共查询到20条相似文献，搜索用时 46 毫秒
1.
Public visual spaces, populated by a blend of community murals, unauthorised street art, and historic painted mercantile signs, are often the mark of an urban environment that is both progressive and eclectic. Changes in the aesthetic and cultural value of these urban mural forms have led to an increase in the appreciation and, in some instances, promotion of their artistic merit and cultural significance as examples of public art. However, examining the significance of these works, with a view to implementing a conservation approach is problematic. This is due to a number of practical and theoretical considerations that are primarily a result of the ephemeral existence of urban murals outside conventional exhibition spaces, and issues associated with their often fragmented ownership and uncertain authorship. Consequently, larger thinking on the interpretation, conservation assessment, and advocacy for the conservation of urban murals are required. Key to defining and implementing such strategies is contextualising the public visual spaces that these murals occupy and, as part of this, the local and wider communities’ perception of these murals as culturally significant objects as well as fostering awareness and understanding of appropriate measures aimed at their conservation. This paper examines the role of citizen science, or crowd-sourcing, of local community members in establishing a conservation dialogue and generating conservation- relevant data on urban murals. It looks specifically at a project involving a collection of in situ historic painted mercantile signs — also known as ghost signs — in the City of Port Phillip, Melbourne, Australia. The project fostered the establishment of an informed and open dialogue between conservation specialists and participants from the local community on the significance of local ghost signs whilst transferring knowledge on conservation processes and assessment methods. Working directly with community members, a programme was designed in which conservation and community knowledge of these urban art forms, could be collected and exchanged across digital platforms. This enabled researchers to examine how citizen science can be utilised as a research tool as well as a means to advocate for the conservation of collections of urban murals. It created the opportunity to consider the role of non-specialists and shared authorities in the collection and collation of conservation- relevant data and how information generated from what we call citizen conservation projects, can inform the way in which conservators evaluate and prioritize the conservation of urban cultural heritage. The data gathered and interpreted proved to be the most effective means of ‘conserving’ these often ephemeral forms of cultural material. 相似文献
2.
《International Information and Library Review》1998,30(1):71-85
Norms for community libraries were established, focusing specifically on the Pinetown community libraries. The five oldest community libraries in the Pinetown public library system were studied by way of questionnaires, interviews and observation. It was hypothesized that public library systems in South Africa have not yet made the paradigm shift to becoming true community libraries. However, the study proved that certain public library systems, such as Pinetown, have made significant progress towards becoming community libraries in the true sense of the word—moving away from the passive traditional Western public library model towards active service-oriented systems, based on the needs of the community as a whole: be it as agents of upliftment and development, or as sources of information and recreation. It can be concluded that certain adaptations still need to be made to become “true” community libraries. For instance, more community involvement in the running of the libraries, individual funds to purchase specific materials needed by the community, and the development of specific skills that will enable the staff to render a pro-active community library service, but the transitional process is still in progress. 相似文献
3.
《The Reference Librarian》2013,54(22):37-49
The rationale supporting fee-for-service programs in academic libraries is strong and the need for services in the community is evident to librarians who already provide such service free of charge or turn away requests. Libraries interested in establishing fee-based programs for non-university users are confronted with difficult issues and conflicts. Knowledge of these may help establish a program that serves the needs of clients and the library, contributes to the University's public relations and do it all with confidence in its legal and ethical positions. 相似文献
4.
M M Humphrey 《Bulletin of the Medical Library Association》1973,61(3):324-327
Community involvement is not just one facet of the new Martin Luther King, Jr., General Hospital's existence. It is the mainstream from which all other activities flow.In addition to meeting the conventional needs of a conventional hospital staff with the core collection of texts and journals, this library goes one step further. It acts as a resource for its community health workers, dietitians, and nurses in their various outreach programs. It serves as a stimulus for the high school or community college student who may be curious about a health career. It also finds time to provide reading material for its patients. 相似文献
5.
Tatjana Bayerová 《文物保护研究》2018,63(3):171-188
The technical study of wall paintings from the Buddhist temple complex at Nako, Western Himalayas, was one of the basic preconditions required for designing an appropriate conservation strategy. The complex, composed of four temples from the eleventh–twelfth century, offered a unique possibility to carry out a comprehensive research of technology and painting materials used in early and later western Tibetan Buddhist wall paintings as well as a comparative assessment with murals from other sites in the Western Himalayas. The study was based on extensive fieldwork and an integrated analytical approach comprising a wide range of non-destructive and micro-destructive methods. Answering the question of the coevality of paintings in the smaller temples with other original murals, the precise characterisation of binding media, the detection of the yellow dye gamboge and natural minerals posnjakite and brochantite identified for the first time in Himalayan murals, the clarification of technology of metal decoration, and the making of raised elements are some of the most exciting results which emerged from the research. 相似文献
6.
7.
Maria Chatzidakis 《文物保护研究》2016,61(3):17-23
Street art, public murals, and graffiti are forms of contemporary art which flourish in the urban environment. The current socioeconomic and political crisis in Greece has rendered Athens a living city canvas that attracts artists, art lovers, young people, tourists, journalists, and photographers. The conservation of street art in extreme outdoor conditions is a new area of interest for conservation research and practice. Since 2010 the Conservation of Wall Paintings Laboratory of the Department of Conservation of Antiquities and Works of Art (CAWA) of the Technological Educational Institute (TEI), Athens has been engaged in a project to explore ethics, carry out documentation, and initiate new research into street art and its conservation. Since 2012, Street Art Conservators (St.a.co.), a team comprising academics, conservators, and students from CAWA has worked in the streets of Athens for the preservation of street art. The protection and conservation of street art require the creation of a critical mass of people who are interested in the study and preservation of street art, co-operative conservation work and research, and the documentation and digital mapping of street art as an alternative means for its preservation. 相似文献
8.
Lanier Frush Holt 《Journalism Practice》2018,12(2):146-161
Officer-involved shootings have become an unfortunate regular part of news coverage. After such events, the media often select expert sources to explain the news to the public. Social media has changed this media–source dynamic. Today, laypeople—often African Americans—can go online and provide information that counters the media’s narrative. This analysis examines the effect people’s perception of sources has on their opinion of the Black Lives Matter Movement (#BLM). It also tests what other factors shape audiences’ beliefs about this issue. It finds that people who oppose #BLM have a strong orientation toward social dominance, are less likely to view America as the land of opportunity, and have ideas akin to those of modern racists, in that they oppose Affirmative Action and other race-based programs. This analysis also proposes a change to the Elaboration Likelihood Model, which serves as its theoretical basis. On racially charged issues, the personal relevance of an issue does not appear to matter; people will evaluate such topics via central processing. 相似文献
9.
Jenny Dickens Antonio Rava Maria Perla Colombini Marcello Picollo Will Shank 《文物保护研究》2016,61(3):29-37
Keith Haring painted large outdoor murals in Melbourne, Australia, in 1984 (the Collingwood Mural) and at Pisa in Italy in 1989 (Tuttomondo). Recently, both murals have been analyzed and conserved by similar teams of conservators and scientists. The original appearance of the Collingwood Mural was severely compromised, and the original materials much degraded. Tuttomondo was somewhat altered visually but with less physical damage. There were initial suggestions to repaint Tuttomondo but these were dissipated by good communication of the analytical findings. In Melbourne, there was a high-profile and emotive campaign to have the Collingwood Mural repainted. Conservators and government were heavily criticized for supposedly ignoring the artist's wishes. However, detailed research into Haring's published statements revealed that conservation does respect his artistic aims. For the Collingwood Mural, conservators had to consider whether to reduce the visual disturbances which obscured the works. Practices documented by conservation theorists and routinely undertaken by conservators guided the decision to apply mechanically reversible re-integration. This made Haring's unique ‘line’ visible and accessible again, and pleased the public. The controversies showed how conservators must communicate clearly and tactfully; appreciate the feelings of the public and involve communities in conservation, without compromising rigorous scientific and curatorial research. 相似文献
10.
Katy Lithgow 《文物保护研究》2015,60(6):57-63
What are the key messages conservation science should communicate to the public? Although the profile of conservation science itself can be raised by talking about the process, most feel that the messages should concern what conservation science brings to the focus of its work – cultural heritage. However, it is no longer enough to focus on the needs of heritage in isolation. Demonstrating public benefit is crucial to persuade decision-makers to invest not only in the conservation of cultural heritage but also in the science that informs its care. Conservation science can research the significance of cultural heritage and how to enable access to it, but it now also needs to engage the public actively in its activities. This means continuing to use the traditional ‘hard’ sciences of physics and chemistry but also learning from and collaborating more with less familiar partners such as the social sciences, the medical sciences, and natural heritage to demonstrate how conservation science is good for people, and developing new methods of communication to do this. Conservation science needs to engage with the public not only as a subject for research but also as a means of doing the research, so the end also becomes the means. Public impact should be factored into conservation science projects, with training in communication and the principles of interpretation provided to those involved. A more fundamental shift may be required in the sector however, that puts people's benefit at the heart of conservation science as much as the benefit of the cultural heritage it engages with. 相似文献
11.
《Journal of Government Information》1997,24(3):153-159
This paper describes the scope, historical development, and accomplishments of the Iowa Policy and Planning Data Project (IPPDP). Inspired both by a mandate for state agencies to share their data resources for greater efficiency and by the research needs of economic development planners, the IPPDP is a cooperative effort of several Iowa government departments and units of Iowa State University. Its original long-term goal, the creation of a data dictionary, was soon set aside; however, substantial progress has been made toward its short-term goal, the development of a prototype online catalog of data files held in state agencies and offices, despite such obstacles as the limited development of cataloging standards and the reluctance of many agencies to commit the time necessary to document their holdings. More recent Project initiatives include a series of workshops to help policy analysts and planners locate relevant information on the Internet and the development of an online information server to make state-collected data readily available to community planners. The IPPDP represents a “virtual library” approach to making government data resources—many of them unpublished—more widely available. 相似文献
12.
P W Brennen 《Bulletin of the Medical Library Association》1992,80(3):294-299
The medical libraries of Vietnam maintain high profiles within their institutions and are recognized by health care professionals and administrators as an important part of the health care system. Despite the multitude of problems in providing even a minimal level of medical library services, librarians, clinicians, and researchers nevertheless are determined that enhanced services be made available. Currently, services can be described as basic and unsophisticated, yet viable and surprisingly well organized. The lack of hard western currency required to buy materials and the lack of library technology will be major obstacles to improving information services. Vietnam, like many developing nations, is about to enter a period of technological upheaval, which ultimately will result in a transition from the traditional library limited by walls to a national resource that will rely increasingly on electronic access to international knowledge networks. Technology such as CD-ROM, Integrated Services Digital Network (ISDN), and satellite telecommunication networks such as Internet can provide the technical backbone to provide access to remote and widely distributed electronic databases to support the information needs of the health care community. Over the long term, access to such databases likely will be cost-effective, in contrast to the assuredly astronomical cost of building a comparable domestic print collection. The advent of new, low-cost electronic technologies probably will revolutionize health care information services in developing nations. However, for the immediate future, the medical libraries of Vietnam will require ongoing sustained support from the international community, so that minimal levels of resources will be available to support the information needs of the health care community. It is remarkable, and a credit to the determination of Vietnam's librarians that, in a country with a legacy of war, economic deprivation, and international isolation, they have somehow managed to provide a sound basic level of information services for health care professionals. 相似文献
13.
In fine arts, contemporary artists seek to showcase their artistic skills and concepts. There is very little awareness by most artists on the quality of materials they use in art production and the conservation needs of contemporary artworks which pose conservation challenges as materials used and the physical quality of artworks produced are secondary to what the artists seek to express. Of prime interest to them is the expression of concepts through various genres of art creation. However, the quality of material used by most artists is largely affected by their financial situation and inadequate knowledge on the durability of such materials. Artworks created using recycled materials such as found objects and cheap materials like poor quality paint on paintings, low grade paper in artworks, or poor quality wood present conservation challenges to professionals in galleries. The end product are artworks made from composite materials, some stable and unstable. Thus professionals are faced with a dilemma to reconcile the conservation needs of these artworks and the artists’ expression of their concepts. Moreover, in the absence of remedial conservation measures, artworks are prone to deterioration. This is worsened by dwindling donor and government funding which negatively impacts on the gallery's capacity to conserve the art. Additionally, conceptual expression, artistic creativity, and commercialisation of the art are of priority over conservation. Therefore there is need to maintain a balance between the need to express concepts and commercialise the art on one hand and to conserve the contemporary artworks on the other hand. 相似文献
14.
Nick Field 《Public Library Quarterly》2018,37(2):113-126
ABSTRACTLibraries worldwide have had to re-think their purpose and adapt to changing community needs and expectations. They are no longer simply repositories for old books. Rather, they are vital components of a community’s social and economic infrastructure that connects communities and fosters creativity and innovation. This paper explores the changing role of libraries—and public value organizations more broadly—in creating positive social, economic, and environmental outcomes for individuals and communities. 相似文献
15.
Alex P. Grover 《Publishing Research Quarterly》2016,32(3):178-186
This paper serves to qualify the present form of the e-book as one of many different kinds of digital compositions, or voluntarily consumed digital media. This paper also aims to show how future e-books, by virtue of its responsive nature and higher text-to-nontext ratio compared to other digital compositions, may only iterate into simpler formats (emphasis on textual components) as opposed to more complicated formats (emphasis on audiovisual components). This is due in part to consumer and market expectations of the e-book as well as limitations for the e-book as a medium. Because of this, I predict the next iteration for the e-book—the web book—will exist almost entirely in web applications. 相似文献
16.
Jill O'Neill 《Learned Publishing》2000,13(2):105-109
The journal impact factor, as a metric developed in the mid‐1960s by Dr Eugene Garfield and Dr Irving Sher, represents the influence that an ‘average article’ published in a specific journal has on the scholarly discipline and audience that it serves. Originally intended to serve as an equalizer for use by the Institute for Scientific Information® (ISI®) in making comparative evaluations of large and small journals in a particular discipline, the impact factor now has numerous applications for publishers, librarians, and researchers. Ideally, the journal impact factor should be seen by publishers as a useful tool in gauging the effectiveness of their publication product in serving the needs of a particular scholarly community. The significance of a journal impact factor, its appropriate usage by the scholarly publishing community and its extension into the electronic environment are discussed. 相似文献
17.
There are three models for community archives in China. The first one is where community archives are kept in government-funded/government-established museums or archives. The second is where community archives are kept by scholarly organizations such as universities. The third involves the community establishing its own archive. This last model is very unusual in China. The PiCun Culture and Art Museum of Migrant Labor (PCMML) provides an example of this model as it is the only independent community archives focusing on migrant workers in China. This paper explores the emergence and development of PCMML, its impact on community members and challenges faced including funding and staffing, but also those unique to China—PCMML is greatly influenced by a range of national and local government policies and regulations. Conclusions are that survival strategies for independent community archives in China are dependent on three dimensions: the community itself, society and the government. Cultural consciousness of the community is the premise for the establishment and sustainability of independent community archives, and independent community archives can be the public space to cultivate cultural consciousness of community members and thus activates community members’ agency to document, preserve and disseminate their own history. At the same time, independent community archives also need to engage with broader society to avoid involution and gain support and understanding. Independent community archives are constrained by government policies and regulations, so it is essential for them to develop strategic relationships with government. 相似文献
18.
19.
《The Reference Librarian》2013,54(82):107-124
Abstract A partnership formed between a special library and a public library system to address the information needs of local farmers is the subject of this paper. The special library partner is an information center for agricultural medicine and health. The public library system is one which serves its fourteen member libraries in central New York. These libraries, together with several community-based organizations, combined their leadership, resources, and expertise in a successful outreach effort that saved a village library, improved community relations, enhanced awareness of the role of libraries, and disseminated information necessary for sustaining a viable and healthy farming community. 相似文献
20.
Myroslava M. Mudrak 《Slavic & East European Information Resources》2017,18(3-4):185-202
A rare cache of over 200 Ukrainian ex libris recently discovered in the Slavonic Library of the Czech National Library in Prague serves as the primary focus of this article. As a unique archival resource, the bookplates not only shed light on the social fabric of the Ukrainian émigré community in Czechoslovakia between the two world wars, but tell of aesthetic pursuits that would seek to reconcile modernity with Ukrainian artistic traditions. In all, the collection informs on the tastes and personalities of Ukrainian cultural luminaries in interwar Europe. As part of a larger proposed project—Ukrainian Émigrés in Czechoslovakia (1918–1945)—these ex libris will be incorporated and preserved as part of a digitized catalogue unifying émigré posters, leaflets, and other ephemera of the interwar period, including invitations called pozvanki. 相似文献