相似文献，搜索用时 31 毫秒
1.
This article aims at describing a Norwegian contemporary context as basis for developing a perspective on aesthetic education. The Norwegian concept for Bildung is ‘dannelse’ or ‘danning’. The notion of cultural literacy will be considered as one contemporary conception of Bildung in a Norwegian context. The article consists of three parts. In the first part recent developments of the understanding of what ‘danning’ implies in Norwegian educational context are presented, with special focus on the dynamics between the general and the individual. As the second part of the article a study of arts and culture in Norway is presented briefly. In the third part Gunther Kress’ (Literacy in the new media age, 2003; The conference reading images: multimodality, representation and new media, 2004; Contemporary issues in educational studies and research. An exploration in the frame of a social semiotic multimodal theory of meaning-making, 2012) theory of multimodality, and the concept ‘literacy’, including cultural literacy is introduced. Cultural literacy is suggested to be a concept describing ‘danning’ from the perspective of late modernity. The fourth part of the article comprises the presentation of a few research and development projects focusing on arts, culture and aesthetic education in Norway—with a side glance to Sweden and Finland. The examples illustrate more concretely what an aesthetic education might be. The competence of the teacher is underlined as a prerequisite for qualified teaching of arts subjects, as well as for teaching with an aesthetic perspective as a leading thread in all teaching. Through the focus on meaning making, the aesthetic approach may contribute to the qualification of a conception of ‘danning’ as cultural literacy.  相似文献   

2.
What are the fields of cultural or artistic activities of higher education students in Germany? To what extent are they related to the studies? Do the parents have some influence on those cultural activities? Due to a lack of data, questions of this type could not be answered yet. Now this is possible based on a survey conducted for the national education report “Education in Germany 2012” whose specific thematic focus was arts education. A high share of nearly two thirds of all students report own cultural or arts acitvities. The rate of active students varies by field of studies and gender. Differences with respect to kind of degree or study period are rather low. While studying 25?% of students give up former cultural activities. Remarkably high is the effect of parental cultural activities that exceeds the impact of the parent’s level of education. The parent’s example also has an influence on the field of the student’s activities.  相似文献   

3.
高师美术教育是高等师范教育的组成部分,和其他人文学科相此,它具有师范性、人丈性、艺木个性、创新性的鲜明学科特色。高等麦术教育的发展进步,除培养学生的美木技能外,还要传播美术文艺：培养学生的审美能力、实践能力。重视激发学生的创新思维,要将美术教育从纯技能学习层面提高到美术文化学习层面。  相似文献   

4.
回顾了20世纪中国美育和艺术教育发展和演进的艰难历程，指出美育和艺术教育对推进素质教育，提高全民族文化素质发挥了重要作用，并就新世纪的美育和艺术教育的意义、方法和途径、目标等提出了自己的见解。  相似文献   

5.
Abstract

This article discusses how museum settings can provide opportunities for sensory and aesthetic encounters and learning. It draws on research into museum education programmes that included examinations of curatorial construction and display, observations of teaching and open-ended interviews with museum educators. The examples selected here focus on themes of display and learning to illustrate how aesthetic experiences can emerge as incidental adjuncts to learning in other fields. They also acknowledge how museums draw on aesthetic judgements to categorise or present objects and employ aesthetic artefacts and practices as representative devices of cultural engagement, especially in learning themes in the humanities. The studies show how museums can offer opportunities and skills, and cultivate dispositions to the examination of challenging ideas about aesthetic status, sensibility, interpretation or value. Examples of purposefully constructed sites for aesthetic learning show how museum educators have rethought ways of facilitating affective sensory experiences, and raising questions of aesthetic status, response and the social and cultural functions of the arts. The studies discussed here suggest that museums can provide dedicated opportunities to cultivate independent aesthetic thinking and debate about aesthetic ideas as lifelong skills and pleasures.  相似文献   

6.
This article reports on findings from a research study exploring the potential for democratic learning in a gallery education project which took place in the UK in 2006–7. In doing so, it also explores a pressing issue for education today: the question of young people's democratic education in a time of political crisis in Europe. The focus of the article lies in a critique of the primacy of rational thought, cognitive skills and verbal discussion within democratic education, and an exploration of the potential role of the arts and art education in challenging this. Specifically, the article argues that there has been an affective and corporeal deficit in democratic education, and that some forms of gallery education are well placed to address this. Although the data discussed derive from a particular time and place (the UK in the latter days of a government that rigorously pursued an agenda of social and economic inclusion through both education and cultural policy), they also have relevance beyond their immediate context, illuminating the nature and dynamics of the process of democratic learning, and its aesthetic and artistic dimensions.  相似文献   

7.
“新六艺”教育是佛山市南海外国语学校基于中华美育精神构建的大美育体系。学校通过实行“减负”三部曲,即推行周末零作业、早上推迟30分钟起床、整合语数英等必修课课时,开辟美育时空;通过实行“添彩”三重奏,即打造课程阵地、课堂阵地、文化阵地,描绘美育画卷。“新六艺”教育在“点亮”自己的同时也“照亮”了他人。学校通过“输血”和“造血”两种方式,用“新六艺”教育打通教育扶贫“最后一公里”,引领每个大山孩子走向美美与共的美好境界。  相似文献   

8.
This article is focussing on a historical approach to the term of aesthetic education from three different angles: as history of ideas, biographies and images. Aesthetic education is thereby understood as performative and reflective involvement with aesthetics and the fine arts such as arts, theatre and literature etc. A first approach is defining the history of ideas as a theoretical reconstruction of aesthetic concepts and their educational relevance; this history is also discussing educational theories and their aesthetic implications. It is more or less an implicit and compensatory history because the important contexts are not visible at first sight; and the aesthetic and pedagogical theories often need a reciprocal addition. A biographical perspective is hereby concentrated on the biography of artists. Thereby the educational science of biographies are highlighting the situation of the arts and the artists, the development of becoming an artist, the progression as an artist and the artistic institutions in a educational-aesthetic nexus. Such a perspective is supplementing the history of ideas concerning cultural and socio-historical dimensions as well as institutional and biographic aspects. Finally, the history of images is focusing on the thesis that every picture also includes a programme of aesthetic education. In pictures the process of productive and reflective visualisation is expressed: paintings refer to their production and their understanding. For the method of the historical-educational iconography of aesthetic education a historicizing matrix from production aesthetics, work aesthetics and reception aesthetics is suggested. This matrix is combined with a theory of education as transformation of self-relation, of relations to other individuals and the world. The three approaches just mentioned are exemplified by Leonardo da Vinci and his famous picture “Vitruvian Man” from 1492.  相似文献   

9.
This article focuses on a carnival in the curriculum project designed to revitalise the arts in the experience of students in Higher Education preparing to become primary school teachers. It argues the relevance of a combined arts or trans‐disciplinary artform in the remit of a visual arts education journal and explores carnival as a complex, inclusive, multifaceted and multidimensional cultural practice with deep historical and social roots. It locates carnival within theory and the debate about the arts in schools in the UK from the early 1980s. Drawing on the analysis of interviews with students and teachers in carnival project schools, issues and themes such as student involvement, creativity, artists in schools, and cross‐curricular learning are explored, concluding that carnival in the curriculum provides an opportunity for agency within the regulated official curriculum.  相似文献   

10.
古琴是一种具有3000多年历史的中国传统乐器,蕴含着深厚的艺术和文化底蕴,被联合国列入世界“人类口头和非物质文化遗产”。古琴艺术具有鲜明的历史文化教育、审美教育和思想道德品质教育特色,在学校素质教育中具有广泛的应用前景,应大力提倡。学校与教师应在保护古琴艺术,促进古琴艺术传播的进程中发挥重要作用。  相似文献   

11.
审美教育是以提高人的整体文化素质和人文道德修养为目的的全面教育和发展教育,'它必须重视直接的审美感性体验和深入的艺术鉴赏实践,从优秀的艺术作品入手,采用互动式与对话式的教学方式,才能使审美教育深入人心,并实现其蓄志养气、陶情怡性、崇美扬善的目的和任务。  相似文献   

12.
传统教育注重智力和学科能力的发展,缺乏情感态度与价值观及人格的养成,就连艺术教育也是以技能和专业知识为目标而缺少审美、情感和人文内容。基础教育实际存在不同程度忽略甚至否认艺术教育的重大价值的倾向。近年来教育科学研究的重大发现,使人们重新认识和审视艺术教育的价值。在教育教学中渗透艺术性、融合艺术形式,特别是通过综合性的艺术教育模式,能使学生的人格、智力、人文素养等方面得到整合发展。  相似文献   

13.
Education increasingly operates in neoliberal terms; privatisation, marketisation and competition have become key drivers for schools in England. This article explores the findings from an ethnography that points to how arts education practices are being used to ‘art‐wash’ schools resulting in parents with the requisite economic, social and cultural capitals ensuring that their children benefit the most from a creative education. Whilst most of the narratives on artwashing have so far focused on arts institutions and global capital, this article questions how some of the specific processes of gentrification may be extended to the current education system in England and ask if schools and arts organisations may increasingly be ‘art‐washing education’.  相似文献   

14.
从教育规律看高等教育的文化功能   总被引：1，自引：0，他引：1  
教育规律包括外部规律和内部规律。教育外部关系规律是指“教育必须与社会发展相适应”。它制约着教育的社会功能,包括政治、经济、文化等方面的功能;教育内部关系规律是指德、智、体、美等诸因素之间的关系。它制约着教育的育人功能。文章以教育规律为切人点,对高等教育的文化功能进行了探讨。论证了高等教育在教育规律的驱使下,从社会功能和育人功能两个方面,通过文化创新、文化传承等途径对文化发展起着巨大的促进作用。  相似文献   

15.
在当代审美文化以及大教育的背景下,探讨加强审美教育的重要性.显得十分必要.审美教育作为一种大教育,其在育人方面,特别是对大学生价值观念的塑造、人格境界的提高、精神个性的发展、趣味格调的陶养有着重要作用,对高校辅导员工作有着良好的促进作用.本文将以此为据点,探讨加强审美教育对辅导员工作的重要意义,希望对高校辅导员队伍建设有所裨益.  相似文献   

16.
师专的美术专业主要是培养中小学美术教师,教学目的是提升中小学美术师资队伍的审美知识结构,美术教学在全面素质教育的培养上有着不可替代的作用。师专油画教学要取得好的效果,必须突出师范性,并立足于强调素质教育,以提高审美认知能力作为重点。  相似文献   

17.
全面推进新文科建设背景,为课程思政改革在视野、宗旨、路径三个层面提供了具有根本性、全局性、建设性的启示。遵循新文科建设理念,以育人育才为中心,构建“三育融合、三全育人”高职文科类课程思政模式,构筑文科类课程思政建设四梁八柱。“三育融合”,指德育、智育、美育融合,以价值引导落实立德树人,以技能传授实现立技育人,以审美熏陶达成以美化人,增强课程思政输出力,树立课程思政硬形象;“三全育人”,指全员全程全方位育人,构建“线上自学,线下研讨,实践体验”金课体系,突破育人主体、育人时间、育人空间限制,打造“时时、处处、人人”育人场域,提高课程思政沟通力,增强课程思政软实力。  相似文献   

18.
Through the participation of local communities in the arts, Community‐Based Arts Education (CBAE) raises awareness of ecology and the environment, and also facilitates the search for and establishment of a socio‐cultural identity. It provides students with specific forms of experiential learning involving out‐of‐classroom experiences. Since 2003 the Education Bureau in Hong Kong has promoted learning arts in the community in an informal arts educational context. To suit the needs of CBAE, since 2011 the Leisure and Cultural Services Department has offered four successful community‐based arts educational schemes to local primary and secondary students. The aim of the schemes is to enrich students’ knowledge of arts and culture and strengthen their capacities to learn arts appreciation and criticism. Between 2011 and 2013, over 30,000 primary and secondary students participated in the schemes. This article reports on a study of the schemes which aimed to identify key elements of good practice in CBAE from students’ and teachers’ perspectives. In this larges‐cale study, a total of 15,430 students between Primary 1 and Secondary 6 (age 6 to 17) and 1,306 teachers who participated in the schemes were invited to take part in surveys and focus group interviews. The results show that the three central tenets of self‐determination theory, namely, competence, autonomy and relatedness, are the key elements of good practice in CBAE. It is hoped that the research findings will enrich existing knowledge of and provide a new research direction for CBAE.  相似文献   

19.
由于高等教育大众化,高师音乐专业得到了迅猛发展,专业课程设置却没有紧跟步伐,出现了重视技能轻视理论、重视实践轻视科研、缺乏不同学科之间的横向联系等现象,这需要从源头进行分析并加以解决。  相似文献   

20.
宋烨 《滨州学院学报》2010,26(2):121-124
儿童美术教育是一种开发智力及潜能的教育方式,是培养儿童想象力的有效途径,因此在儿童素质教育中占有重要地位。然而,目前儿童美术教育方式还存在着诸多问题并且没有引起足够的重视。为此,提出了创新型儿童美术教育的对策,论述了引导和鼓励儿童敢于表现自己真实情感的必要性和教育方法,通过美术教育增强儿童发现美和感受美的能力,在此基础上,又进一步阐述了儿童美术教育的价值与真谛所在,为儿童美术素质教育提供参考。  相似文献   

设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号