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幽默普遍存在于人们的日常生活之中，折射出不同语言群体的宗教信仰、文化习俗和价值观念。幽默语翻译能将快乐传递给不同文化背景的人们，并有助于目的语受众进一步理解其他国家和民族的文化。因此，幽默语翻译研究在跨文化交流领域中越来越受到重视。本文以翻译目的论为理论基础，选取美国情景喜剧《老爸老妈的浪漫史》中的幽默语进行研究，分析目的论三原则在幽默语翻译中的指导意义。 相似文献
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《兰州教育学院学报》2016,(2)
幽默是语言文化的普遍现象,对幽默的认知在跨文化交际和翻译实践中具有重要作用。语言风格转换是幽默产生的根源,跨文化幽默的核心就是如何在翻译过程中做出与源语相对应的风格切换,翻译风格的选择和使用决定了跨文化幽默的实际效果。跨文化幽默认知要求主体既能够从目的语文化角度对幽默话语进行符号转译,同时还要对跨文化情境迁移和时空流转做出准确把握。 相似文献
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范晓慧 《上海师范大学学报(哲学社会科学版)》2009,38(6)
影视幽默翻译是个被人忽视的领域.对于电影<亚瑟王>中文译制片中幽默效果的研究调查显示,译者无论采取直译、归化还是再创造性翻译策略,原语影视中的幽默无法全效地复制在译入语影视中.一般性幽默可以翻译,译文与原文在观众中产生近似的幽默效果;而语言和文化幽默则不可期待译入语观众会产生同等的诙谐幽默体验.译者有权在符合译入语民族意识形态之下对原文幽默进行取舍. 相似文献
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幽默语言的翻译是翻译的一大难点,特别是字幕中的幽默语言,翻译难度更大。本文以《好汉两个半》为例,分析剧中具有幽默色彩的对话,结合关联理论,得出具体的翻译策略,实现最佳关联,让目标观众能享受源语中的幽默。 相似文献
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奈达的功能对等理论将翻译的焦点确定为目的语接受者的反应,并且将信息论引入到翻译研究中。接受者的理解和接受对幽默欣赏起着十分重要的作用,而幽默文本中大量的语言专有特征和文化专有现象也使得从信息论角度分析幽默翻译的策略尤为合适。本文从功能对等的角度对《围城》英译本进行个案研究,分析其幽默翻译中存在的问题,并提出改进的译文。 相似文献
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文学文本通过“前景化”突出特定表达功能与目的,这一点在幽默中表现得尤为明显。因而,对文学文本的翻译,特别是对其中幽默语言的翻译,是原文文本中“前景化”手段在译入语中是否需要实现和能否得以实现的一个重要特征。文章讨论了“前景化”在幽默语言翻译中的运用,并提出了相应的策略。 相似文献
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《海外英语》2007,(5):10-11
Many college freshmen arrive woefully unprepared to do college work, and as disadvantaged populations continue to grow, the share of the American work force that has made it through college is expected to plummet. Many experts blame that educational failure not just on high schools but also on colleges. School & College, a special report by The Chronicle, looks at efforts to fix the system. What reforms would better prepare students for college? What should schools and colleges be doing differently? How should state and federal officials help? 相似文献
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罗艳萍 《读与写:教育教学刊》2008,5(6)
The communication of people partially is the communication of cultures. Culture has a direct effect on international commercial activities in all aspects. Different conceptions about time, space, equality, law and the like, lead people to deal with things in different ways. So to know cultures of the counterpart is to facil-itate our enterprises so as to have a smooth and successful communication in commercial activity. 相似文献
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《海外英语》2007,(4):36
There are numbers of crossroads on our long and unpredictable life journey where we totally have no idea about which direction to choose. No matter what our decision is, we should not turn back, but face the music and go ahead instead. I am this kind of girl who always does try without regretting, one example is how I dealt with my love. 相似文献
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Migration occurs behind a variety of reasons and has a great effect on the whole world. People may migrate in order to improve their economic situation, or in order to escape civil strife, persecution, and environmental disasters. The impact of migration is complex, bringing both benefits anddisadvantages. This paper briefly talks about the causes of migration, the allocation of benefits, and the ways in which individual countries and the international community deal with this important subject. 相似文献
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Richard Denner 《海外英语》2007,(4):14-15
Rosco and I wait for the fishermen to return.I sit at a wooden bench near the store at Mt.Baker Resort and watch the clouds change shape. Rosco has my belt around his neck and an eight foot tow chain hooked to a tree. Dogs must be on a leash. Ducks and rabbits are loose. 相似文献
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Given a graph G,a subgraph C is called a clique of G if C is a complete subgraph of G maximal under inclusion and |C|≥2. A clique-transversal set S of G is a set of vertices of G such that S meets all cliques of G. The clique-transversal number, denoted as TC (G), is the minimum cardinality of a clique-transversal set in G. The clique-graph of G, denoted as K (G), is the graph obtained by taking the cliques of G as vertices, and two vertices are adjacent if and only if the corresponding cliques in G have nonempty intersection. Let F be a class of graphs G such that F={G|K(G) is a tree}. In this paper the graphs in F having independent clique-transversal sets are shown and thus TC (G)/|G|≤1/2 for all G ∈ F. 相似文献
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Sister Carrie is one of the most controversial characters in American literature.Thought as a "fallen woman" firstly,she was defined as a "new woman" by some critics later. However, by digging into the motivaton behind the whole process of Carrie's "success", the relationship between Carrie and her creator (the author), the social conditions of then American, it can be found that Carrie has never been free-standing on her thought and she has never found her real-sdf even after becoming a famous actress. In a society dominated by mass consumerism Carrie is only an adherent of her own desires. She also is a representative of all those country girls flooded into cities, a symbol and a sacrifice of the urbanization of America in a time countryside was overcome by cities. 相似文献