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1.
ABSTRACT

Do we need print reference collections at all? In the case of music reference materials, the answer is definitely “yes.” At the University of Memphis, reference titles in the music library are used at about three times the rate of reference materials in the main library. This paper leverages local reference and reserve book usage to investigate how print reference sources support music research of various kinds, how music faculty integrate reference sources into their courses, and how librarians can make finding and using these resources easier for users accustomed to accessing materials online without an intermediary.  相似文献   

2.
Abstract

The climate of change in music reference represents a challenge to librarians. The three issues in the library literature that probably have the greatest impact on music reference service and are the subject of this paper are changes in users, sources, and modes of access to sources. These three issues are certainly related, as users need to use sources, and they need to know how to access them in order to use them. Reference librarians are called upon to mediate this process. Music library collections have their own peculiarities, however. Because they contain a wider variety of materials than many other kinds of library collections, reference librarians for music collections must be aware of the format, content, and intended uses of these materials, as well as the research patterns of their patrons. In the recent past, as cultural norms have changed with the paradigm of Western culture, users have wanted to use music libraries in new ways, and librarians are challenged to accommodate them. The musical genres used and requested by today's library patrons are different than they once were, both for listening and for academic study. Musical reference sources are being issued in electronic formats, and this represents a challenge for some users. The expanded use of interlibrary loan and electronic access to materials represents new opportunities and challenges. Music librarians are being called upon to provide services to patrons they may never see.  相似文献   

3.
地方音乐院校图书馆的专业藏书特色刍见   总被引:2,自引:0,他引:2  
张芜 《津图学刊》2001,(3):74-75
本文结合天津音乐学院图书馆的专业藏书建设的实际,就地方音乐院校图书馆专业藏书特色的形成问题提出了个人的一些见解。  相似文献   

4.
The nature of music collections and their use means that patrons have always required specialized guidance from librarians to access what they need. Currently, library patrons' expectations are growing as collections and their delivery modes evolve. Music reference services must adapt to effectively address these needs. This article examines the challenges to delivering effective music reference service, the basics of reference assessment, and how assessment models such LibQual+, the Wisconsin-Ohio Reference Evaluation Program, and the Reference Effort Assessment Data Scale can help librarians build patron-centered music reference services.  相似文献   

5.
数字图书馆中多媒体馆藏与服务的建立   总被引:13,自引:0,他引:13  
介绍岭南大学开发网上多媒体馆藏,并在香港开拓性地利用多媒体点播技术,通过互联网提供数字图书馆服务的实践。得出以下结论:多媒体技术对数字图书馆的影响无法估量,图书馆界应仔细研究和分析多媒体对数字图书馆的影响,充分发掘其潜能,并在引入多媒体服务的过程中,彼此分享经验,共建共享数字化资源。  相似文献   

6.
Chinese university libraries are transitioning from traditional print collections to hybrid collections, resulting in collections which may be print-only, electronic-only, or contain both formats. This leads to many challenges in the management of electronic library resources. This study explores the moderating effect of tie (perceived similarity) on the transfer of ease of use (amount of effort required to use library resources) and usefulness (the degree to which using library resources would improve performance) from print resources to electronic resources, with the view in mind of facilitating the effective use of online electronic resources in Chinese university libraries. Drawing upon self-perception theory and the technology acceptance model (TAM), a research model is developed and tested using questionnaires and, partial least squares (PLS) structural equation modeling (SEM). The results suggest that the perceived tie by users between print resources and electronic resources positively moderates the transfer of ease of use from print to electronic, while negatively moderating the transfer of usefulness from print to electronic.  相似文献   

7.
[目的/意义]对美国高校图书馆以研究数据管理服务为目的的研究数据集进行调查分析,旨在为大数据环境下国内高校图书馆开展研究数据管理服务与数据资源建设提供参考。[方法/过程]选取美国学术图书馆联盟TRLN成员及其所在高校为典型案例,采用网络调研法、典型案例法、文献调研法,从研究数据集内容、分类组织、来源、数据处理工具与设施以及数据管理服务5个角度对TRLN成员研究数据集建设现状与特点进行深度解析。[结果/结论]研究数据管理服务已成为TRLN成员支持与参与数据密集型科研活动的重要举措与实践;TRLN成员正在利用丰富的研究数据集与先进的数据处理工具与技术,引领用户超越机构限制获取数据以及利用数据进行知识发现与创新;研究数据集与图书、期刊、报纸、学位论文等纸质和数字资源一样已成为TRLN成员馆藏内容之一;目前TRLN成员研究数据馆藏主要采用以自有数据、用户数据、第三方机构数据与政府数据相结合的采集与共享授权模式。以上研究可为我国高校图书馆开展研究数据管理服务与数字信息资源建设提供借鉴与启示。  相似文献   

8.
特藏资源是每个图书馆区别于其他图书馆并能独立存在的基础。虚拟书可以相对简单、直观而真实地在线展示图书馆的特藏资源,是对传统文件浏览方式的有效补充。为了让读者能够在线欣赏图书馆的特藏资源,北京大学图书馆借助MegaZine 3设计开发虚拟书平台。通过测试,证实MegaZine 3是特藏资源在线展示的一个有效工具。  相似文献   

9.
This study assesses the reference collection management practices and strategies used in the reference departments of academic members of the Association of Research Libraries (ARL). Librarians who participate in the management of the humanities and social science reference collections within ARL member libraries responded to an online survey about collection development policies, acquisition processes, collection use, weeding, and marketing of their reference collections. The results of this survey suggest that a large percentage of academic ARL member libraries are weeding their collections regularly, measuring use of the print and electronic reference collection, and moving decidedly toward electronic reference materials.  相似文献   

10.
Over the years, library collections have vastly changed due to an ever-growing presence of resources available online. Many libraries have experienced a dramatic decrease in the circulation of physical materials with the shift to online availability of materials. It is of great value to ensure libraries are meeting the needs of their users, and this can be accomplished by identifying their information-seeking patterns. The aim of this article is to examine how faculty use the library and to identify what services and resources are of value to their work.  相似文献   

11.
SUMMARY

The author discusses a wide range of new developments in Ukrainian libraries that affects library acquisitions. New strategies are now required for obtaining library materials due to the inadequacy of obligatory deposit and changes in bibliographic control of new publications. Libraries are actively developing computer and Internet technologies, including websites, online catalogs, access to databases, sites linking to online resources, and collections of digitized full-text material. A number of libraries have recently begun implementing virtual reference services. A new professional journal, whose title translates as Library Forum of Ukraine, has arisen to address all aspects of librarian-ship.  相似文献   

12.
Creative artists frequently turn to academic or public libraries for research. Rarely do they seem to turn to historical society libraries and archives. This article describes three benefits of using historical society libraries and archives to creative artists: the collections themselves, the different ways artists use the collections, and the staff expertise available at these institutions. It explores why resources at historical society libraries and archives may be underutilized. The role of reference librarians in promoting historical society repositories is discussed, and suggestions for reference providers (at historical societies and other types of institutions) are offered.  相似文献   

13.
国内外高校图书馆特藏资源组织现状探析   总被引:2,自引:0,他引:2  
[目的/意义]探讨国内外高校图书馆特藏资源组织现状,为探索更为合适的特藏资源知识组织模式奠定基础。[方法/过程]根据QS世界大学排行榜选定56所国内外高校图书馆作为研究对象,在线调查其网站所列特藏资源的名称、范围、类型以及所用描述元数据类型,并进行检索使用。[结果/结论]目前,图书馆特藏资源组织极其不规范,无论是特藏资源分类,还是自建元数据,以及特藏资源的关联与开放获取,都无法满足特藏资源服务的现实需求。建议未来引入关联数据技术对图书馆特藏资源按照主题进行聚合组织。  相似文献   

14.
《资料收集管理》2013,38(3):75-85
Abstract

Women musicians were virtually ignored in the literature of Western music until their recent inclusion in standard reference sources and other publications. However, making these works available to the researcher becomes a challenge for library collection development departments, especially for small libraries unaffiliated with music schools that have only a modest music collection and budget. This paper offers guidance in developing a small collection of books on women in music that will complement the current collection and provide a more accuratehistory of Western music. Justification for building a collection on women musicians and an annotated list of recommended books are included.  相似文献   

15.
As libraries offer more multi-dimensional study areas and online resources, it is important to understand how print books are being used. The reported decline in print book circulation has largely been based on books checked out of the library without recording in-house use (books used in the library but not checked out). Including in-house use gives a more accurate representation of book circulation, helping to demonstrate the value of the physical library and print collections, and informing collection development. To better understand how our print collections are being used, we analyze holdings, checkout data, and in-house use data by subject, as well as circulation in regard to patron group, library gate count and student enrollment. Our findings show declining use of all print collections with the steepest decline in reference books. The majority of books used in house were not checked out, affirming the need to include in-house use data to provide an accurate picture of print book use and inform collection development. We use our findings to inform the redesign of our reference collection and suggest ways to integrate print and digital formats and promote the value of books and reading.  相似文献   

16.
特色资源建设与专业服务整合研究——以音乐图书馆为例   总被引:1,自引:0,他引:1  
音乐图书馆作为专业服务的特定指向,依馆藏特色形成了服务特色。资源共享主要有馆际互借、音乐书谱联合编目和特色资源分建共享等形式。专业服务整合的三个特征:技术性、自主选择性和民俗性。围绕专业服务而开展的馆藏结构调整、民俗资源整合和数据库建设,是特色资源建设的发展趋势。  相似文献   

17.
《资料收集管理》2013,38(1-2):71-88
This study examines the relationship between the reviewing media and classical music recording collections in libraries in order to determine if reviews are an important selection tool for these collections. As previous studies have shown that there is a correlation between the number of reviews a work receives and the number of libraries owning that work, it is hypothesized that this relationship holds true for classical music recordings. A second hypothesis is that a correlation exists between the nature of the reviews, positive or negative, a recording receives and its ownership by libraries. The number and direction of a random sample of two hundred classical recordings released in 1989 is tallied from the review index in MLA Notes, as is the number of OCLC libraries owning each item. These data suggest that there is no correlation between the number of reviews a work receives and the number of libraries owning that work, nor between the number of positive reviews a work receives and its ownership by libraries. Possible reasons for these findings are discussed, and further questions are raised.  相似文献   

18.
《The Reference Librarian》2013,54(91-92):23-38
Summary

The transition of academic library reference resources from print to electronic format has been characterised by a growing level of strategic decision making by librarians, as mediated searches were replaced by end-user CD-ROM formats, only to be superseded by online user access. The experience of Australian university libraries, which were early adopters of these changes, is outlined. Particular factors which impacted on this transition in other English-speaking countries (the United Kingdom, United States, Canada, and South Africa) are also described. The formation of purchasing consortia has been crucial in all countries in facilitating this transformation of reference collections.  相似文献   

19.
20.
For almost half a century, music librarians, media librarians, and professional associations have advocated classifying audiovisual materials using the same classification scheme that a library uses for print materials. Despite this strong advocacy, not all media materials have been classified. Music moving image materials have often received the same lack of subject classification access as sound recordings and other media resources. Libraries are now replacing their videocassette collections with DVDs and are presented with the opportunity to rectify this situation. A discussion of the advantages of including class numbers in the bibliographic records for music moving image materials will also demonstrate the applicability and advantages for video collections in general.  相似文献   

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