共查询到20条相似文献,搜索用时 187 毫秒
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西方有不少大作家,因为各种原因而英年早逝。比如普希金38岁时死于决斗,拜伦36岁时死于恶疾。不过,与下面三位相比,普希金和拜伦已经算长寿之人了,因为,这三位分别活了26岁、27岁和28岁,可谓西方最短命的三位大作家了。 相似文献
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威廉·布莱克1757年11月28日出生于伦敦,他的父亲是一个小本经营的袜商。从童年开始,布莱克就声称见到过幻象。4岁时,他看见上帝“把头放在窗户上”。大约在9岁的时候,一次在乡村散步,他看见一棵树上栖满了天使。尽管他的父母努力阻止他“说谎”,但他们还是注意到他与其他孩子的不同,没有强迫他进入正规的学校而在家里自学。10岁时,布莱克表达了希望成为一个画家的愿望,于是父母把他送进绘画学校。两年以后,他开始写诗。14岁时,父亲打算送他去一位著名艺术家门下当学徒。 相似文献
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李慈铭出生于浙江会稽望族,自幼家道富裕,得以识字读书。他“生有异才”,开蒙识字极早,四五岁时便识字于白华绛跗阁中,六岁时“识字一千”,十一岁“始学作文”,十二三岁“即工韵语”。由于他在诗歌、骈文方面极富天赋,所以在十五六岁便渐渐得名。毫无例外,他也希冀通过科考,步入仕途,实现自己的政治抱负,以光耀门楣。 相似文献
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台湾岁时节庆及风俗民情,几为闽南风俗的翻版。杂糅闽越文化、中原文化及海洋文化的闽南风俗,经闽南移民流传至台湾,在台湾深深扎根,浸透到台湾民众生活的方方面面。福建岁时节庆风俗中与女性相关的部分,也成为台湾妇女生活的一部分,有些还在流传中被赋予新的内容和形式。 相似文献
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弗拉迪米尔·纳博科夫(1899-1977),当代著名俄裔美籍作家,出生于俄国圣彼得堡一个贵族家庭,因有富裕的家境,他从小受到良好的教育,3岁时,就可以用英文熟练表达,5岁时开始学习法文,到15岁时,他已经阅读了托尔斯泰的全部作品,并且用英文阅读了莎士比亚的全部作品,用法文阅读了福楼拜的全部作品,另外还有数百本其它书籍。7岁那年,他继承父亲收集蝴蝶标本的爱好开始着迷于捕蝶,终身不弃, 相似文献
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一 华胜
节令风物原是岁时文化的重要组成部分,系缀节日之祝祷与欢欣的物事,一面凭了这一串联历史记忆的方式而形成传统,一面随着岁月的推移,在演变中幻化出更多的美丽,因不仅在节日里添福增瑞,且成各个领域造型与纹样设计的取样来源之一。 相似文献
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Li Guoping Xiao Mei 《中外文化交流(英文版)》2009,(8):12-14
He is an ordinary Chinese artist but his creations stunned former British Prime Minister Thatcher and Danish Queen Margaret Ⅱ, He was invited to many countries like USA, Japan, South Korea, Italy , Spain and Canada, His artistic career was covered by such prestigious International media as CCTV, Washington Post and BBC. AS a young artist, he was granted the title of "Chinese Folk Affist" by UNESCO. He was hailed as "Chinese Plcasso " by Western art critics. His name is Gao Dongsheng. 相似文献
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Visits to museums have been studied as hedonic and utilitarian forms of cultural consumption, though limited attention has been given to the access of museum collections online. We perform a unique historic analysis of the visibility of collections in a museum of ethnographic collections and compare 100 years of onsite visits to 5 years online visits. We find two main results: first, access to collections increased substantially online. From a selection of objects available both onsite and online, access grew from an average of 156,000 onsite visits per year to over 1.5 million views online per year. Onsite, the museum received 15.5 million visits in a span of a century while online, collections were viewed 7.9 million times in only the last 5 years. Second, we find a difference in consumer preference for type of object, favouring 3D onsite and 2D online (photographs of objects, particularly when showing them being used). Results support understanding of online heritage consumption and emerging dynamics, particularly outside of an institutional environment, such as Wikipedia. 相似文献
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