共查询到20条相似文献，搜索用时 62 毫秒
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本文以神话原型批评理论为关照,结合文本细读就诗歌《老虎》与《鹰》的意象语言进行文化与审美价值阐释。在伟大代码的破译下,诗歌《老虎》与《鹰》都扎根于《圣经》,与《圣经》意象存在一定意义上的关联性、互文性、共通性。两首诗歌都映射了当时的历史背景,展示了诗人极其唯美的诗歌创作艺术与超越时空有限性的丰富想象力。两首诗歌都是诗人借物抒怀,找寻形而上慰藉的心灵独白,都反映了诗人对现实社会的关怀与思考。 相似文献
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《楚辞》的比兴手法承继了《诗经》的传统,又具备自己的特色。屈骚以美好事物作比时,善用美词。这些美词在一定程度上反映了屈原及其所处时代的审美观念。比较《诗》、《骚》美词,可见两者因地域和时代差异形成的审美观的异同,这些从一个侧面反映了华夏文化的融合和发展。 相似文献
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《说诗晬语》是沈德潜总结自己早期诗学思想的诗话类著作。从接受的角度审视沈德潜对《诗经》的阅读,可以揭示出他对于《诗经》具有双重维度的接受,即在儒家传统思想上对"温柔敦厚"的诗教观的接受,以及从诗歌文学角度对《诗经》审美风格和表现手法的发现,重申《诗经》的源流意识,并以之作为诗歌批评的参照标准。 相似文献
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屈原是"中国文学史上第一位伟大诗人",他的诗歌文辞优美,并且形成了中国诗歌的一大传统,其中《橘颂》"或可视为中国文学传世作品中今见第一篇比较典型的咏物之作"。对于诗歌批评理论而言,英美新批评是20世纪的一大创举,其理论主要针对诗歌,旨在对诗歌文本本身进行批评。利用英美新批评理论,可以对《橘颂》从能指和所指两方面进行更深入地阐释与解读,诠释《橘颂》不同于《楚辞》之外其他作品的文学性,挖掘《橘颂》所蕴含的隐喻、张力和非个人化传统的特点。 相似文献
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文章通过对《诗经》中拟声词的分析，分析了拟声词在《诗经》中可体现的画面美、音乐美与建筑美。阐述了拟声词的使用所产生的影响。 相似文献
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何祥荣 《文化创新比较研究》2023,(6):11-15
《楚辞·天问》是屈原的不朽巨著,因其独特的写作技巧与风格,成为《楚辞》诸作中的奇葩。《天问》具有一股悲情的动人力量,使人产生共鸣。屈原通过诘问的修辞方式,沿用楚骚美学的托物寓志手法,借助夏、商、周三代的历史人物与故事,神话中的天文、动物及植物的意象等,抒发心中的一腔悲愤,以及对楚人的讽谕、期盼与警惕。屈原在《天问》中所抒发的悲愤,正与司马迁的悲情一致,这也可解释司马迁读《天问》后深感悲愤的原因,《天问》也达至《文心雕龙》美学中的隐秀效应。 相似文献
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文章通过对《诗经》中拟声词的分析,分析了拟声词在《诗经》中可体现的画面美、音乐美与建筑美.阐述了拟声词的使用所产生的影响. 相似文献
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刘沅（1768-1855）是生活于清中后期四川成都的一位大儒。他著述极丰,其思想被称作槐轩学说,博大精深,代表性著作为《十三经恒解》,《诗经恒解》《周易恒解》是其中两部。《周易恒解》中刘沅通过《易经》义理和六十四卦中相关卦爻——《坤》《家人》《姤》《归妹》的内外含义建构了其关于先天女性道德观。《诗经恒解》则是在其先天道德伦理范畴下具体阐释的女性道德观。刘沅关于女性道德伦理的阐释,实际上反映了当时社会儒家知识分子对全社会女性道德的总体评价和认识。刘沅从周代王公贵族的后妃妇德、夫妇之德、晚辈女性之德,以及《诗经》中女性失德的反面事例阐释了他对女性道德的看法。这在当时思想文化环境下是一种认识上的突破,无疑具有进步性。 相似文献
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The major distinctive feature of cultural goods is that consumers must learn how to consume them, implying that preferences should be modelled as intertemporally dependent. The canonical model in the literature uses a habit formation analogy. In this paper, we discuss in detail, though in the simplest setup, a consistent preference structure for that model. Then, we derive the implications for the dynamics of two aggregate equilibrium models, a fixed price model and a flexible price model. The learning-by-consuming behaviour is characterised by a preference structure displaying bounded adjacent complementarity in the demand for the cultural good. This implies that there will be short run complementarity between the stocks of culture and financial wealth and that the adjustment of the demand for cultural goods, or of their relative price, will have some inertia. In the exogenous price model, we find that increases in income will raise the long run demand for cultural goods while increases in the relative price will decrease it. In the endogenous price model, an increase in the supply of cultural goods will imply an initial undershooting of the price of cultural goods followed by an upward transition process. Our results seem to be consistent with the empirical results on the demand for cultural goods and seem to offer an explanation for the Baumol and Bowen paradox.JEL Classification: Z1, E21Earlier versions of this paper have been presented at the 1st Conference of the Sociedade Portuguesa de Investigação em Economia (SPiE, 1997) and at the Xth Conference of the Association for Cultural Economics International, 1998, Barcelona. 相似文献
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正近年来,美国迪士尼出现了一批用真人电影翻拍原来的动画经典电影的趋势,借助高超精湛的CG技术,让以往只能在动画中呈现的神奇魔幻想像,在真人世界中活灵活现、栩栩如生。真实与虚幻的界限几被模糊。《奇幻森林》票房大卖,《美女与野兽》正在热映。自杭州动漫节连续举办形成相当影响力以来,走在中国动画前列的浙江动画是否可以从以上现象中得到有益的启示? 相似文献
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本文通过对宋朝出海商人和高丽日本两国入宋求法僧侣在宋版图书外流过程中所起作用的考察 ,意在揭示高丽和日本两国接受宋朝文化的民族性差异。本文认为 ,宋学传播到日本却未播及于高丽 ,是与两国入宋求法僧侣的书籍选择倾向相关的。而两国社会在接受汉文化方面也存在着不小差异 :高丽追求对中国古典文化的全面吸收和模仿 ,而日本却有鲜明的“筛选”意识和现实意识 相似文献
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Journal of Cultural Economics - 相似文献
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汪道昆与明代隆庆、万历间的诗坛 总被引：2，自引：0，他引：2
汪道昆是明代隆庆、万历间诗坛上一位非常活跃的人物,曾主持丰干社、白榆社、南屏社等重要的诗坛群体活动,名声显赫,影响甚大,与王世贞一起成为当时的诗坛领袖。但在去世后不久,汪道昆便遭到贬低。汪道昆诗坛声名的变化,显示出诗坛的风尚发生了根本转变。 相似文献
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Peer lending and the subsumption of the informal 总被引：2，自引：0，他引：2
Mark Kear 《Journal of Cultural Economy》2016,9(3):261-276
The informal financial practices of financially ‘excluded’ groups in the United States are being enrolled in a regulatory project to make new markets and produce financially self-sufficient subjects on the edges of the financial system. Drawing on mixed-methods qualitative research working with nonprofits in the San Francisco Bay Area, this paper explores how informal rotating savings and credit associations (ROSCAs) are being repurposed and formalized to make the risks of financially excluded groups legible, tractable and priceable for ‘mainstream’ financial service providers. In so doing, the paper explores how the credit score orders practices and relations that are ‘outside’ of the ‘financial mainstream’. While others have documented how the efforts of NGOs to marketize and commodify the social networks and cultural practices of the poor result in forms of dispossession, this is not what my research finds. Instead, I show how formalized ROSCAs are redistributing calculative agency, and enabling financially underserved groups to exert strategic control over the calculation of their credit scores. 相似文献
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Volker Kirchberg 《Journal of Cultural Economics》1995,19(4):305-320
This paper explores the correlation between metropolitan social and economic conditions and corporate arts support in the United States. It is hypothesized that the transition from a manufacturing sector economy to an advanced service sector economy is an important local factor for the increase in corporate arts support.By panel analysis, in eleven metropolitan areas between 1977 and 1991 changes in corporate arts support have been correlated with changes in social and economic conditions, i.e., service sector and manufacturing sector employment, service sector and manufacturing sector income, population's educational attainment, and the degree of dominance by the leading local arts supporting industry.Corporate arts support is higher in metropolitan areas where the population is better educated (=+0.60), the local service sector generates more income (=+0.37) and the local manufacturing sector generates less income (=–0.22).Corporations from the manufacturing sector are mostly indifferent towards arts support. In contrast, corporations from the service sector are supportive of the local arts but they also respond swiftly to a loss in their earnings by discontinuing their arts support. 相似文献
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“熹平石经”是中国历史上第一次碑刻经书、规范文字的浩大工程。后人多从传播书法艺术、规范书面用字的角度认识它和评价它。本文用文化分析的方法,试图通过对“熹平石经”产生背景及其正经定字作用的剖析,揭示出隐藏在文字、学术规范后的文化、政治规范意义。 相似文献