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1.
《文物保护研究》2013,58(4):141-152
AbstractThe archaeological evidence for dating a linen tunic found amongst other pieces from the Petrie Museum of Egyptian Archaeology, UCL, is weighed against the evidence from Carbon-14 dating. An account of the structure, conservation and mounting of the tunic is then given. 相似文献
2.
Dominique Sweeney 《档案与原稿》2019,47(1):153-163
ABSTRACTThe Australian National Maritime Museum (ANMM) in their Darling Harbour warehouse store just over one thousand Ilma. The Ilma are performance symbols of Bardi law and custom, which tell stories of the lands and seas of the Dampier Peninsula, King Sound and surrounding islands of Western Australia. Ilma performances are public and meant for all to see. The ANMM in 2007 resourced detailed documentation of the collection. In 2018 the collection still does not appear on the online catalogue and remains unavailable for public view. While recent efforts have been put into the collection there are important questions to be raised about the responsibility of museums to collections that have contested meanings and serve multiple purposes. 相似文献
3.
ABSTRACTThe 2008 Wenchuan earthquake brought numerous issues to the attention of researchers of seismic mitigation in Chinese museums. After the Wenchuan earthquake, the structural design team of Chengdu Museum conducted a series of research projects on seismic mitigation and subway vibration control design of buildings. These projects included the following topics: optimization of design, numerical simulation of seismic performance, analysis of key technologies for the base isolation structure, in-depth studies on structural vibrations caused by the nearby subway, and proposals for reducing structural vibrations. In 2015, after the superstructure of Chengdu Museum was completed, conservators evaluated the safety of permanent exhibitions under earthquake conditions. Seismic protection devices were installed on the showcases according to the preventive conservation requirements for museum collections. Reinforced measures were used for museum collections according to the methods suggested in the document ‘Specification for seismic protection of museum collection’ (WW/T 0069-2015). The conservators also built a systematic platform for earthquake monitoring for museum collections. Preventive conservation studies on seismic protection and subway vibration control in Chengdu Museum are summarized and forecasted. 相似文献
4.
《文物保护研究》2013,58(3):143-154
AbstractSince 1980, much research in the field of treatment and conservation of archaeological wood has been carried out at the Conservation Department, Faculty of Archaeology, Cairo University. Materials and methods used in conservation have been changing gradually over the years worldwide. It was necessary to study critically previous masters and doctoral dissertations on Egyptian archaeological and historic wood, all written in Arabic. This review of them includes a brief history of the Conservation Department at Cairo University and five main focal points of past research: types of wood used throughout Egyptian history, assessment of wood decay, wood properties and composition, treatment and conservation of decorated wood, and the evaluation of chemicals and polymers used in the treatment of archaeological wood and composite objects containing wood. 相似文献
5.
Kate Moomaw 《文物保护研究》2016,61(3):130-136
Participatory art is a contemporary movement requiring viewers to take an active part in the artwork, by means ranging from interaction with materials to creative contribution. Artistic developments in the twentieth and twenty-first centuries, such as political and social engagement, led to the rise of participatory practices. Concurrently, museums have reacted to falling attendance and cultural shifts by seeking to create more engaging experiences for visitors. At the Denver Art Museum, this has led to an increased interest in displaying and collecting participatory art. Through case studies of works in the collection of the Denver Art Museum, Walking in Venus Blue Cave (2001) by Ernesto Neto and ¿Being Home? (2009) by Rupprecht Matthies, this paper explores the conservation of participatory artworks in museum collections, including their maintenance on display, long-term preservation of their interactive nature, and the possibility of involving communities in conservation actions and decision-making. 相似文献
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7.
Jessica Lewinsky 《文物保护研究》2018,63(5):170-174
ABSTRACTPreventive conservation plans must include the collaboration of all the different departments within an institution to be able to diagnose the situation, provide proper maintenance, and allocate a budget. Preventive conservation entails understanding the collection’s needs, organizational culture, institutional priorities, and risk factors. Beyond the intervention of objects, the conservator is the creator of guidelines and the implementer of solutions. In this paper, need-based approaches are provided showcasing how tailor-built preventive conservation plans became merged into the backbone of everyday activities. In the Louis C. Morton Auction House in Mexico City, diagnosis tools were adapted, redefining conservation terms within a business-oriented model to guarantee success. In the National Museum of Art in Mexico, the sustainable preservation plan categorized actions within their realization capability. Tasks were allocated to different departments and suppliers; outsourcing, not the responsibility, but the commitment of continuity with service providers via contracts. At the Israel Museum in Jerusalem, the complex conservation projects have focused on high standard continuity. Motivating people to participate in the steady innovation, an encyclopaedic museum must have not only to conserve its collections, but also to serve as an international example. 相似文献
8.
Galina Epifanova 《Slavic & East European Information Resources》2020,21(1-2):80-93
ABSTRACT This article surveys the collection devoted to the memory of Emperor Nicholas II held at the Museum of Russian Culture in San Francisco. The author describes the cataloged materials of a unique collection of materials passed on to the Museum by Russian emigrants of the first and second waves, many of whom worked to preserve the memory of Russia’s last Sovereign and also made a significant contribution to the creation of the Museum and its archival collections. 相似文献
9.
AbstractThe Forbes Prize was established in 1958 to honour Edward Waldo Forbes, Director Emeritus of the Fogg Art Museum, Harvard University, and the first Honorary Fellow of IIC. It is awarded by the Council for conspicuous services to conservation and the recipient customarily delivers a lecture during the Institute's international congress. The recipient of the Forbes Prize 2004 was Andreas Burmester. 相似文献
10.
《文物保护研究》2013,58(1):104-111
AbstractValence House Museum (Dagenham, England) has, since 1963, housed not only a large collection of Fanshawe family portraits but also a very rich family archive which comprises estate and private papers from the sixteenth to the twentieth centuries of at least two branches of the family. Of national and international interest are the papers of Sir Richard Fanshawe (1608-66) relating to his three embassies to the Iberian peninsula in the 1660s. Three documents from this collection were taken for conservation and treated using both aqueous and non-aqueous methods of deacidification. Prior to treatment, the papers were characterized using the techniques of scanning electron microscopy (SEM), Fourier transform infrared spectroscopy (FTIR), electron spectroscopy for chemical analysis (ESCA or XPS), thermogravimetry (TGA) and thermomechanical analysis (TMA and DLTMA). Measurements showed that the three papers were similar in composition and were basically cellulosic materials with varying trace levels of Fe and Cu impurities. All three documents contained iron gall ink; the ink of the Dublin letter had an additional feature in the form of small bright specks which were characterized as a form of mica. After conservation treatment the papers were examined using the above techniques in an attempt both to determine and to quantify any changes which had occurred during the treatment process. Scanning electron micrographs showed that pronounced changes had occurred in the surfaces of the treated papers. With XPS it was possible to measure the change in the surface composition of the papers which occurred on treatlp.ent. It was also found that the treatment reduced the thermal stability of the papers in all three cases. 相似文献
11.
ABSTRACTThe Natural History Museum (NHM), London was one of the first national museums to introduce a museum-wide integrated pest management (IPM) strategy that includes the concept of risk zones (Doyle, Pinniger, and Ryder 2007). This system is based on the principle of pest prevention within a museum building, which will always have a resident population of pest insects. The loss of Dichlorvos [DDVP] resulted in an urgent need to implement a museum-wide IPM programme to protect vulnerable collections both in storage areas and on display. With such a large, diverse collection in a complex series of interconnecting buildings, it became necessary to break the programme down into sections. Thus the development and implementation of the concept of risk zones: classifying areas of the museum from high risk to low risk has proved a useful and effective method to promote staff awareness and best practice as part of a comprehensive IPM programme. 相似文献
12.
ABSTRACT This article presents historical and scientific analysis, as well as the conservation treatment of a newly rediscovered Roman wall painting fragment, now in the collection of the Harvard Art Museums. Although the piece has not previously been published, it was among a group of fragments removed from a Roman villa near Boscotrecase in southern Italy, an area that has been key to the study of Roman wall painting and other decoration. Technical imaging confirms the use of painting techniques consistent with other high-quality paintings in the area. Materials analysis revealed a palette consistent with published findings of Roman wall paintings, including abundant use of Egyptian blue and green earth. Of interest was the use of Egyptian blue as an optical brightener in select white passages. Despite the high quality of the painting, no cinnabar was present, and all red passages were achieved using hematite. Multiple different white minerals were identified including calcite, aragonite, and gypsum. The widespread presence of gypsum is unusual and may point to alteration. 相似文献
13.
ABSTRACTIn libraries and archives, efforts to document underrepresented communities and diversify collections can be fraught with political tension. We explore an interdepartmental collaboration to create and preserve a digital collection documenting the Urban Native Relocation Program of the mid- to late-twentieth century in Grand Rapids, Michigan. Involving the Grand Valley State University Libraries, the Kutsche Office of Local History, and the university's Native American Advisory Board, the project serves as a model not just for collaborative collection development but also for community engagement and outreach. We find that process is as important as product in developing collaborative digital collections. 相似文献
14.
《资料收集管理》2013,38(3):33-48
Abstract The Dr. Martin Luther King, Jr. Library in San Jose, California is a unique dual-use library serving the students of San Jose State University and the community of San Jose, California. The reference collections of the two libraries are merged and interfiled to promote ease of access for both populations served. Economies of scale were realized through collaborative collection development activities for major reference purchases between the two institutions. This article describes the planning and creation of the King Library's merged reference collection and reviews the literature of collaborative collection development and merged or interfiled collections. 相似文献
15.
Susan D. Costello 《文物保护研究》2014,59(6):377-390
The collection of the Worcester Art Museum includes two rare Magna Graecia terracotta funerary statues from Canosa, Italy dating to the third century BCE. Each depicts a female figure in prayer or lament known as an orante. The orantes were purchased by the museum in 1927, but shortly thereafter were separated. One was left in storage for nearly seven decades and the other was sold, and ultimately entered a private collection halfway around the world. The orantes were recently reunited under serendipitous circumstances and, after more than 80 years, will finally be placed on display at the Museum. As part of a comprehensive treatment, a technical study was carried out to identify the materials and methods used in their manufacture and in previous restoration campaigns. Materials were characterized by cross-section analysis, spot tests, Fourier transform infrared spectroscopy (FTIR), scanning electron microscopy (SEM), neutron activation analysis (NAA), thermogravimetric analysis (TGA), thermoluminescence (TL) dating, and reflectance transformation imaging (RTI). The analytical findings helped inform the conservation treatments, which included structural work, surface cleaning using a Nd:YAG laser, and esthetic reintegration. 相似文献
16.
ABSTRACTIt has been widely acknowledged that reinstallations and re-executions of contemporary artworks substantially rely on available documentation. Especially for installations and performances it is crucial to record the artist’s intent, past iterations, and tacit knowledge involved in staging the artwork. The growing presence of contemporary artworks in museum collections increases the importance of documentation as a central focus of collection care. However, collections management systems have limitations in adequately presenting these often rich forms of documentation. Consequently, documentation required for presenting a specific complex artwork is often dispersed across multiple systems, drives, and dossiers inside various departments. In recent years, several initiatives responded to these challenges by implementing a digital platform supporting the conservation of contemporary art. Collaborative networked software such as wiki came into focus as a prominent choice for managing the related documentation. The wiki promises to integrate diverse material in one place and accommodate much-needed requirements such as multiple iterations of an artwork, relations between its elements, and multimedia content. This paper takes the case of San Francisco Museum of Modern Art (SFMOMA)’s experimental use of MediaWiki to determine whether and under what conditions a wiki is capable of supporting collection care sufficiently in terms of documenting time-based media art. The case further illustrates the consequence of adopting a content management system as knowledge base for conservation. While collections management systems are designed primarily to handle objects using forms, wikis are publishing platforms in the first place and provide a different kind of framework for artwork records. They are designed to employ text and media to compose articles. We propose to conceptualise this consequential role of conservator as a manager of content, an editor. 相似文献
17.
Marcel C. Obiagwu 《International Information and Library Review》2013,45(4):291-305
AbstractThe abuse of library materials defined in terms of theft, mutilation, unauthorized borrowing and vandalism was investigated in University of Port Harcourt (Uniport) in Nigeria and King Fahd University of Petroleum and Minerals (KFUPM) in Saudi Arabia. The study sought to find out the ways the collections of the two institutions were abused by various classes of readers and for various reasons. By interviewing librarians, and analysis of collection use records, it was revealed that students, as well as faculty, staff and external readers indulged in abuse of library materials, motivated by situational, conceptual, attitudinal and other factors. It was observed, however, that Uniport had more problems with the misuse of library materials than KFUPM. Recommendations relating to library building design, tightening of security, generous and flexible loans policies, etc., were made for improved collection protection. Besides, public relations campaign and multilateral co-operation on book theft detection would help to discourage in particular the uninitiated or new converts from any acts of library abuse. 相似文献
18.
《文物保护研究》2013,58(3):23-29
AbstractThe last 20 years (1984–2004) have seen the development of Tate as a brand which, at the launch of Tate Modern, reached new heights of international awareness. Over the same period the use of the collection has evolved, which has led to changes in conservation practice. Drawing on collection management data, patterns of conservation research and treatment, this paper considers how branding impacts on the care, presentation and perception of Tate paintings and frames. 相似文献
19.
《文物保护研究》2013,58(3):30-33
AbstractIs the conservation profession dividing into two groups – specialized technicians often working in private practice, and generalists in the heritage sector whose work is often in preventive conservation covering a diverse range of materials? If so are we moving away from conservation specialists, who contribute to the wide range of processes involved with object care and research within particular curatorial disciplines? We examine the increasing distancing of conservators from collections and their curatorial colleagues and will assess how this is reflected in the changing nature of training courses, and the impact this may have on museums in the future. These issues are discussed with reference to the National Museum of Wales, which has recently undergone an externally refereed conservation review. The outcomes of this can be viewed in relation to other institutions employing conservators. 相似文献
20.
AbstractThe ancient Egyptian bronze falcon figures in the collection of the Walters Art Gallery, Baltimore, were studied using radiography, endoscopy and corrosion analysis. A number of the bronzes were found to contain bird remains. The study also provided a comparison of the efficacy of different radiographic techniques. 相似文献