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《Popular Communication》2013,11(2):123-128
This analysis argues that Grant Hill advances a critique of internal contradictions within Black communities; offers rival epistemologies of how to be Black, male, and an athlete; as well as connects concrete Black experience within an abstract museum setting. This examination grounds Hill's public statements of what he hopes to accomplish with the exhibition "Something All Our Own: The Grant Hill Collection of African American Art" within a rubric featuring theme, function, and quantity. Under examination are Hill's messages to understand the ways in which he seeks to demonstrate his multidimensionality and ability to transcend the one-dimensional identity position of Black male athlete. 相似文献
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Kathy Merlock Jackson 《Journal of American culture (Malden, Mass. : 2003)》2008,31(3):326-327