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1.
<正>全球网络化时代,城市形象的全球传播对城市的经济形态,城市发展的物质基础以及城市在全球城市网络中的地位都发挥了更为直接迅速的作用。上海市政府在《上海市城市总体规划(2016-2040)》中也明确提出了上海未来积极建设卓越全球城市的战略目标,其中经由全球主流媒体建构并传播上海卓越全球城市形象也成了其中应有之义。本文从框架理论的立场出发,利用大数据考察2016年到2017年全球主流媒体对上海城市形象的建构与传  相似文献   

2.
《对外大传播》2014,(1):31-33
城市国际形象属于城市形象的国际传播范畴,是国际人士对城市形象的认知,是国际媒体所呈现的城市形象。作为城市核心竞争力的重要资源性要素,当前城市国际形象的建设与推介被提升到了全新的高度。面对全媒传播、全球传播、全民传播的时代背景和媒介环境,如何突破城市国际形象传播的现实困境,实现城市形象国际传播创新,是当前应该着力思考和解决的问题。  相似文献   

3.
正作为"一带一路"海上丝绸之路和粤港澳大湾区建设中的重要节点,广州的城市形象对外传播具有的战略意义已上升到一个新高度。与此同时,媒介技术变革给国际传播领域带来了新变化。研究表明,微信是中国境内国际受众使用频率最高的中国社交媒体,这为广州城市形象对外传播提供了新的契机和路径。本文通过问卷调查、深度访谈等调研方式获得在穗外国人微信使用的内容偏好和  相似文献   

4.
正城市国际形象属于城市形象的国际传播范畴,是国际人士对城市形象的认知,是国际媒体所呈现的城市形象。作为城市核心竞争力的重要资源性要素,当前城市国际形象的建设与推介被提升到了全新的高度。面对全媒传播、全球传播、全民传播的时代背景和媒介环境,如何突破城市国际形象传播的现实困境,实现城市形象国际传播创新,是当前应该着力思考和解决的问题。一、城市国际形象传播的背景全球化、城市化、工业化、信息化和市场化的飞速发  相似文献   

5.
在传统媒体时代,城市形象的传播主要是政府通过引导传统主流媒体进行宣传推广。在这样的格局下,传播是由政府主导的主流媒体"单向"的传播给受众;政府可以通过"议程设置"引导受众的关注点;可以通过履行"把关人"角色,消除传播中的"杂音",城市形象的正面传播居于主要地位。随着新媒体时代的到来,传播的格局发生了巨大变化,政府在城市形象传播中的中心地位被罢黜。本文基于传播学理论,分析了新媒体环境下城市形象传播格局的变化,并站在政府的角度上,围绕传播主体、传播内容、传播受众、传播媒介等要素,提出了一些城市形象传播的对策建议。  相似文献   

6.
研讨会举办了"全球传播时代的国际传播战略转型"、"区域和城市形象传播"、"大数据时代的全球舆情新趋势"、"中国梦的国际传播"、"中国核心政治话语传播"、"中国媒体本土化战略"等四个专题分论坛和两个圆桌会议。(摄影徐讯)  相似文献   

7.
<正>国际自媒体成为城市形象对外传播的新场域,本文运用实证研究方法分析国际自媒体中北京城市形象传播的特征。国际自媒体中有关北京的信息涉及的主要方面包括文化艺术、旅游、体育、政治、科技创新等议题。信息的主要倾向为客观为主,正面信息多于负面信息。正面倾向主要集中在科技创新、旅游和文化艺术等议题,负面倾向主要集中在政治、环境问题、社会和交通等议题。在此基础上,本文提出北京城市形象国际传播的策略建议。  相似文献   

8.
城市国际传播CITY BRANDING分享全球城市传播案例探索城市形象传播规律助力城市国际传播计划搭建学界、业界与国内外城市之间沟通交流的平台将国际城市中品牌建设、公关活动的优秀案例引进来将中国城市中极具特色的国际传播案例推出去专题分析境外媒体对中国城市话题的关注及原因。  相似文献   

9.
《对外大传播》2016,(4):67-70
正在新媒体时代,社交媒体发展迅速,城市形象国际传播的媒介环境、舆论环境、传播主体等都发生了明显的变化,不再主要依赖广播、电视、报纸等大众传媒来进行。因此,充分利用社交媒体所具有的开放性、互动性和共享性等特性开展城市外宣,应成为移动互联时代城市形象国际传播的重要策略及研究方向。  相似文献   

10.
正随着中国城市化进程的加快,城市形象传播的危机应对也作为重要课题被提出。一直以来,城市形象传播多是以政府的宣传部门为主,引导主流媒体对城市新闻、城市活动进行报道宣传,因而传播内容与过程在某种程度上说是可控的,形象危机频发的概率较小。但在移动互联网产业快速发展的当下,媒体环境发生了巨大变化,传播渠道日益多元化,传播速度越来越快,传播内容日益透明,城市形象传播面临着很大挑战。一盘"天价虾"、一个  相似文献   

11.
Although languages and cultural boundaries circumscribe the reach of news, global news regularly flows across geographical boundaries at high velocity, particularly on social media. This research explores the role multicultural individuals play in global news flows on the Twitter social media platform. We examine the case of a Chinese documentary film about pollution. Through a quantitative network analysis, we identify the key opinion leaders in the Chinese and English language discussion of the film on Twitter. An in-depth qualitative analysis was then conducted on the opinion leaders to understand their different strategies and practices for constructing and disseminating global news.  相似文献   

12.
Abstract

Global perspectives and national approaches have dominated studies of climate-change communication, reflecting the global nature of climate change as well as the traditional research focus on national media systems. In the absence of a global public sphere, however, transnational issue attention is largely dependent on regional media systems, yet the role this regional dimension plays has been largely overlooked. This article presents a comparative study of climate-change coverage in three geo-cultural regions, The Middle East, Scandinavia, and North America, and explores the link between global climate-change communication and regional media systems. It finds that regional variations in climate-change communication carry important communicative implications concerning perceptions of climate change's relevance and urgency.  相似文献   

13.
ABSTRACT

This article offers a textual analysis and semiotic reading of the Rich Kids of Tehran's (RKOT’s) Instagram page. Contributing to scholarship on Iranian youth media practices, this article interrogates how the RKOT navigate urban and rural space to engage in everyday processes of resistance against global and local systemic oppression. Grounding their visual representations on Instagram in historical and cultural context, the author questions how and when quotidian actions are transformed into political transgressions when posted on social media. This article emphasizes the RKOT's agency in shaping their brand by analyzing representations of gender performance, intertextuality, and national identity on Instagram.  相似文献   

14.
Branding is an economic and cultural process. Branding endows goods and services with value which corporations protect as their intellectual property, enabling brands to support share prices and be traded as assets in takeovers and mergers, at the same time as they serve to differentiate products competitively in the marketplace. Yet this ‘brand value’ depends on cultural perceptions of the meaning and worth of a brand. More than the unique image or positioning of a brand being maintained relative to others of its kind, such perceptions may involve the expressive and emotional attachment of consumers, and this may be very widely shared. This paper argues that, with certain brands, such shared attachment can occur on a national basis, so that they become symbols of national belonging. Whereas consumers attribute a putative foreign national origin to some global brands – for example, Harley-Davidson is unequivocally ‘American’ – they relate to other brands as expressive of their own national origin. This identification often persists even when national brands are taken over by global corporations, since the brand's association with the nation is a major dimension of its value, or the ‘brand equity’ which the new global owner has paid for, and intends to capitalise upon. The paper examines instances in which this has happened in Australia, such as the traditional brand Vegemite, long ago acquired by Kraft, and also cases where the Australian associations of a brand have been exploited in establishing its global identity, notably Foster's Lager.  相似文献   

15.
城市文化是一座城市的核心竞争力和名片,而古都代表着一座城市辉煌灿烂的历史,浸透着不同阶段不同程度上的中华传统文化。随着新媒体时代的到来,微信等新媒体为古都城市文化的传播提供了新的载体和呈现形式。以古都洛阳历史文化资源点的微信公众号为例,选取代表古都洛阳城市历史文化形象的20个历史资源点的公众账号,从组织机构定位、信息发布、内容构成三方面分析,发现了洛阳历史文化资源点微信公众号在意识形态、传播内容、传播效果和运营管理等方面的问题,并力图提出更为有效的解决方案。  相似文献   

16.
Cinema marks a profound shift in the relation between image and text – indeed it is the watershed of the subjugation of language by image. Cinema as an innovative shift in both industrial capitalism and cultural practice marks, therefore, the restructuring of language function in accord with the changing protocols of techno-capitalism. The ‘talking cure’, otherwise known as psychoanalysis, is itself a symptom of cinema. As a precursor for TV and computing and Internet, cinema transacts value transfer across the image utilising a production process that can be grasped as founded under the rubric of what I call ‘the attention theory of value’. The deterritorialised factory that is the contemporary image, is an essential component of globalisation, neo-imperialism, and militarisation, organising, as it were, the consent (ignorance of) and indeed desire for these latter processes. Thus ‘cinema’, as a paradigm for image-mediated social production, implies a cultural turn for political economics. It also implies that it is the interstitial, informal activities that transpire across the entire surface of the socius as well as in the vicissitudes of the psyche and experience that are the new (untheorised) production sites for global capital – and therefore among the significant sites for the waging of the next revolution.  相似文献   

17.
This study focuses on how and why Indian American immigrants engage with movies from their home country in a transnational global context. Existing literature has focused on lack of host language proficiency as the primary reason for ethnic media consumption. We suggest that for Indian Americans, the motivation for consuming Indian films is driven by ethnic performance rather than language proficiency. A survey was conducted with Indian Americans to explore the relationships among Indian movie consumption, acculturation indices, language proficiency, and ethnic performance. Results show that ethnic performance is a stronger predictor of Indian movie consumption than language proficiency and acculturation indices.  相似文献   

18.
老年宜居环境建设是积极应对人口老龄化的重要手段。利用2003-2017年我国9个国家中心城市的面板数据,运用TOPSIS评价模型,对城市老年宜居环境发展状况进行综合评价,其次利用障碍因子模型测算城市老年宜居环境主要障碍因子。结果表明,国家中心城市的老年宜居水平存在较大的差异,北京、上海、广州的整体宜居度最高;环境空气质量、养老床位和医疗床位成为国家中心城市的共同障碍因子。基于此,根据各个城市障碍因子测算结果,提出相应的政策建议。  相似文献   

19.
This work faces the problem of detecting decay zones from color images of stone materials. In Cultural Heritage, the extraction of degradation regions from images of ancient monuments represents an important step forward in studying and analyzing the state of preservation of historical buildings. Generally the decay diagnosis is provided by “naked eye” analysis done by expert scientists “walking around” the artifact and recording the conservation state of each individual element they observe. In addition to this kind of investigation, the application of an image segmentation strategy to color images of stony materials can be used in order to extract regions characterized by a visible chromatic alteration, changes in color, for example, as oxidation or concretion. This paper features a color image segmentation approach founded on the fast marching numerical method. We have applied this technique for its possibility to work locally, that is, only the contour of the region under study is processed. In addition to this method, we present a global approach, that is, the possibility to extract decay regions from the entire image; these regions are spatially disconnected but with similar colorimeter value. The main aim of the present work is to provide a tool that helps the expert to contour the degraded regions. In this sense even if the results of the proposed procedure depend on the expert evaluation, the approach can be a contribution to improve the efficiency of the boundary detection process. The study case concerns the impressive remains of the Roman Theatre in the city of Aosta (Italy). In the image segmentation process the color space L*a*b* is utilized.  相似文献   

20.
Universities worldwide are facing enormous strains as a result of increased external expectations where global visibility should be mixed with local and regional utility. In debates on the future of higher education, becoming an entrepreneurial university has been highlighted as a novel – although perhaps a more hybrid – way to deal with this challenge. However, while the label entrepreneurial points to an image of the university as a dynamic free agent shaped in the interplay between dynamic environments and internal flexibility, the current article takes a more critical view on the factors conditioning universities with the ambitions of becoming more entrepreneurial – particularly those of more recent age and less academic standing. For these institutions it is suggested that the university ideal of being entrepreneurial may lead to a situation of strategic inertia characterized by an institutionalized ‘lock-in’ with few alternative development paths.  相似文献   

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