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1.
Hardwoods and softwoods were used side by side throughout Egyptian history, and importing softwoods that had an attractive color and texture was common. Over the decades, artifacts based on hardwoods and softwoods underwent deterioration phenomena, sometimes reaching either a level of brittleness or turning into a wood powder that may easily crumble. These levels of decay/degradation are often difficult to handle in terms of conservation treatments. To study or identify the reasons for decay has always been a point of interest for conservation purposes, but to assess decay and choose an appropriate treatment according to the state of preservation for the sake of keeping an artifact intact has become a subject of major importance. It is difficult at times to understand the deterioration process, because hardwoods and softwoods are different in structure, properties, and chemical composition. For this preliminary study, decayed samples from three commonly used softwood types, cypress (Cupressus sp.), cedar (Cedrus sp.), and pine (Pinus sp.), were identified and chosen. Scanning electron microscopy (SEM) of the samples indicated the degree of decay. Decayed and non-aged samples of the same wood type were analyzed using Fourier transform infrared spectroscopy (FTIR), and all the major carbohydrate and lignin bands were recorded. The strong hydrogen bonded (O–H) stretching absorption associated with water linked by hydrogen bonds to the –OH groups of cellulose and hemicelluloses in all decayed samples increased with decay. The brown powdery, fragile samples that had been evidently affected by microbial decay had a higher amount of lignin. The lignin/carbohydrate ratio was calculated and results compared. The increase of either lignin percentage or extractives in some of the samples had caused a darkening of color in both cypress and cedar samples, but the pine sample did not have the same texture and appearance. In cases where the lignin percentage decreased the samples had changed to a slightly lighter color. FTIR results explained the decay phenomena observed in SEM micrographs and helped assess wood decay and also confirmed results that had been previously obtained while applying traditional chemical analysis on wood.  相似文献   

2.
《文物保护研究》2013,58(4):308-313
Abstract

The oak timbers of the Swedish warship Vasa are deteriorating. High amounts of oxalic acid have been found along with a low pH and low molecular weight cellulose deep in the wood timbers. The iron-rich surface wood differs from the interior wood in that it displays higher pH and cellulose with higher molecular weight. The objective of this study was to determine why there is a difference in cellulose degradation, pH, and oxalic acid amount between the surface region and the interior of the Vasa timbers. Analysis of cellulose weight average molecular weight by size exclusion chromatography was performed, as well as quantification of oxalic acid and iron by high-performance anion exchange chromatography and atomic emission spectroscopy, respectively. It was found that a decrease in iron content coincides with an increase in oxalic acid concentration and a drop in pH at a certain depth from the wood surface. When iron-rich surface wood samples from the Vasa were mixed with an aqueous solution of oxalic acid, a fast increase of pH over time was observed. Neither interior wood poor in iron nor the fresh oak reference showed the same neutralizing effect during the time of measurement. This indicates that the presence of iron (rust) causes a neutralization of the wood, through the formation of iron(III) oxalato complexes, thus protecting the wood from oxalic acid hydrolysis. This effect was not observed to the same extent for other acids observed in Vasa wood (sulfuric, formic, glycolic, and acetic acids).  相似文献   

3.
Probes for measuring oxygen concentration were installed inside large samples of conserved wood from archaeological shipwrecks to record oxygen profiles as a function of depth under the wood surface. The concentration of oxygen was lower inside the wood than outside indicating that the supply of oxygen is limited and that oxygen is consumed within the material. This was confirmed by oxygen consumption rates averaging 1.3 ± 0.42?µg O2/g wood/day. The diffusion properties were estimated by placing the wood samples in a nitrogen atmosphere and measuring nitrogen breakthrough time to the oxygen probes at different depths. A high level of variation was observed between the breakthrough times measured at different depths of the samples. This indicated that the access of oxygen is irregular, possibly due to wood heterogeneity and uneven distribution of conservation agent. By recording oxygen concentrations inside archaeological wood under stable environmental conditions, it was shown that oxygen concentration profiles are almost constant over a time span of seven years. This indicates that oxygen consumption, and thus oxidative degradation, is constant for an extended period of time. It also shows that the oxygen concentration inside conserved archaeological wood is a steady state value controlled by the local balance between oxygen supply and oxygen consumption.  相似文献   

4.
《文物保护研究》2013,58(3):124-136
Abstract

In this study, the following methods of treatment have been studied: bulking with PEG 4000 in water, methanol and t-butanol solvents; bulking with PEG 540 blend in water; bulking with rosin in acetone; freeze-drying from different concentrations of PEG 400 with various methods of pre-freezing; in situ polymerization with glycol methacrylate and with a melamine formaldehyde resin; water displacement with methylene chloride followed by rosin impregnation. They have all been carried out with five groups of waterlogged wood representative of different species and various states of degradation. Freezedrying, PEG 4000 impregnation in t-butanol and PEG 540 blend impregnation in water gave the most satisfactory results, based on appearance and shrinkage.  相似文献   

5.
ABSTRACT

The surface texture of a stone represents a sensitive parameter in evaluating its conservation state. In monuments and sculptures, in fact, external agents continuously alter the appearance of stones, determining peculiar weathering patterns and modifying properties such as retention of water and particles, interaction with light, color, and finishing. The application of protective coatings also determines changes in surface appearance of a stone, usually evaluated and monitored by color change tests. Surface metrology methods offer the possibility to quantify these changes, evaluating the impact of external agents (natural, i.e. weathering, and artificially, i.e. protective coatings) on natural stones. In this research, we demonstrate the potential of surface areal measurements in describing the evolution of weathering processes and the effects of protective treatments on porous stone materials. The obtained results suggest that the extent of the modifications is related to the scale of observation (small- vs. large-scale undulations, i.e. roughness and waviness, respectively), with an overall increase of surface roughness as the weathering proceeds. Unexpectedly, coatings based on nanoparticle dispersions increase the topographic height parameters, due to the absence of a homogeneous film.  相似文献   

6.
《文物保护研究》2013,58(1):135-139
Abstract

Bibliographical research and scientific analysis of samples obtained from five polychrome wooden sculptures of the colonial tradition in Guatemala were used to study the techniques and the materials used. The methodology involved qualitative analysis of the samples and microscopic examination of cross-sections. Scanning electron microscopy (SEM) was used to identify pigments and to ascertain the composition of the gilding. It was hypothesized that the deterioration of the sculptures, particularly the separation of the ground layers from the wooden support, was due to the action of secondary products of Cedrela odorata L. The loss of adhesion of the animal glue used in the preparation may be partly related to the precipitation of the protein of the gelatin due to the action of the tannins present in the wood.  相似文献   

7.
《文物保护研究》2013,58(3):226-244
Abstract

This study describes the examination and analysis of four mixed media paintings from the 1960s and 1970s by Canadian artist Jack Chambers (1931–1978). The documentary evidence about his materials and methods is summarized and compared with the results of analysis of multilayer paint samples. The combination of Fourier transform infrared spectroscopy (FTIR) and gas chromatography-mass spectrometry (GC-MS) allowed the components of the paint media to be characterized: ortho-phthalate alkyd resins, iso-phthalate alkyd resins, drying oils, dammar, Pinaceae resin, and turpentine were identified in varying proportions. Many pigments and fillers were identified by FTIR and Raman and are enumerated. The effect that Chambers’ complex technique has had on the aging and degradation of the paintings is discussed. The severe cracking of the paint layers in one of the four paintings may be the result of a high proportion of dammar and turpentine diluent mixed with the alkyd paint and may also be related to the type of alkyd resin medium. Different history and environmental conditions may also be factors.  相似文献   

8.
《文物保护研究》2013,58(4):257-266
Abstract

A study of the accelerated light fading behavior of face-mounted color photographic materials has shown that alterations on the surface of the materials influence their fading characteristics. With the help of spectral density measurements it became apparent that the application of materials such as silicone rubber, adhesive film and acrylic sheeting, but also laminating films, onto the surface of the prints accelerated the degradation of the colorants, especially the yellow dye, in chromogenic materials. In the case of silver dye bleach materials, however, the opposite effect was observed. The influence of the material combination on the stability of face mounted color photographic prints was demonstrated to vary considerably. In order to better assess the inherent damage potential of the materials themselves, these were examined by means of instrumental analysis and measurements of pollutant gasses. Besides off-gassing compounds such as acetic acid and changes in pH caused by aging of the adhesive, face-mounting with a rigid plastic sheet (acrylic glazing) also affected the respective fading behavior of the various materials that were tested.  相似文献   

9.
none 《文物保护研究》2013,58(4):189-191
Abstract

Polyethylene glycols (PEG) can be detected in wood by their in situ formation of coloured complex compounds. Solutions of potassium bismuth iodide/barium chloride and of bromine/potassium iodide are suitable for sprayingdirectly onto wood, and may even be used on dark-coloured wood by mixing chalk powder into the reagent. By adopting a print-off technique onto damp filter paper, the distribution of PEG in wood can be demonstrated even more exactly, even from very small samples. Print-offs are developed into differentiated coloured pictures withsolutions of potassium bismuth iodide/barium chloride, iodine/potassium iodide or ammonium cobalt (II) thiocyanate.  相似文献   

10.
《文物保护研究》2013,58(4):297-307
Abstract

Wet organic archaeological materials extracted from seawater may suffer damage as a result of degradation influenced by micro-organisms. One of the most common phenomena is indirectly induced by sulphate-reducing bacteria (SRB). Due to their metabolic activity in anoxic conditions, SRB generate hydrogen sulphide from sulphate ions present in seawater. When steel items are in contact with organic matter in presence of sulphides, corrosion of the metal leads to the precipitation of Fe(II) sulphides. These phases are responsible for dramatic post-excavation damage: their oxidation during storage or exhibition in museums leads to the formation of voluminous crystals, which may cause cracking and crumbling, and lead to the production of sulphuric acid. In order to characterize Fe(II) sulphides and their by-products, 13 waterlogged samples were analysed by environmental scanning electron microscopy, micro-Raman spectroscopy, and X-ray diffraction. Experiments were performed on untreated wood fragments, on a fragment of rope, and on mineral concretions scratched from the surface of wood remains, all extracted from different shipwrecks. Mackinawite was detected inside the fragments and between the fibres of the rope. Greigite was detected in scattered locations. Pyrite and sulphated phases, like gypsum and iron sulphates, were identified at the surface of the wood fragments and in the mineral concretions.  相似文献   

11.
《文物保护研究》2013,58(1):23-29
Abstract

Upon aging, paper documents and books become progressively damaged. Paper deacidification is a fundamental conservation intervention. In this study, we report on the use of nanoparticles of titanium dioxide (TiO2) and magnesium hydroxide (Mg(OH)2) associated with hydroxyethylcellulose (HEC) to inhibit acidification, photo-induced degradation, and biodeterioration of paper. With the aid of ultrasound, Mg(OH)2 nanoparticles with a narrow size distribution can be obtained through homogeneous precipitation in water. Furthermore, to demonstrate the efficacy of the nanocomposite and the performance of treated and untreated paper, photo- and thermal-induced degradation is discussed. The results show that using the controlled double-jet precipitation (CDJP) it is possible to synthesize Mg(OH)2 particles with a narrow size distribution (18–87 nm). The nanocomposite of Mg(OH)2–TiO2–HEC increases the durability of paper by imparting fungal growth resistance (D = 34.6 mm), moderate alkalinity (pH = 8.4), mechanical reinforcement (from 817–896 N/m), and UV protection. Additionally, there is a slight color difference (ΔE* = 0.8) between the treated and untreated paper. Both photodegradation and thermal degradation indicate that the paper treated with this nanocomposite (Mg(OH)2–TiO2–HEC) has increased stability.  相似文献   

12.
ABSTRACT

Previously, heavy use of biocides for the treatment of objects made of organic materials in museum collections (e.g. ethnographic, historical collections) was very common. Now suitable decontamination methods/technologies are being sought. A decontamination treatment by li-CO2 was optimized that considered the specific requirements of museum objects. The treatment was tested on model materials artificially contaminated with biocide solutions containing dichlorodiphenyltrichloroethane (DDT), pentachlorophenol (PCP), lindane, and permethrin or cypermethrin. High decontamination was achieved for DDT, lindane, PCP, and permethrin on artificially biocide loaded wool and wood model materials. Optimal process parameter settings for li-CO2 decontamination include a single 30?min cycle for woolen materials and three sequential 30?min cycles each for wood. These methods allow a reduction of at least 90% of all biocides for wool and between 70% and 85% for wood. Decontamination of the latter was more effective for less polar biocides as DDT and permethrin. Despite a significant improvement in decontamination for wood using co-solvents such as acetone, ethanol, and methyl tertiary-butyl ether (MTBE), their use is not recommended due to the increased risk of damage to the objects, in particular if a surface coating is present.  相似文献   

13.
《文物保护研究》2013,58(4):140-145
Abstract

A simple, low cost alternative to X-ray diffraction for the identification of corrosion products on marine iron artifacts is based on the differential solubility of the minerals in pure acetyl acetone and on the color of the product formed.  相似文献   

14.
ABSTRACT

Samples of conserved archaeological wood of different ages, origins, and conservation histories were aged in a climate chamber for seven months, while the humidity alternated between 30% RH for 12 hours and 80% RH for 12 hours at a constant temperature of 30°C. Photographs were taken once every hour, which enabled the creation of a time-lapse movie. Some samples degraded visibly, whereas others were unaffected. Most of the samples were robust and would be able to survive well even in a very poor museum climate. Among the sensitive samples, three types of degradation were identified, namely disintegration, pyrite oxidation, and efflorescence of white crystals. Disintegration was ascribed to dimensional changes caused by the RH alternations in very fragile wood. The white efflorescence was interpreted as the recrystallization of an alum-associated substance, possibly mercallite (KHSO4). The pyrite oxidation was observed as the efflorescence of a thick yellow, grey, and green powder. Characterization of selected samples was performed using X-ray fluorescence spectrometry, X-ray diffraction spectrometry, scanning electron microscopy with energy dispersive X-ray spectroscopy, inductively coupled plasma – optical emission spectroscopy, Fourier transform infrared spectroscopy, ionic conductivity – liquid chromatography, and pyrolysis-gas chromatography-mass spectrometry with in situ silylation using hexamethyldisilazane.  相似文献   

15.
《文物保护研究》2013,58(3):110-157
Abstract

Consolidation of decayed wooden artifacts can be achieved by impregnation with epoxy prepolymer dissolved in a mixture of toluene and glycidyl ether and subsequent polymerization in situ. The principles of selecting the successful method of application are discussed, and the details of the procedure given. Impregnation with the described solution causes insignificant expansion of the wood in contrast to the action of polyvinyl acetate in alcohol solution.  相似文献   

16.
Rocchio's similarity-based Relevance feedback algorithm, one of the most important query reformation methods in information retrieval, is essentially an adaptive supervised learning algorithm from examples. In spite of its popularity in various applications there is little rigorous analysis of its learning complexity in literature. In this paper we show that in the binary vector space model, if the initial query vector is 0, then for any of the four typical similarities (inner product, dice coefficient, cosine coefficient, and Jaccard coefficient), Rocchio's similarity-based relevance feedback algorithm makes at least n mistakes when used to search for a collection of documents represented by a monotone disjunction of at most k relevant features (or terms) over the n-dimensional binary vector space {0, 1} n . When an arbitrary initial query vector in {0, 1} n is used, it makes at least (n + k – 3)/2 mistakes to search for the same collection of documents. The linear lower bounds are independent of the choices of the threshold and coefficients that the algorithm may use in updating its query vector and making its classification.  相似文献   

17.
《文物保护研究》2013,58(3):155-171
Abstract

The presence of iron oxides (lepidocrocite, goethite) in archeological wood may result in a degradation of the wood matrix. Extraction of these iron oxides is largely dependent on their solubility. In this study, balsa wood samples were impregnated with iron oxides to test extraction treatments. Additionally, archeological wood samples were also examined to determine treatment efficiency. Electrophoresis and simple immersion treatments were performed using various chemical solutions: a neutral and a conductive substance (potassium nitrate), an acid (acetic acid), three alkaline chelating agents (tri-ammonium and tri-sodium citrate and sodium oxalate), three acidic and slightly acidic chelating agents (ethylenediaminetetraacetic acid (EDTA), citric acid, and oxalic acid), and a reductant (sodium dithionite). Potassium nitrate did not extract sufficient amounts of iron, irrespective of whether the treatment was conducted by electrophoresis or simple immersion; any observable dissolution was attributed to protonation because of the acidic pH around the anode (as low as 3). Dissolution in acetic acid did not extract iron with either treatment. Strong chelating agents improved extraction, and these compounds gave the best results for simple immersion, particularly EDTA. This chemical is well adapted for use on archeological objects because of its chemical properties (stability constant, speciation based on pH). The addition of sodium dithionite to the solution improved dissolution. Even though electrophoresis improved extraction (in particular for tri-ammonium citrate), none of the tested chelating chemicals were suitable for electrophoresis because of a significant increase in temperature as well as high anode corrosion. The presence of iron sulfide in the archeological wood limited the effectiveness of the tested chemicals. A pre-treatment in sodium persulfate was expanded to include oxidized iron sulfide in oxy/hydroxide iron, which improved the extraction rate.  相似文献   

18.
ABSTRACT

Conservation of wooden objects exposed outdoors is extremely difficult and complex due to their constant exposure to fluctuating weather conditions and biological degradation. Filling the gaps in such objects requires the use of specific materials that in particular can adapt to changes in wood dimensions in response to humidity variations. Various materials have been used so far for filling voids in wooden artefacts but none of them was entirely suitable. Therefore, the authors have attempted to provide the basic characteristics of the selected commonly used filling materials based on pine wood powder or glass microballoons as fillers and Paraloid® B-72, Klucel® G, or glutin glue as binders, as the first step in research aiming at developing new and more appropriate gap-fillers. Special attention was paid to the dimensional stability of filling materials upon drying and exposure to water vapour and liquid water. The overall results indicate that among the examined fills those consisting of Paraloid® B-72 and glass microballoons revealed best properties as they were relatively dimensionally stable upon drying and exposure to moisture – despite high absorption of water – and were quite easy to finish. Generally, better properties were observed for filling materials containing higher concentrations of adhesives and these materials will be modified in the next step of the research. Since the main drawbacks of the examined gap-fillers were low water resistance, poor dimensional stability upon drying or exposure to water vapour or liquid water, and fragility or friability, future research into their modification will head towards improvement of the above-mentioned properties.  相似文献   

19.
ABSTRACT

The restoration of the Roman building of the third-fourth century CE called Minerva Medica, in Rome, highlighted a problem concerning the choice of the color of the bricks for integration. Current conservation practice in Italy favours a restoration that as much as possible is consistent with the original but leaves some visible differences to a careful observer. Color measurement is usually performed using portable spectrocolorimeters that provide the reflectance spectrum and also colorimetric parameters such as L* a* b*, h* L* C*, RGB, etc. In other sectors, such as for olive oils, for wines, and also for the colors of commercial products, sensory panels are used to provide results of difference/similarity and are known to be similar to observations made by consumers. In this study, data from a top quality spectrocolorimeter and from a sensory panel are compared. Twenty non-professional people were involved in the comparison between seven restoration bricks and three ancient Roman bricks from the studied site. Observations took place in a room with controlled lighting, and each observer filled out a sensory card using about 2000 known comparison colors. Comparison of the results was carried out with graphic methods and by means of cluster analysis. The results show that the sensory panel could be a useful alternative to colorimetry, while cluster analysis allowed a significant response to questions posed by conservation professionals, and was confirmed by other graphic-statistical methods.  相似文献   

20.
ABSTRACT

Lighting a cultural heritage artifact requires balancing visual perception with preventive conservation, by providing the best lighting (in terms of spectral distribution and quantity) to enable the viewer to appreciate details and color, while limiting photo-induced degradation. The paper outlines the methodology applied by a multi-disciplinary team while lighting the Shroud of Turin at its last public exhibition in 2015. The methodology considered the special requirements of the Shroud, including exposure to ultraviolet light, while providing appropriate display conditions that would meet audience expectations. The desired appearance (readability of the body image and color) was defined with the help of Shroud researchers and confirmed by subjective tests, while appropriate light levels for preservation were set in agreement with standard requirements and using knowledge of the degradation of linen in visible and UV light. The installation provided a controlled environment and a managed visitor route to the Shroud, assuring excellent perception of both details and color, with the lowest illuminance level about 15?lx.  相似文献   

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