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1.
This essay discusses the ways in which `Mode 1' and `Mode 2' interact, by reviewing the development of research funding in Sweden during the twentieth century. It argues that `Mode 2' has been the traditional mode of practice. `Mode 1' is a post-war phenomenon, but it is presently the dominant layer of Swedish publicly-funded science and science policy. This essay argues that we are seeing not an increase in uncertainty, but rather a decreasing tolerance of uncertainty. 相似文献
2.
Building on recent theories ofscience in society, such as that provided bythe `Mode 2' framework, this paper argues thatgovernments should reconsider existingrelations among decision-makers, experts, andcitizens in the management of technology.Policy-makers need a set of `technologies ofhumility' for systematically assessing theunknown and the uncertain. Appropriate focalpoints for such modest assessments are framing,vulnerability, distribution, and learning. 相似文献
3.
This article reinterprets a recentexploratory study of the academic freedom ofAustralian social scientists in an increasinglycommercialised university environment. Thestudy revealed that academics are experiencingseveral conditions that undermine academicfreedom: the intensification of work at theexpense of quality; pressure to choose `safe'research topics; the erosion of intellectualcapital and student standards; and increasingcorporate governance. We position thesefindings within the transition to `Mode 2'knowledge production, arguing that thisprovides a more appropriate basis forreconceptualising the traditional concept ofacademic freedom and renegotiating its socialpractice. 相似文献
4.
The Careers of Modern Artists 总被引：1，自引：1，他引：0
David W. Galenson 《Journal of Cultural Economics》2000,24(2):87-112
Using transactions from fine art auctionsfor 42 leading American contemporary artists Iestimate the relationship between the value of apainting and the artist's age at the date of itsexecution. The econometric estimates show that artistsborn before 1920 were likely to have produced theirmost valuable work late in their careers, whereasartists born in the 1920s and '30s were more likely tohave done their most valuable work at an early age.Comparison of these results to evidence drawn from arthistory textbooks and retrospective exhibitionsfurthermore indicates that these artists' mostvaluable work has also been that most highly regardedby scholars. I argue that the shift across generationsin the shape of these artists' age-price profiles wasa result of the evolution of modern painting and agrowth in the demand for contemporary American artduring the 1950s and '60s. 相似文献
5.
Roger A. McCain 《Journal of Cultural Economics》1995,19(1):1-15
One can approach the economics of the arts, as any field of applied economics, in either of two ways. First, one can treat economic theory and econometric technique as subjects settled by specialists in those fields, to be used in the ec onomics of the arts as they are given, very much as if one were studying the demand for maize. Alternatively, one can treat the economics of the arts as a field which may need and suggest its own developments in theory and technique, suitable to its spec ial problems and processes, from which general economic theory and econometric theory might in principle learn something. Perhaps this latter view is implausible, given the high state of development of economic theory and econometrics in the modern liter ature. Yet many of the advances embodied in these fields have come from particular areas of application-and the economics of maize has been a particularly fertile field.I am indebted to participants in the Seventh International Conference on Cultural Economics, Fort Worth, Texas, October 1992; to p articipants in the Seminar on the Economics of the Arts, Venice, Italy, December 1992; to participants in the conference of the Pennsylvania Economists' Association, Wiles-Barre, PA, June, 1993; to participants in the second conference on Simulating Soci eties, Siena, Italy, July 1993; to participants in the conference of the Society for the Advancement of Behavioral Economics, Rensselaerville, NY, August 1993; and to participants in the Third Conference on Artificial Intelligence in Economics and Manage ment, Portland, OR, August 1993, for useful comments on topics related to the research reported in this paper. Errors and omissions are, of course, attributable to the author. 相似文献
6.
《Journal of Cultural Heritage》2007,8(1):81-86
This article presents the first study of a painting, possibly the Forty Martyrs of Sebaste, which has been concealed for over 500 years, and which has, this century only, re-emerged through plaster removal in the church of SS. Peter and Paul in Famagusta, N. Cyprus. Though very badly damaged the painting, which has remained undocumented and unstudied in the history and art history of Cyprus, may offer vital clues concerning internationalism and cultural interaction in Cyprus in the 14th and 15th centuries. It also offers specialists a rare glimpse at Italian ecclesiastical wall painting from this rich period in western art history, and makes clear the intellectual loss that might be felt if some basic conservation processes are not begun soon. Lastly, in the light of the changing political situation in that island it invites scholarship in a range of disciplines to the church and to other historic landmarks within the old city walls. 相似文献
7.
《Journal of International and Intercultural Communication》2013,6(3):202-220
Abstract This study illustrates the narrative construction of diasporic refugee identities in times of sociopolitical tensions. Specifically, this paper is concerned with how Iraqi refugees living in the United States constituted their identities through narrating in times of the War in Iraq. Gergen's social constructionist approach towards narrating and current theorizing in diaspora studies build the theoretical bases for the analysis. Narratives were collected through participant observations, interviews, and group discussion in the Pacific Northwest of the United States before, during, and after combat operations in Iraq were declared to be over by President Bush. The paper answers three questions. First, which events triggered the construction of Iraqi refugee identities in the United States? Second, what is the role of narrating in constituting Iraqi identities? Third, do the Iraqi narrators construct diasporic imaginations and if so, how? The findings show that the narrative construction of being Iraqi and a refugee was a relational achievement and situated response. The respondents constructed imaginations of transnational communities that included Iraqis in Iraq, Iraqis in refugee camps, and Iraqis in the United States. By integrating their emerging political voices in the United States with their political resistor identities in Iraq, the narrators made salient transnational links between being Iraqi, a displaced person, and a member of U.S. society, disrupted political discourses about Iraqis in the United States, and affirmed moral values. 相似文献
8.
《Journal of International and Intercultural Communication》2013,6(3):208-239
Abstract Two studies examined similarities and differences in how European Americans and Chinese view seeking social support as a strategy for coping with an upset. Participants (407 European Americans and 595 Chinese) completed instruments assessing the appropriateness of seeking social support and several self-reliant coping strategies (problem-solving, emotion management, avoidance) when confronting upsets. Both studies detected cultural and sex differences in support seeking. However, there were also substantial similarities in coping responses. Americans viewed seeking support as a more appropriate coping strategy than did Chinese. However, both Americans and Chinese viewed seeking support as more appropriate than the solitary coping strategies of avoidance and emotion management. Culture moderated sex differences in support seeking; American women viewed seeking social and emotional support as more appropriate than American men, whereas few sex differences were evident among the Chinese samples. Individual differences in interdependent and independent self-construals partially mediated cultural and sex differences in support seeking in Study 2; in addition, culture moderated the mediating effects of self-construal, with self-construal mediating sex differences among Americans but not among Chinese. The cultural and sex differences in self-construals, however, did not conform to theoretical expectations. Moreover, cultural and sex differences in self-construals were quite small in magnitude. 相似文献
9.
Keith Michael Baker 《Minerva》1987,25(1-2):21-34
What is it that statesmen have generally wanted from science? They have not wanted admonitions or collaboration, much less interference, in the business of government, which is the exercise of power over persons, nor in the political maneuverings to secure and retain control over governments. From science, all the statesmen and politicians want are instrumentalities, powers but not power: weapons, techniques, information communications, and so on. As for scientists, what have they wanted of governments? They have expressly not wished to be politicized. They have wanted support, in the obvious form of funds, but also in the shape of institutionalization and in provision of authority for the legitimation of their community in its existence and in its activities, or in other words for its professional status. 相似文献
10.
The ways in which societies and institutions institutionalize and practice invention management reflects not only how new ideas are valued, but also imaginaries about the role of science and technology for societal development. Often taking the US Bayh-Dole-Act as a model, many European states have recently implemented changes in how inventions at academic institutions are to be handled to optimize their societal impact. We analyze how these changes have been taken up—and made sense of—in regions with different pre-existing infrastructures, practices and semantics of invention management. For doing so, we build on a comparative analysis of continuities and changes in infrastructures, practices and semantics of invention management in North-Rhine Westphalia (NRW, a former Western state) and Saxony (a former GDR state) to reflect on how academic institutions have been handling inventions along transforming socio-political contexts. Building on document analysis and qualitative interviews with research managers, we discuss ongoing differences in practices of invention management and the semantic framing of the societal value of inventions in NRW and Saxony, and discuss how this can be understood before the background of their ideological, political and economic separation until reunification in 1990. Joining the conceptual perspectives of path dependencies and sociotechnical imaginaries, we argue that two critical incidents in the history of these states (the reunification in 1990 and a legal change in 2002) allowed for wide-ranging institutional alignments, but also allowed path dependencies in practices and semantics of invention management to prevail. 相似文献
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12.
David Hradil Tom&#x; Grygar Janka Hradilov Petr Bezdi
ka Veronika Gr&#x;nwaldov Igor Foga&#x; Costanza Miliani 《Journal of Cultural Heritage》2007,8(4):377-386
The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on discrimination of a less common, distinct yellow pigment, the ternary Pb-Sb-Sn oxide.The knowledge about all those Pb-based yellows was in fact forgotten after introduction of modern synthetic yellows in 19th century. As late as in the last decade of the 20th century, the existence of Pb-Sb-Sn yellow and its production have been rediscovered, and only then it has been identified in colour layer of artworks.Pb-Sb-Sn yellow has recently been identified in colour layer of 17th century Italian paintings by Sandalinas and Ruiz-Moreno [C. Sandalinas, S. Ruiz-Moreno, Lead tin-antimony yellow, historical manufacture, molecular characterization and identification in seventeenth-century Italian paintings, Stud. Conserv. 49 (2003) 41–52], and here we report the finding of this pigment in Mid-European painting of the 18th and 19th centuries. Lead tin yellows, lead antimony yellow (Naples yellow), and lead antimony tin yellow were synthesized in laboratory following historical recipes, their colour was analyzed, and their structure was confirmed to provide a basis for their routine identification in microsamples of artworks by X-ray microdiffraction. Unequivocal identification of Pb-based yellows could help in authentication of traditional European paintings, because their use was temporally and also geographically specific. Combination of elemental microanalysis (X-ray fluorescence electron microanalysis) and X-ray powder microdiffraction were found very efficient in the microanalysis of colour layers of artworks with Pb-based yellows and their unequivocal identification. 相似文献
13.
Paul Allatson Adam Le Nevez Yixu Lu Maja Mikula Murray Pratt 《Culture, Theory & Critique》2013,54(1):17-32
Prompted by a recent error in an Australian newspaper, by which voice-recognition technology inadvertently transformed ‘average Australians’ into ‘average stray aliens’, this paper appears as a conversation about Eurocentrism between five participants, all of whom work in European studies as teachers and researchers in Australia, the place of ‘stray aliens’. Our dialogue proceeded cumulatively in August 2001, with e-mail responses circulating between contributors. Our aim was to dislocate the debate about ‘Europe’ and ‘Eurocentrism’ away from the Eurocentre to one of Europe's blind spots, Australia. Emerging in the debate is a strong sense of the ways in which power and privilege inevitably accrue centrifugally: Eurocentrism affects and re-writes itself on us in ways perhaps unimagined in the Eurocentre. As a bid toward resistant practice against the centre, we have refrained self-consciously from explaining every local reference in our self-reflective, dialogic, and open-ended discussion about the ways ‘Europe’ and ‘Eurocentrism’ touch us as teachers, researchers and ‘average stray aliens’. 相似文献
14.
The first Latin American molecularbiology laboratory came onto the scientificscene in Argentina in early 1957, only to bedismantled in 1962, following a ministerialchange. This paper explores the social,political, institutional, and cognitiveinteractions present in this short experience,and assesses their importance in understandingthe development of a new scientific field in a`peripheral context'. 相似文献
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16.
The paper introduces a concept of a ‘negotiated space’ to describe university researchers’ attempts to balance pragmatically, continually and dynamically over time, their own agency and autonomy in the selection of research topics and pursuit of scientific research to filter out the explicit steering and tacit signals of external research funding agencies and university strategies and policies. We develop this concept to explore the degree of autonomy researchers in fact have in this process and draw on semi-structured interview material with research group leaders in Finland and the UK, in the former in seven research fields, in the latter in two fields. First, the analysis reveals that topic selection is strongly filtered by the intra-scientific factors. In topic selection researchers have more leeway, a broader negotiated space than in research content, that is, in the ways in which they pursue their research, which are more affected by funding opportunities and other contextual matters. Second, the ways which affect researchers’ agency include individual- and more aggregate-level acts and factors: at the individual level, researchers resort to different strategies to create a negotiated space, but at the more aggregate level field-specific factors play a role. In fields with multiple funding opportunities, which we call ‘shopping mall’ fields, researchers can have a broader negotiated space than in fields where funding is more based on ‘lottery’. In the latter, the researchers’ negotiated space is narrow and contingent on the outcome of the funders’ decisions. 相似文献
17.
In this paper, we argue that there are patterns of innovation occurring in less economically developed countries (LEDCs) that have been historically overlooked by the innovation studies literature, including the literature on innovation systems and the triple helix. This paper briefly surveys cases in agriculture, banking, biomedicine and information and communications technologies that demonstrate organizational, scientific and technological innovation in Africa, South Asia, and Brazil. In particular, we track new developments in two distinctive patterns within LEDCs: (1) civil society as a site of innovation and; (2) innovation through appropriation. By systematically uncovering patterns of innovation in LEDCs, science and technology policy scholars may make new theoretical gains in innovation studies that can potentially contribute to innovation policies in the global South. 相似文献
18.
Noman Baig 《Journal of Cultural Economy》2020,13(4):402-414
ABSTRACT The global spread of finance capitalism has ushered in a speculative nature of currency trade and has given rise to new forms of subjectivity. Narrowing the ethnographic gaze on a thirty-seven year old currency trader in Karachi, this paper advances two arguments. The first argument relates to the materiality of foreign exchange and their effects on traders’ bodies. In spot trading, the currency traders experience foreign currency as an affective quality breathing down heavily on the senses. The second argument points to an interconnected nature of foreign exchange markets. Using Knorr Cetina and Breugger's notion of ‘global microstructures,’ I demonstrate the ways in which a currency trader, operating in a post-9/11 counter-terrorist surveillance milieu in the country, negotiates the micro and global scales of economy. Grounded in ethnographic research in Pakistan, this paper explores the ways in which foreign currency, especially of the metropole, is circulated, exchanged, and imagined in a postcolonial context, and hence contributes to an emerging scholarship of anthropology of money and finance. 相似文献
19.
In recent years the control and monitoring of works of art has gained more and more importance. In particular, works partially or totally realized with wood, such as polychrome sculptures, painted panels or Crucifixes, are highly sensitive and delicate and thus need a particular attention. The wooden support is, in fact, an essential element for the stability of pictorial layers: the color lies on a preparation, which in turn, is anchored to the wood. Wrong conservation methods, i.e. in an environmental climate that is not controlled, or intrinsic mechanical stresses, can warp such structures, and the effects can be irreversible and destructive to the painted layer. The use of fiber Bragg grating (FBG) sensors for the quasi-distributed, in situ measurement and continuous monitoring of deformations in painted wood panel is proposed. In order to demonstrate the applicability of FBG sensors to painted wood panels, a wooden support, made using the same 15th–16th century techniques, was prepared in the Opificio laboratories. A number of Bragg grating sensors were affixed in several critical points, on the back and front sides and on the strengthening cross-beams, in order to detect deformations in the panel dependent on the variations in the environmental relative humidity (RH). Measurements during the removal of the cross-beams are also reported. The results of measurements have shown the applicability of FBG sensors for the continuous in situ monitoring of valuable wooden objects and works of art. 相似文献
20.
Zheng Liu 《Journal of Cultural Economy》2020,13(4):461-474
ABSTRACT This article investigates how cultural businesses may facilitate contentious political activity in authoritarian contexts. Existing research in Western liberal democracies has shown the widespread political activism of actors in the cultural and creative industries. Whether such activism exists in authoritarian society, how it may differ in character and form, and what implications this will have for our understanding of relations between business, politics, and culture in authoritarian countries remain to be addressed. Drawing on data collected from 55 ‘independent bookshops’ in China, I illustrate how these organisations perform ‘cultural politics,’ a type of political participation in which actors employ mainly symbolic means to express social and political concerns. The organisations’ economic relations and conditions facilitate their efforts to create spaces in which contentious questions can be raised, sensitive topics explored, and alternative ideas expressed, despite the Chinese state’s political regulation of the cultural sphere. The finding of the economic embeddedness of cultural politics sheds new light on our understanding of the political economy of cultural businesses in contemporary China. 相似文献