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1.
Abstract

The Inter-Asia Cultural Studies Summer School is a Biennial event that invites Masters and PhD students from around Asia to participate in conversations around developing and building an Inter-Asia Cultural Studies thought process. Hosted by the Inter-Asia Cultural Studies Society along with the Consortium of universities and research centres that constitute it, the Summer School is committed to bringing together a wide discourse that spans geography, disciplines, political affiliations and cultural practices for and from researchers who are interested in developing Inter-Asia as a mode of developing local, contextual and relevant knowledge practices. This is the narrative account of the experiments and ideas that shaped the second Summer School, “The Asian Edge” which was hosted in Bangalore, India, in 2012.  相似文献   

2.
ABSTRACT

What is the place of the diasporas within the Inter-Asia Cultural Studies movement, and how can Asian diasporas in the West contribute to Inter-Asia's intellectual project of “problematising Asia”? Developing a notion of diaspora as method, this essay highlights the complementary relationship between the Asian Australian Studies Research Network and the Inter-Asia Cultural Studies network. It argues that the Inter-Asia network has much to gain from embracing the Asian Australian diaspora as an interlocutor with shared priorities and concerns, and that Asian Australian studies can also productively learn from Inter-Asia's alternative model of institutionalisation, thereby expanding its theoretical and methodological frames of reference.  相似文献   

3.
ABSTRACT

The series of reflections are based on a roundtable discussion amongst Canada-based scholars with research interest in transnational, postcolonial, migration and diaspora studies. Their reflections engage with key ideas from Inter-Asia Cultural Studies through the lens of their research practices and personal histories. Y-Dang Troeung revisits generational memories that are shaped by the “Cold War fraternity” of China, Cambodia, and North Korea through the perspective of Critical Refugee Studies and her personal transits between Asia and Canada. Robert Diaz traces shifts in migratory routes by attending to diasporic returns to the Philippines under complex conditions of globalization that shape and constrain mobility between North America and Asia. Lara Campbell examines overlooked moments of transpacific connections in Canadian women’s history to show how Inter-Asia encounters complicated the racial dynamics of the suffrage movement in early twentieth century British Columbia. The roundtable discussion demonstrates the potential for ongoing dialogues on Inter-Asia issues among scholars in Canada and beyond.  相似文献   

4.
ABSTRACT

This paper proposes to use inter-Asian methodologies to reread Asian Canadian Studies. As an intellectual and political project, Asian Canadian Studies has largely been constituted through its responses to the Canadian nation-state and anti-racism alliances but has failed to seriously engage with Asia as a critical problematic. Informed by theories and practices of inter-referencing developed through Inter-Asia critique, we reconsider the specific pressures, local debates, and historical moments that have produced the field's central arguments and reframe the field as a series of localized reference points in dialogue with each other as well as with Asia. We conclude by turning to Madeleine Thien's novel Dogs at the Perimeter in order to ask what it might mean to localize Asian Canadian Studies and reposition it as part of a transpacific rather than nation-based formation.  相似文献   

5.
Preface ?Concerned with the escalation of territorial disputes in East Asia since July, we proposed setting up the Minjian East Asia Forum (the Forum hereafter) on October 6, 2012, serving as a platform for East Asian people to face regional disputes and exchange opinions together. Minjian is a Chinese term that has counterparts in Japanese, as minkan, and in Korean as mingan, based on the same Chinese characters. Although used differently with different meanings in each context, minjian, as used here, refers to the non-governmental, popular voices and organizations, initiated by the people. Although the Forum was started to respond to and engage in the recent territorial disputes, it was not created out of thin air, but on the foundation of East Asian solidarities built by many predecessors over the last 30 years.1 “In the last two decades, we have participated in the minjian, read here as people-based and hence non-governmental, solidarity movement of various kinds—including Asia Regional Network for Alternatives (ARENA, 1980s), the Inter-Asia Cultural Studies: Movements (2000–), the East Asia Critical Journals Conference (2006–), and West Heavens: India China Summit on Social Thought (2010–). We also established the Inter-Asia School (2011–) and organized the first Asian Circle of Thought in Shanghai (2012) as well as the Modern Asian Thought project (2012–). In doing this work, we follow the footsteps of Ashis Nandy, Muto Ichiyo, Chen Yingzhen, Paik Nak-Chung, and the late Mizoguchi Yuzo. In moving around Asia, we created a linkage between circles of critical intellectuals and movement, and by talking to friends in the circle of thought, we came to realize that within the entire expanse of Asia, East Asia is the region that experiences the greatest difficulty in stepping outside of the Cold War division and in reimagining the region as a collectivity. Especially when China and India are fast developing their economies, we must be more aware of the social contradictions and inequalities that are deepening in the region, as well as the role each state plays in the global inter-state system. In this complex and volatile context, we must try to find a better road to development—for public good, justice, equality, and world peace. Unfortunately, the party politics in each state has blocked the proactive interaction within the region for its own interest. Even when East Asian states are imagining an East Asian community, a common platform for civil societies to communicate and address issues that are of regional significance is achingly absent. In this sense, our imagination of ‘minjian East Asia’ is a people-based, non-governmental platform for regional dialogue that attempts to check and balance the exchange of interest based on party politics, and monitor the governments, preventing them from making arbitrary decisions that will escalate tension and threaten peace in the region” (Chen et al. 2013 Chen, Kuan-Hsing, Chih-Ming Wang and Qingya Hu. 2013. Minjian East Asia Forum: feelings and imaginations. Inter-Asia Cultural Studies, 14(2) ,, this issue[Taylor & Francis Online] , [Google Scholar]). We expect the Forum (with the secretariat to be based in Seoul) to become a people-to-people network that will continue to extend beyond borders and express people's voices, fostering the steady development of peace in Asia and the world through communication, conversation, and collaboration.  相似文献   

6.
ABSTRACT

Recent film and television treatment of South Asia from UK producers have introduced new angles on the violent politics of colonial past, whether this be the activities of the East India Company in the early days of Empire, or about Partition, at the ostensible Raj’s end. The controversy over Gurinder Chadha’s 2017 film Viceroy’s House is taken as an opportunity to consider the new South Asian film and television studies and the emergent scholars that are challenging conventional media studies models. The co-constitution of here and there is given as an analytic lens through which to comprehend representation and stereotyping in films “about” politics in South Asia, and the view taken is that a debilitating divide and rule, via mechanisms of representation, remains strongly in place, despite the fighting efforts of the new South Asian media scholarship.  相似文献   

7.
Abstract

This paper proposes new conceptual frameworks for “inter-Asia studies” in order to be more appropriate for addressing and redressing the demands of global patriarchal capitalism as well as overcoming the “regime of separation” of Asian studies from African and/or Latin American studies. To do that, first, I will problematize the male-East Asia-metropolis centeredness of “inter-Asia.” Then, I will try to locate “inter-Asia studies” into the field of “tricontinental studies” invented by the decolonial and deimperial spirit of connection between the colonized continents of Asia, Africa and Latin America. In the third section, I will propose a “feminist inter-referencing reading” that involves shuttling back and forth between the postcolonial sub-regions of Asia, Africa and/or Latin America horizontally from the location and perspective of gendered subalterns rather than upward-mobile metropolitan feminists. The feminist standpoint that reading takes is combined with the conceptual frameworks of labor, ecology and ethnicity. It is also held that such a feminist inter-referencing reading needs the imaginative and interpretative metaphor of the “planet” to overcome the Westernized notion of the “nation” and “globe” as well as the concept of “universality shared by all humans” not monopolized by Westerners. Lastly, this paper will illustrate the new kind of “tricontinental studies” by providing an example of “feminist inter-referencing reading” which connects and compares the sub-regions of South Korea, Vietnam and Liberia.  相似文献   

8.
Abstract

This paper juxtaposes the predicaments of two popular stars in Asia whose mobility in their respective cultural fields became challenged by political sentiments in 2004. Chang Hui‐Mei (A‐Mei), the aboriginal pop diva from Taiwan, became the target of a protest organized by Chinese ‘patriots’ before a performance in Hangzhou. The event set off a series of public debates involving high‐level Taiwanese politicians, fans, and members of the public that recalled a similar controversy in 2000 when A‐Mei was banned in China after singing at the inauguration of President Chen Shui‐Bian. Some months later, Korean Wave star Song Seung‐Heon became the subject of a draft‐dodging investigation while he was shooting a highly anticipated TV drama, Sad Love Story. Support from different configurations of overseas fans poured in and remained strong even after he gave up the project and began his mandatory military service. Using these two parallel cases to reveal how politics and entertainment interact in Asia independent of stars’ volition, this paper investigates the affective investment and communication strategies of A‐Mei’s cross‐strait fans and Song’s Chinese‐Asian fans during these emotion‐laden circumstances. The inter‐referential approach of this paper not only reveals the importance of considering patriotism as a latent (rather than exceptional) political and popular force in trans‐Asian popular culture, but also reconfigures the relationships between the public, popular, and political in inter‐Asia cultural traffic.  相似文献   

9.
Abstract

This paper tells a story about miscegenation between US military personnel and Okinawan women from 1945–1952, which includes sexual violence, the establishment of ‘entertainment districts,’ and the emergence of international marriage. Whereas this history has been mobilized by leftists as a truth‐weapon in the struggle for political sovereignty from the US military, this paper takes an explicitly genealogical approach. Drawing on Foucault's work on biopower, this paper shows how Okinawans were transformed into ‘petitioning subject’ – subjects that negotiated the sexual exploitation of their bodies in tandem with the radically changing relationship between their bodies and the territory.  相似文献   

10.
Abstract

Following the recent trends of globalization and regionalization, the idea of Asia has been revived in political, economic, and cultural fields. This essay examines some of the various uses of this idea in modern East Asian and especially Chinese history. The essay consists of four parts. Part One discusses the derivativeness of the idea of Asia, that is, how this idea developed from modern European history, especially the nineteenth century European narrative of “World History,” and it points out how the early modern Japanese “theory of shedding Asia” derived from this narrative. Part Two studies the relationship between the idea of Asia and two forms of Narodism against the background of the Chinese and Russian revolutions – one, exemplified by Russian Narodism, attempted to use Asian particularity to challenge modern capitalism; the other, represented by Sun Yat‐sen, attempted to construct a nation‐state according to a socialist revolutionary program, and to develop agricultural capitalism under the particular social conditions of Asia. Part Three considers the differences and tensions between the “Great Asia‐ism” of Chinese revolutionaries such as Sun and the Japanese idea of Toyo (East Asia), and it discusses the need to overcome the categories of nation‐state and international relations in order to understand the question of Asia. Part Four discusses the need to go beyond early modern maritime‐centered accounts, nationalist frameworks, and Eurocentrism in re‐examining the question of Asia through historical research by focusing on the particular legacies of Asia (such as the tributary system) and the problems of “early modernity.”  相似文献   

11.
Abstract

In March 2007, Japan’s ‘national atonement project’ for survivors of military sexual slavery was officially concluded. The atonement project that was implemented by a Japanese government‐established non‐governmental organization – the Asian Women’s Fund – has distributed its fund to a number of survivors in the Philippines, South Korea, Taiwan and the Netherlands since its inception in 1995. Over the years, intense politicization around the project has made it extremely difficult for most observers to assess whether the project was successful or not. Several prominent scholars in Japan and South Korea have called for a more compassionate and positive assessment of the project’s good intentions, while feminist activists continue to critique the project’s negative interventions in the process of redress and reconciliation in Asia. This essay is an attempt to open up a space to rethink the felicitousness of the atonement project by focusing on the ways in which the project told its own story of war, violence, and gender. By juxtaposing stories told by Filipina survivors of the ‘comfort women’ system with one that has been told by the atonement project implemented by the Asian Women’s Fund, it seeks to find a way to reassess whether the project acknowledged the survivors’ claims for justice and compensation.  相似文献   

12.
ABSTRACT

Existing histories of social mobility have focused on adults and on measuring the achievement of individual upward mobility. However, children and families were central to mobility strategies. Using the papers of the Heywoods of Bolton, this article examines how the families of the industrial middle class endowed their offspring with the goods and character needed to secure their social standing, highlighting the emotional intricacy of these processes. It demonstrates that such families conceived of social mobility as a familial project and that rather than pursuing upward mobility, their chief objective was to guard against social decline.  相似文献   

13.
ABSTRACT

This project interrogates the premises of media literacy education – the predominant approach to equipping K-12 students to navigate the contemporary media environment – by moving it beyond teaching students to critique commercial media toward undermining ideological messages about health, violence, race, and gender embedded in media discourses. This participatory programme evaluation uses mixed-methods to assess the effectiveness of an alternative, performing arts education-based approach to media literacy called The Girl Project (TGP), a feminist artist-activist programme based at a non-profit community theatre in Versailles, Kentucky. The 12–18 high school-aged girls who participate in TGP every year are engaged in workshops by guest artists from around the nation to express what they think is important for their audiences to understand about their lived experiences as girls in a conservative sociopolitical environment.

The project employed “youth-adult partnership model” to programme evaluation that involved working with programme alumni as co-researchers to evaluate TGP 2017. In June 2017, a team of eight co-researchers comprising alumni from the 2014, 2015, and 2016 classes met to develop evaluation questions and make data collection decisions. Data collection included surveys and interviews conducted pre- and post-programme with participants, field notes of the co-researchers’ observations of workshops and rehearsals, and feedback from guest artists and audience members. The team met again in January 2018 to collaboratively analyse how the data answered their evaluation questions. The survey data allowed us to see that girls’ statistical scores on mental health and body confidence measurements significantly improved after their participation in TGP, meaning that girls are less vulnerable to depression, anxiety, and eating disorders. In talking with participants and audience members, we learned that TGP participation increases girls’ self-confidence and ability to set boundaries in friendships, family relationships, and romantic relationships.  相似文献   

14.
ABSTRACT

This essay examines contemporary art as a tool of political resistance against existing and emerging ideologies as well as controversial and discriminatory cultural norms. On the example of the 2017 Venice Biennale, this research project analyses art, and more specifically, selected nation-specific exhibits, as pieces of critical pedagogy, representative of ideological and cultural resistance. Concentrating on the comparative analysis of art exhibits from US-American, Russian, and German national pavilions, this research project explains what their respective art communicates, what the main messages are, and elaborates on the impact, the salience, and the affect the exhibits have on their numerous audiences today, when the sphere of international and intercultural relations is challenged like never before. This essay further demonstrates that the exhibits challenge and critique the past and the present of their respective national cultures and attempt to refocus and humanize the future in the globalized world.  相似文献   

15.
Abstract

This review article looks at three books, published in 2002, which provide from different perspectives a response by South Asian Muslims to the new interest in Islam evoked by the events of 9/11. Written from different vantage points, they represent an intellectual effort to come to grips with the notion of an ‘Islamic’ identity – debating notions of jihad, and its connections with Islamic faith, with the notion of an Islamic umma or nation, and where Muslim societies are headed to in the 21st century. It is not only the emergence of the Taliban movement in the North‐western portion of South Asia that has brought the focus on South Asian Islam. As M.J. Akbar has observed, South Asia forms the demographic heartland of Islam. The books reviewed do not fall into the category of the myriad publications that have become a kind of apology for Islam, but represent an effort at understanding the connections between geo‐political concerns and intellectual academic approaches to the subject of Islam.  相似文献   

16.
Abstract

This paper mainly discusses the transformation of the idea of South Asia in Post‐Cold War era.  相似文献   

17.
ABSTRACT

The past 10 years witnessed a resurgence of youth activism in East Asia. While some may consider it as simply reflecting a broader, general trend of young people reacting to the neoliberalizing world, this paper pays special attention to the changing cultural geographies of East Asia that underlie part of the picture. In 2014, the Sunflower movement in Taiwan was triggered by a group of young people who occupied the Legislative Yuan, paralyzed the establishment for 23 days, and brought about alternative politics, which soon was echoed by the Umbrella Movement in Hong Kong during 26 September to 15 December the same year. This paper is interested in understanding how young people, walking away from the aforementioned urban uprising with their memories of participating in a sort of exceptional city for short time, carried on their aspiration for alternatives in their everyday lives. Finding inspiration from Victor Turner's notion of liminoid and anti-structure, it attends to the activism embedded in everyday life. It also attends to the translocal, transnational interaction among young actors across cities in East Asia, with a focus on the act of place-fixing, which enables connection, collaboration, and circulation (of resources) through materialistic, transactive practices and can be compared to place-making.  相似文献   

18.
Abstract

This is a first‐hand account of the initial 28 years of Select Books, an independent bookshop, located in Singapore, but with a regional Southeast Asian focus and a global reach. Select Books carved a niche for itself by specializing in books about Southeast Asia and published in Southeast Asia. Its comprehensive and in‐depth book stock gave it an edge over formidable competition at home and abroad. The author relates the difficulties encountered and the novel solutions Select Books employed to overcome administrative problems and sidestep bureaucratic red tape. Select Books operated on all levels of the book trade: as bookseller, distributor, library supplier and publisher. Equally important is its intangible role as a promoter of Southeast Asian authors and their works in Singapore as well as to the first world. Select Books provided a cultural space where authors could meet with their readership. Turning to the broader book community, the author is critical of the Eurocentric mindsets of public and academic institutions in Singapore. She is equally critical of the parochial and prejudiced international market that dismisses books about Asia as insufficiently ‘mainstream’ for their market.  相似文献   

19.
Abstract

The essay was written in the context of a Teaching Cultural Studies (in Asia) Workshop. In dialogues with practitioners and young faculty in Taiwan and Asia, it utilizes the author's own past and present experiences to articulate the difficulties and problematic of teaching Cultural Studies. The main argument proposes that teaching Cultural Studies needs to be grounded in local intellectual traditions and histories upon which critical works out of Asia and the Third World will have to be actively engaged to overcome the dominant condition of knowledge which singularizes the West as the only source for intellectual interventions.  相似文献   

20.
Professor Chua Beng Huat is an internationally well-known and respected sociologist and cultural studies scholar from Singapore. In early 2015, his long-time collaborator and Inter-Asia Cultural Studies co-founder, Kuan-Hsing Chen, and his former student turned present colleague, Daniel Goh, interviewed Chua on the eve of his retirement as the Head of the Department of Sociology at the National University of Singapore. This wide-ranging interview tracks a colourful biographical trajectory that expresses both the contradictions of the illiberal capitalism underpinning Singapore's rapid development and the strategic dilemmas and tactical travails of an intellectual clinging on to the representations of truth.  相似文献   

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