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1.
The special issue aims at exploring, with an economic perspective, the interconnections between cultural participation, in all its expressions, and tourism organization and patterns with the purpose of understanding economic effects, emerging trends and policy implications. The expanding notion of the cultural consumption of tourists makes the definition of cultural tourism increasingly elusive. Empirical investigations of the relationships between cultural participation and cultural heritage and tourism offer interesting hints in many directions. This introduction briefly overviews the premise of this special issue, the literature and the several perspectives taken by the included articles. Aside from their cultural topics—general, intangible or temporary—these essays all tackle some important economic dimensions of tourism. We encourage cultural economists to invest more in these fascinating areas as more than just intellectual tourists. 相似文献
2.
Heritage institutions, as one of the main aspects of culture, play an important role in economic prospect of culture by promoting tourism industry. Turning to the interpretation of culture in economic terms, the goal of this paper is to adopt a practical evaluation tool in order to assess the efficiency of heritage institutions. This study evaluates the technical efficiency of a regional system of museums in Tehran, the capital of Iran, using Data Envelopment Analysis approach. The findings may prove useful for management of these institutions in economic point of view, as well as for those responsible for public resource allocation policies in the area of cultural heritage. 相似文献
3.
文化遗产是一个地区历史和文化的见证,是对历史的记录,对现代人而言是具有重要价值的历史文化资源。历史文化名城商丘,在国家相关政策引导下,积极进行有机更新。通过调研的方法,依托文化资源与旅游业相融合发展的政策背景,结合商丘的文化遗产状况分析商丘古城文化旅游建设过程的自身优势以及在发展文化旅游时存在的问题,提出发展文化旅游建设需要管理者积极转变思路,以游客需求为中心提供相关服务;进行部门合作,规范管理;政府给与产业政策倾斜,多产业融合的措施和建议,以期为商丘古城旅游建设添砖加瓦。 相似文献
4.
The estimation of the economic effects of cultural events is a topic that has stirred numerous debates in cultural economics. Although economic impact studies and contingent valuation have been the most frequently used methods, both suffer from numerous problems. In this article, we use ex-post econometric verification as a new and promising method in cultural economics in the estimation of the economic effects of cultural events and apply it to the estimation of the effects of the 2012 European Capital of Culture Maribor on tourism and employment. This enables us to compare results from economic impact and ex-post econometric verification studies to find significant differences in particular in terms of new employment. We determine the net effects on new tourism and find that they were mainly present in Maribor, the holder of the project, and not in the other five partner cities. We conclude by reflecting on the state of the art of the studies of economic effects of cultural events in cultural economics and their relevance for the study of cultural tourism. 相似文献
5.
We study the socioeconomic determinants of cultural participation in thirteen major Chinese cities for a broad range of indicators that cover highbrow and popular cultures. Consistent with previous studies from high-income countries, we find strong support for the elitism hypothesis: education and income increase participation in a broad range of cultural activities. There are also some exceptions. Interestingly, we also find a U-shaped relation between participation and city development for free and publicly supplied culture. Moreover, the impact of education, and to some extent also income, is weaker in richer cities. These findings contribute to understanding China’s key policy objective of promoting equal access to culture. 相似文献
6.
Ju Oak Kim 《Culture, Theory & Critique》2018,59(2):81-93
ABSTRACTThis essay focuses on the relationship between culture and governance, exploring how the practice of government has invoked conflicts and crises in the Korean culture industries. The Park Geun-Hye regime used culture as a central engine to boost Korea's national economy by adopting the new slogan, ‘Creative Korea’, to embody the country's national values within the international community. However, the regime's constant emphasis on creative economies came under attack when it was discovered that the Ministry of Culture and Tourism abused its authority by censuring 9,473 artists who were critical of the regime. Through an analysis of journalistic interviews with artists, critics and cultural practitioners, this paper examines how the relationships of governmentality, culture and creativity have been negotiated in the process of regime change. In addition, this paper explores how the Korean Wave phenomenon – the transnational expansion of Korean popular culture – during the past two decades has reshaped the society's perception of the governor–governed relationship within the cultural sphere. 相似文献
7.
《Journal of Cultural Heritage》2009,10(1):1-8
Investment in cultural heritage (and other forms of culture) are often claimed to be beneficial for a local economy, not only in terms of cultural consumption, but also in the form of increased employment and income. This article addresses some methodological questions regarding economic impact studies of investments in cultural heritage projects. Different types of direct and indirect impacts are being discussed, especially how these can be calculated. We also give a short overview over some studies of economic impact of different cultural and/or tourism activities, and the pros and cons of these studies. In a study of the Norwegian town of Røros, we find that tourism related to the cultural heritages in the region contribute some 7 per cent to overall employment and income. 相似文献
8.
Lizzie Richardson 《Journal of Cultural Economy》2019,12(3):228-241
Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications. 相似文献
9.
Juan Ignacio Pulido-Fernández Marcelino Sánchez-Rivero 《Journal of Cultural Economics》2010,34(2):111-129
As a result of globalization, the widespread use of ICTs, and advances in transport infrastructure, tourism destinations have
to confront an increasingly competitive setting. When to this one adds the saturation of some of the original markets, the
consolidation of traditional coastal destinations, and changes in client preferences and habits, it is not surprising that
cultural tourism is being seen as having considerable growth potential over the next few years. In this context, policy-makers
have been striving to better understand the cultural tourism market by attempting to segment their clients so as to adapt
their offer to the client’s needs and leave the client satisfied with the experience. Unfortunately, most studies on cultural
tourism segmentation have been purely psychographic. While this can help to explain attitudes, it fails to identify, access,
and quantify segments, and is of little use for implementing specific strategies. The aim of the present work was to study
the influence of socioeconomic and demographic variables (age, academic level, expenditure on tourism, inter alia) on the predisposition to choose cultural tourism (the “culturophile tourist”). To this end, we have developed a novel methodological
approach and applied it to the results of a survey conducted by Andalusia’s Middle Towns Initiative. The approach uses the
latent variables resulting from a latent class analysis to estimate log-linear models. 相似文献
10.
《Journal of Cultural Economy》2013,6(3):379-394
This article develops the concept of ‘alternative cultural tourism’ through an in-depth study of the Prague Fringe Festival (PFF). In doing so, it argues that existing approaches to cultural tourism often fail to differentiate between different forms of culture (i.e. alternative versus mainstream), whilst also interrogating the criteria by which festivals can be understood as examples of alternative cultural tourism. Utilising a combination of both quantitative and qualitative data, involving audiences, festival performers and workers/volunteers, it is asserted that the PFF brings together a diverse mix of cultures, and seeks to create a more participatory and engaging tourist experience. Additionally, its more egalitarian organising structure produces different kinds of work and social relations in the production of art and culture – particularly between various groups working within the festival, but also in the creation of different ideas about audience engagement, performer relations, and engagement with the local community (through the idea of the ‘festival participant’). The article concludes by briefly exploring the potential of alternative cultural tourism to provide more meaningful and sustainable models of urban cultural development. 相似文献
11.
Enrico E. Bertacchini Chiara Dalle Nogare Raffaele Scuderi 《Journal of Cultural Economics》2018,42(4):619-643
This article provides an empirical investigation of the effects of the ownership and organizational structure on the performance of cultural institutions. More specifically, we consider how museums are effective in their function of disseminating culture to audiences and contributing to the local development. By exploiting a unique data set based on the 2011 census of Italian museums, we develop performance indices of accessibility, visitors’ experience, web visibility and promotion of the local cultural context. Using count data models, we regress such measures on the type of organization. We distinguish between governmental museums, public museums whose administration is either outsourced or has financial autonomy and private museums. We control for the most salient characteristics of a museum, competition pressure and some proxies of potential audience. Our evidence shows that private museums, public museums with financial autonomy and outsourced museums outperform public museums run as sub-units of culture departments. This paper contributes to the cultural economics and public policy and administration literature by adding insights into the effect of outsourcing and administrative decentralization in the public cultural sector. 相似文献
12.
In this article we study the determinants of cultural participation in Israel with an emphasis on the Weberian distinction
between class and status. The class measure is based on occupational groupings, and status is operationalized as a rank of
occupations based on social distance. We expect that class will be less important than status in shaping cultural participation
patterns. In addition, due to the importance of ethnicity and religiosity in Israeli society, we expect that these factors
will be significant in shaping cultural participation. Data are based on two telephone surveys conducted in 2006 and 2007
of a random sample of the Jewish population in Israel. We find that, contrary to our expectation, class is more influential
than status. We also find that ethnicity and religiosity are important factors that shape cultural participation patterns.
We discuss possible explanations to the finding regarding class and status, with special attention to the role cultural policy
plays in mediating the economic effect on consumer behavior. We also call for more attention to ethnicity and religiosity
in studies of cultural stratification.
相似文献
| Tally Katz-GerroEmail: |
13.
中国大运河是流动着的活态廊道遗产,如何保护、传承和利用运河遗产资源已上升到国家战略的高度。通过实地考察与文献分析,客观归纳当前苏州段运河的发展瓶颈,并借鉴国内外典型线性遗产廊道的成功经验及发展模式,从完善基础设施、美化生态环境、统筹规划旅游产品谱系、创建运河文旅品牌、推动产业融合创新等方面,构建苏州段运河遗产廊道的核心竞争力,服务于地方生态文明建设与社会文化事业发展的同时,以期为中国大运河遗产资源的统筹保护、有效传承与活态利用提供有益参考。 相似文献
14.
《Journal of International and Intercultural Communication》2013,6(2):158-180
Abstract Encouraging involvement in local, regional and national communities in order to develop a healthy democracy is a laudable goal for society. However, culturally marginalized groups that have been historically excluded from such participation, and who utilize communication patterns that differ from the dominant culture, cannot take all the responsibility for becoming engaged. The aboriginal peoples of North America are one such marginalized cultural group. Utilizing data from the current British Columbia treaty process, this study posits communication structures, attitudes, and behaviors that dominant culture groups must adopt in order to build positive long-term relationships for public engagement with historically marginalized cultural groups. 相似文献
15.
由于行政架构与法律制度的差异,较之于国际几大著名湾区和国内长三角地区,粤港澳大湾区的合作发展更显出法律关系的复杂性。政策叠加优势在开拓了粤港澳产业和区域合作发展的更大发展空间的同时,也对粤港澳大湾区跨域性融合发展的制度化建设提出了新的挑战。通过对粤澳旅游合作"先行先试"安排的梳理,阐明粤澳进一步深化旅游合作的政策叠加优势,从而促进粤澳多元文化的交流与融合,推进大湾区高质量发展的文化新高地、新业态的形成。 相似文献
16.
Zheng Liu 《Journal of Cultural Economy》2020,13(4):461-474
ABSTRACT This article investigates how cultural businesses may facilitate contentious political activity in authoritarian contexts. Existing research in Western liberal democracies has shown the widespread political activism of actors in the cultural and creative industries. Whether such activism exists in authoritarian society, how it may differ in character and form, and what implications this will have for our understanding of relations between business, politics, and culture in authoritarian countries remain to be addressed. Drawing on data collected from 55 ‘independent bookshops’ in China, I illustrate how these organisations perform ‘cultural politics,’ a type of political participation in which actors employ mainly symbolic means to express social and political concerns. The organisations’ economic relations and conditions facilitate their efforts to create spaces in which contentious questions can be raised, sensitive topics explored, and alternative ideas expressed, despite the Chinese state’s political regulation of the cultural sphere. The finding of the economic embeddedness of cultural politics sheds new light on our understanding of the political economy of cultural businesses in contemporary China. 相似文献
17.
Steve Globerman 《Journal of Cultural Economics》1980,4(2):15-25
Conclusions The bulk of contemporary policy concern in the cultural area is focussed on the nature of government assistance. In particular,
there is a growing feeling that indirect assistance to cultural industries should be promoted to a greater extent than it
has been in the past. This feeling reflects both the view that real levels of direct government grants may not be sustainable
and the presumption that indirect forms of assistance (such as tax concessions and the like) can channel aid to artists more
efficiently than direct forms of assistance, such as Canada Council grants to arts organizations.
The various arguments offered in favor of one or another approach towards funding cultural activities are certainly not conclusive.
The main point to be made in this regard, however, is that debate over how culture should be funded is taking place in the
absence of explicitly formulated operational objectives as well as crucial information about how the cultural production and
marketing processes operate. In this regard, ineffectual policy-making across the broad spectrum of cultural assistance programs
may be of far greater concern than any efficiency differences which might be anticipated between various forms of assistance
to the arts. 相似文献
18.
大运河作为世界上开凿时间最早、流程最长的人工运河,在漫长的历史发展中,对所流经区域的景观和城市的发展产生了深刻影响。大运河本体的遗产价值以及运河生态环境,都是沿线区域和城市发展过程中重要的考量要素。现阶段,大运河文化遗产保护与利用理论研究整体滞后于实践发展,保护和利用的规划、实施管控和文旅发展等方面在实践中也因为价值理念的认知、缺乏科学系统理论指导和健全法规与机制支撑等等困境而出现了诸多问题,在一定程度上,影响了世界遗产这一重要资源的保护和利用成效。在梳理现有文献和分析基础上,结合实践现状,揭示了大运河的保护和利用面临的挑战和现实困境,为科学保护大运河遗产的原真性、整体性,以及动态连贯性提供基础性理论支撑。 相似文献
19.
The Spring Fiestas in Seville (Spain) (SFS) are the most important cultural events in the city each year. The present paper pursues two aims. The first is to characterize the SFS as a new prototype of a complex cultural good that expresses the link between the people and the place in which they live based on material and immaterial cultural heritage represented through popular celebrations. The second goal is to conduct an empirical analysis of the determinants that shape attendance intensity by estimating a zero-truncated count data model using a unique dataset of attendees at the SFS in 2009. Findings indicate that attendance is strongly associated with variables reflecting knowledge, institutional links, past experiences, and the perceived external benefits generated by the existence of the SFS. The article contributes to the literature by exploring participation in popular celebrations, a field of inquiry that to date is extremely limited in cultural economics. 相似文献
20.
随着旅游业的快速发展,促使道路的功能更加丰富,除了基本交通功能外,更要与文化、旅游、景观、保护等功能有机结合,风景道的多重功能正满足社会发展对道路建设的新要求,传统道路如何向风景道转化成了一个难题。基于景观绿地的角度,分析道路绿地的景观特性以及当下道路绿地规划的问题,种植模式中引入"延续"的理念,从研究范围、空间结构、文化表征和构景单元四个角度探讨了风景道绿地营造的规划策略,形成了一种从"连续"转向"延续"的地域景观长廊。最后,以江苏金坛长荡湖西路的植物设计来说明"延续"理念的应用过程。 相似文献