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1.
Zhang Yue 《中外文化交流(英文版)》2011,(3):38-41
County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2000 years ago.Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China.Not long ago,the Photographic Exhibition on the Cultural Heritage of Historic Counties of China,organized by China Cultural Relics Protection Foundation in partnership with the Palace Museum and China Institute of Toponymy,was held at the Forbidden City,displaying photographs on the cultures and traditions of the first 16 Historic Counties of China, with an objective to enhance the public’s awareness of the conservation of cultural heritage in these historic counties.Our magazine will cover each of these chosen historic counties in each issue. 相似文献
2.
Zhang Yue 《中外文化交流(英文版)》2011,(9):28-31
County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with th... 相似文献
3.
Zhang Yue 《中外文化交流(英文版)》2011,(8):38-41
County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with the Palace Museum and China Institute of Toponymy, was held at the Forbidden City, displaying photographs on the cultures and traditions of the first 16 Historic Counties of China, with an objective to enhance the public’s awareness of the conservation of cultural heritage in these historic counties. Our magazine will cover each of these chosen historic counties in each issue. 相似文献
4.
Zhang Qinghua 《中外文化交流(英文版)》2011,(6):30-33
County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than2000years ago.Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China.Not long ago,the Photographic Exhibition on the Cultural Heritage of Historic Counties of China,organized by China Cultural Relics Protection Foundation in partnership with the Pala... 相似文献
5.
Zhang Yue 《中外文化交流(英文版)》2012,(1):30-33
County has played an important role in the history of China since it was first established as a basic administrative unit in 00the Qin Dynasty more than 2,000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with the Palace Museum and China Institute of Toponymy, was held at the Forbidden City, displaying photographs on the cultures and traditions of the first 16 Historic Counties of China, with an objective to enhance the public’s awareness of the conservation of cultural heritage in these historic counties.Our magazine will cover each of these chosen historic counties in each issue. 相似文献
6.
Hanif Hau-Chi Li 《Inter-Asia Cultural Studies》2018,19(1):148-160
Fifty years ago, there were massive anti-colonial movements in Hong Kong and Macao. During the same period, the Cultural Revolution started in mainland China. The writings afterwards painted these movements, and these people, with the colour of the Cultural Revolution. Local is vanished. These movements constituted the starting point of modern Hong Kong and Macao. The aftershocks of these movements are still strong and widespread within the present political environment, the ideology of the public space and the sentiment of the public. It seems necessary to re-examine this history and to restore those people and those events from the distorted impression. Let’s try to read their oral history with sympathy and historical imagination, feeling the scent of a history. 相似文献
7.
《中外文化交流(英文版)》2021,(2):5-5
Chinese Music Opera Dance Online Arts Season in Sri Lanka China Cultural Center in Sri Lanka,together with China National Opera and Dance Drama Theater,has laun... 相似文献
8.
Xin Yuan 《中外文化交流(英文版)》2021,(2):11-14
Due to the global outbreak and spread of the COVID-19 in 2020,over 60 China Cultural Centers(CCC)and China National Tourism Offices(CNTO)around the w orld have ... 相似文献
9.
Geng Mengran 《中外文化交流(英文版)》2021,(2):15-17
In January 2021,China Cultural Center in Seoul launched an Online Photo Exhibition on the 70^(th)Anniversary of China's Foreign Assistance on its new media plat... 相似文献
10.
Chuan Zi 《中外文化交流(英文版)》2007,(2):28-31
On November 8, an exhibition on the replicas of lost painting and calligraphic masterpieces, used to be part of the Qing court collection, opened in the National Library of China. This one-month exhibition was co-organized by the collection connoisseurship committee of China Cultural Relics Soceity and Liaoning Provincial Museum. During the exhibition, the reporter interviewed Mr. Li Chun, curator of this exhibition.[第一段] 相似文献
11.
《中外文化交流(英文版)》2006,(2):4-6
The Second Chinese Theatre Festival took place in the winter of 2005 in Paris, France. The event, organized by China Cultural Center in Paris, has seen six local opera troupes from Hebei, Jiangsu, Jilin, Fujian and Guangdong provinces, showing to Parisians scores of traditional programs of Chinese operas. Chinese theatric art is not novel to French people. Over past decades in the history of modern China, Chinese opera masters, in particular, Peking opera singers, visited Paris many times and made traditional Chinese opera known to French people. For example, when visiting Paris half the century ago, master Cheng Yanqiu gave lectures on Peking opera, the first Chinese opera genre that was introduced to French people. 相似文献
12.
Mizoguchi Yūzō 《Inter-Asia Cultural Studies》2016,17(4):606-631
The May Fourth Movement is most often understood as a precursor to the China that emerged under the rule of Mao Zedong and the Chinese Communist Party. In this essay, Mizoguchi presents an alternative reading of May Fourth, one envisioned by Liang Shuming as more deeply rooted in Chinese tradition than the heavily Marxian, class-based May Fourth later positioned as the forebear of the Cultural Revolution. 相似文献
13.
Yan Qing Liu Jinbiao 《中外文化交流(英文版)》2007,(12):36-37
On September 26, 2007, Shan Jixiang, Director-General of the State Administration of Cultural Heritage of China and Qiu He, Vice Governor of Jiangsu Province co-unveiled the new sign-board of the Office for the World Heritage Nomination of the Grand Canal in the city of Yangzhou, Jiangsu Province, which marked the Official launch of the campaign to include this hundreds-of-vears-old canal on the World Heritage list. 相似文献
14.
Yifan Jiang 《Inter-Asia Cultural Studies》2013,14(3):476-484
In this interview with the Guangzhou-based newspaper Southern Metropolis Daily, conducted in December 2010 during her participation of the ‘West Heavens: India-China Summit on Social Thought’, Tejaswini Niranjana questions accepted notions about women and development, explains the reasons for finding alternative reference points in each other for non-Western societies, which resulted in the historical emergence of Cultural Studies in India, and speaks for the need for substantive mutual cultural exposure between India and China. 相似文献
15.
Yuan Peide 《中外文化交流(英文版)》2006,(3):42-45
Kashgar means "a jade-like place" in the Uyghur language, because it is known for its vast reserve of beautiful jade stone. Human activities such as hunting and fishing existed here as early as 4000 years ago. About 2000 years ago, one of the 36 kingdoms in the West Region is located here. Shule Kingdom built its capital city in Kashgar during the West Han Dynasty of ancient China and it became one of the four most important towns in the West Region during the Tang Dynasty. Kashgar is no… 相似文献
16.
Alessandro Russo 《Inter-Asia Cultural Studies》2013,14(4):673-682
Abstract In the Chinese Cultural Revolution – the epicenter of the last great political sequence at worldwide level in the 1960s and 1970s – the flashing of unprecedented possibilities of post‐party politics was entangled with the epochal closure of a network of political culture. The Cultural Revolution proves to be extremely refractory to historical investigation because it undoes the established conceptual bridges between history and politics, bridges that all other social sciences crossed for studying politics. Therefore, new theoretical perspectives and new protocols of investigation are required, and not only for those events, but in the last analysis for the study of all political situations. The author discusses three main points for finding a new perspective. First, a basic distinction should be stressed between the intermittent nature of politics – one of the rarest modes of subjectivity, which exist only in singular intellectually inventive sequences – and the structural invariance of the state, despite the incessant historical mutations of its particular forms. Moreover, the relationships between the present state of depoliticization and the previous political situations deserve close analysis. The hypothesis is that the concrete form of the state in a given moment is the hollow imprint of the last great political sequence, or that it is shaped by a reactive de‐politicization. Finally, the declarations and the related behaviors of the actors during the events are the major analytical elements in the study of politics. However, the Cultural Revolution was marked to an unprecedented degree by increasing dissonances and, finally, irremediable ruptures between the processes created by the subjective declarations and the same network of political culture within which they were formulated. 相似文献
17.
Su San 《中外文化交流(英文版)》2005,(9):20-23
Silk screen printing is an innovative modern art genre highly relying on technologies and media materials. Although it was only introduced into China twenty years ago, it has quickly stood out of the shadow of wood printing and broken through the confines of materials and tools, developing into an independent style integrating modern art and oriental culture. 相似文献
18.
Kuan‐Hsing Chen 《Inter-Asia Cultural Studies》2013,14(3):500-517
Abstract The essay was written in the context of a Teaching Cultural Studies (in Asia) Workshop. In dialogues with practitioners and young faculty in Taiwan and Asia, it utilizes the author's own past and present experiences to articulate the difficulties and problematic of teaching Cultural Studies. The main argument proposes that teaching Cultural Studies needs to be grounded in local intellectual traditions and histories upon which critical works out of Asia and the Third World will have to be actively engaged to overcome the dominant condition of knowledge which singularizes the West as the only source for intellectual interventions. 相似文献
19.
Indira Chowdhury 《Inter-Asia Cultural Studies》2013,14(3):519-526
Abstract Structured as a series of personal reflections on the relations between two Asian countries, this article moves between personal anecdotes during a visit to Beijing and musings on historical exchanges between India and China in the 20th century. Beginning with Tagore’s visit in 1924, the author includes Dr Kotnis’s heroic efforts at working with the wounded during the Sino‐Japanese War in 1938, Dr Bhabha’s invitation to S.S. Chern in the 1940s and moves on to a visit by a leftist folksinger, Hemanga Biswas in the 1950s. The present‐day expansion of tourism in a globalised Beijing provokes thoughts that contrast to the present with the past and also reflects on Indian perceptions of communism and the Cultural Revolution. A visit to a Biomembrane laboratory becomes the occasion for surveying the development of modern science in China. Finally, the article raises questions about the nature of cross‐cultural interactions that operate beyond linguistic and ideological barriers. 相似文献
20.
Asia in the edges: a narrative account of the Inter-Asia Cultural Studies Summer School in Bangalore
Nishant Shah 《Inter-Asia Cultural Studies》2013,14(2):306-314
AbstractThe Inter-Asia Cultural Studies Summer School is a Biennial event that invites Masters and PhD students from around Asia to participate in conversations around developing and building an Inter-Asia Cultural Studies thought process. Hosted by the Inter-Asia Cultural Studies Society along with the Consortium of universities and research centres that constitute it, the Summer School is committed to bringing together a wide discourse that spans geography, disciplines, political affiliations and cultural practices for and from researchers who are interested in developing Inter-Asia as a mode of developing local, contextual and relevant knowledge practices. This is the narrative account of the experiments and ideas that shaped the second Summer School, “The Asian Edge” which was hosted in Bangalore, India, in 2012. 相似文献