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1.
ABSTRACTWhat happens when a human coder meets a machine one? This article explores this question with reference to the archive of Professor Germaine Greer: Australian-born feminist, performer, scholar, and professional controversialist. It does so by staging two very different data encounters with the 70,000-word finding aid for the print journalism series, a key component of Greer’s archive. The first encounter is archivist’s creation of the finding aid; the second, archivist and literary scholar’s interpretation of this archival metadata using sentiment analysis. Interrogating these activities side-by-side opens up a productive middle ground between humanities scholars and computer technicians, between historians and archivists, between the hand made and the machine made.This article argues that sentiment analysis offers a new and highly productive method of interrogating archival metadata, and that, as a method which privileges emotive understandings of content, it is particularly appropriate to the study of feminist archives like Greer’s. It also argues that these kinds of detailed finding aids are new datasets that reward analysis in their own right, and particularly when considered in dialogue with—rather than simply used as straightforward navigational tools for—the ‘original’ archival content. 相似文献
2.
Kate Hodgetts 《档案与原稿》2018,46(1):40-44
In the 1990s Germaine Greer began recording her audio diaries. At the same time the author was attempting to find a suitable buyer for her archive. While the intention of the audio diaries was to record Greer’s past doings, she was also revealing a more private domestic side of her everyday life. The Germaine Greer Archive sits at the intersection of history and invention and tells the many stories of Germaine Greer, herself stating, ‘The archive will put matters right for posterity… supposing posterity should be interested’. 相似文献
3.
Lachlan Glanville 《档案与原稿》2018,46(1):45-48
The Germaine Greer Archive was created by Greer in the 1970s to document her career and provide-counter evidence against false claims about her work and personal life. Later attempts to address gaps in the archive in relation to her television career were hampered by the poor record keeping of production companies and film and television archives. The archive documents both an attempt to create a complete record and the deliberate creation of a counter-narrative through arrangement and juxtaposition of records. 相似文献
4.
Anthony Cawley 《Media History》2013,19(2):219-237
As, historically, has been common with newly emergent media, the World Wide Web in the mid-1990s was greeted with a discourse of revolutionary impacts, premised on a technological logic of development. In the case of news, the Web was expected to drive a more democratic, transparent and accountable journalism. This article argues that the application of a strong historical perspective to scholarship on online news is necessary to gauge the depth of any changes from and the strength of continuity with print and broadcast news. It examines the historical development of mass media and of journalism in the context of industrial capitalism to trace the emergence of the ‘news ecology’ that permeates print, broadcast and, now, online media. It examines this through a sample of websites maintained by Irish national and local newspapers, and the country's public service broadcaster, between 1994 and 2010. 相似文献
5.
Christoph Raetzsch 《Media History》2015,21(3):294-312
Objectivity has been regarded as a central ideal of American journalism in the early twentieth century. The concurrent emergence of photography in the press is rarely associated with this development. The article explores the photographic legacy of journalistic objectivity by discussing a crucial phase in the development of reproduction media for images, the transition from wood engravings to halftones. The former was the dominant mode of ‘illustrated journalism’, the latter became the dominant mode of reproducing photojournalism in print in the twentieth century. The halftone process introduced an equivalence between photographs and their reproductions, obliterating the mediation that had taken place in a code of reproduction that was almost imperceptible. In the contested adoption of the halftone process, it is argued, a shifting valuation of photographs can be observed that prefigures the formulation of objectivity as a transparent code of mediation in journalism. 相似文献
6.
Stephanie Newell 《Media History》2016,22(1):101-122
This article describes the shifts and contradictions in British approaches to the control of print media in colonial West Africa between the 1920s and 1940s. Well before the Colonial Office's post-war interventions to create an ‘enlightened and educated’ West African citizenry through mass education, decades of independent newspaper production in the region helped to shape independent and critical readerships. For the British, however, an upsurge in African nationalist journalism in the mid-1930s coincided with a perceived Communist infiltration of ‘British West Africa’ to make censorship and surveillance more palatable than before to colonial officials in London, in spite of the new emphasis on public relations. 相似文献
7.
Ben Alexander 《Archival Science》2009,9(1-2):87-98
‘Yaddo’, recalled composer Aaron Copland, ‘became so much a part of my life that I tend to forget how strange the name sounds to those not familiar with it.’ By its very delineation, vagary of purpose, and posture of cloistered withdrawal, Yaddo is defined by a meticulously cultivated and carefully guarded tradition of community and cultural identity; one that was carefully preserved (and, in turn was informed by) the formation of an archive. My point of query centers on the particular consequences of the bond between historical trace and physical place being severed (as perhaps it always must be) when the very materiality that informs an institution’s ‘memory’ is irrevocably distanced. 相似文献
8.
Cherian George 《The Communication Review》2013,16(3):247-268
The Internet has become a medium for contentious political journalism in Malaysia and Singapore, two countries known for their enthusiastic adoption of information technologies as well as their illiberal controls on political expression. These alternative sites inhabit a regulatory gap within an otherwise closed media system. Internet laws in these two settings provide a degree of freedom that is significantly greater than experienced in print and broadcast media. This article tries to explain this anomaly. It argues that the Internet’s perceived economic value dominated the authorities’ policy formulation, subordinating the goal of political control that historically shaped media policy. When dealing with print and broadcast media, the authorities had been able to tailor their political interventions narrowly, such that these actions did not smother their economic priorities. In contrast, the Internet was not as amenable to narrow tailoring. The two governments decided to tolerate a lesser degree of political control than that to which they were accustomed. While the governments maintained the prerogative to mete out after-the-fact punishments against any offending Internet publication, they were less capable of imposing prior restraints or encouraging self-censorship-their more routine forms of media control. It is not argued that the resulting advantage for radical journalism was either absolute or permanent, only that it presented a sufficiently attractive opportunity for action. 相似文献
9.
Richard Farmer 《Media History》2013,19(3):371-386
The introduction of colour supplements by three ‘quality’ newspapers during the 1960s was a key development in the British press during the decade, and was described by the editor of the Sunday Times as ‘perhaps the most successful single innovation in post-war journalism’. This article provides an overview of the advent of the colour supplements, explaining why they emerged when they did and developed in the manner they did, and exploring some of the difficulties and issues that attended their arrival. The article also demonstrates that sections of the British press were capable of taking advantage of changes in print and advertising culture brought about by the arrival of the post-war consumer society. However, the term ‘colour supplement’ became pejorative shorthand for the perceived vacuity of this new society, in part because of the tension that existed between the editorial and advertising content of these modish new publications. Consequently, the success of the colour supplement experiment was not universally celebrated. 相似文献
10.
This study examines the rationalisation of the news frames of currency-related international economic interaction by analysing news articles from the ‘China Focus’ column in China’s state-run Xinhua News Agency. Thematic analysis of the main themes in the news articles shows dominant positive coverage of China’s economic development. Using qualitative content analysis, it also investigates the breeding of the ‘emergence’ of constructive journalism practices in China. It finds that Xinhua prioritises the frames of referring to solutions to the conflict and problem and mentioning the social and economic stability, sustainability, and prosperous development. The frames of moral judgement, conflict and its formation, and human interest are less applied in news articles. It bears elements of constructive journalism, but still needs efforts to make a clear division from positive journalism and Party journalism. 相似文献
11.
在当代中国新闻学研究的学科层面,实际存在着多种名称或概念(有些准确,有些模糊),诸如新闻学、党报理论、中国特色社会主义新闻学、马克思主义新闻观(新闻学)等,它们之间互相联系,但又互有区别。最基本的关系是:党报理论是中国特色新闻学的核心内容,马克思主义新闻观是中国特色新闻学的理论立场和基本方法。因而,中国特色社会主义新闻学,就是以中国新闻现象、新闻活动特别是以"党媒"新闻宣传活动、新闻舆论活动为主要研究对象,以马克思主义为基本立场、观点和方法,以党报(党媒)理论为核心内容的新闻学。其中的"中国特色"是当代中国新闻学的特征描述,"社会主义"则是当代中国新闻学性质定位。中国特色社会主义新闻学与新闻学在研究对象、研究目的、研究的价值取向上虽有相同之处,但重点有所不同。 相似文献
12.
Beverley Butler 《Archival Science》2009,9(1-2):57-69
This paper seeks to address, from the critical perspectives of cultural heritage discourse, the issues at stake in critically apprehending the archive as both a technology of disinheritance and one of potential inclusion and re-inheritance. The first section draws on the work of Jacques Derrida, Edward Said and other critics whose work has sought to address the marginalizing capacity of dominant European/North American archival and cultural–museological institutions. The remainder of the paper grounds these conceptual–ethical issues in the context of Palestinian cultural politics and memory-work. This critical framework is used not only to draw out the absences and silences in archives and cultural institutions, and the epistemological and ‘real’ violences at play in what Derrida characterises as ‘archive trauma’, but responds to Said’s call to ‘re-read’ the colonial archive ‘contrapuntally’ in order to create an ‘othering’ of dominant archival discourse. What is needed to provoke such an ‘othering’ is a commitment to rethink the archive in terms of alternative understandings of ‘hospitality’, ‘memory-work’ and what Derrida has referred to as ‘heritage dignity’. This strategy is capable of apprehending in greater depth the moral-ethical ‘debts’ and ‘duties’ and the operational ‘responses’ and ‘responsibilities’ towards ‘inclusion’ and towards full recognition of those constituencies which have been disenfranchised or exiled outside the realms of dominant cultural–institutional discourse. 相似文献
13.
Kim Trager Bohley 《亚洲交流杂志》2013,23(1):104-123
Based on a year's worth of fieldwork in Singapore, this article is a case study of the much-publicized ‘bookstore war on Orchard Road’ that pitted Borders' American ‘loosey-goosey’ model of bookselling against Kinokuniya's ‘serious’ Japanese model. It examines the distinctive role that country-of-origin effects play in the cultural practices and perceptions of these two global sponsors of literacy, which have in recent decades rivaled traditional sponsors of literacy such as libraries in guiding individuals on ‘what, when and how’ to read. An analysis of the Orchard Road bookstore war captures some of the competing ideologies of textual practices circulating in Singapore as cosmopolitan print consumers and their professional counterparts express their acceptance and/or rejection of particular bookselling practices. For the professionals, good bookselling involves the promotion of local print cultures. In contrast, the cosmopolitan consumers seldom mentioned this criterion. In fact, many of them were drawn to the ‘globality’ of transnational booksellers. While print professionals clearly favored Kinokuniya's globalization localization practices over Borders, a clear-cut preference did not emerge among cosmopolitan consumers. This study suggests that country-of-origin effects likely informed the way in which print professionals and cosmopolitan consumers perceived Borders and Kinokuniya and the globalization localization strategies of these global sponsors of literacy. 相似文献
14.
John Carter Wood 《Media History》2014,20(4):384-399
In the summer of 1928, the arrest on a disorder charge of a young woman in north London who gave her name as Helene Adele led to a press sensation after she claimed that the officers had falsely accused her in order to discredit her claim that one of them had sexually assaulted her. The constables were ultimately prosecuted, convicted and discharged from the Metropolitan Police. This article considers the Adele case in the context of intense concerns about the possible abuse of police powers—particularly in cases involving women—in the late 1920s. Adele was catapulted onto the front pages of Britain's sensationalist press: her serialised memoir appeared in a newspaper and was reprinted in a women's magazine. However, her case was more than just a tabloid spectacle. Contributing to historians' reconsideration of the sensationalist inter-war press, this article shows how the coverage of the case fit into the press's interest in young working-class women's lifestyles and sexuality, highlighting how ‘human interest’ journalism could be intermixed with social critique. 相似文献
15.
Angela McShane 《Media History》2017,23(2):281-302
This article explores the ‘ontological rift’ between the digital and the material archive of political broadside ballads. It outlines the ways in which the ballad’s original diversity has been eroded and homogenised by multiple processes of remediation, including digitisation over time, and investigates the limitations of digitisation projects in delivering the multifarious and widely scattered broadside ballad archive online. Finally, it considers how far digitisation projects have unintentionally ‘concretised’ not only older interpretive practices in relation to the ballad as genre, but also outdated narratives regarding the ballad’s place in the news networks and political culture of seventeenth-century England. 相似文献
16.
Thomas Hanitzsch 《亚洲交流杂志》2013,23(2):169-186
Given the persistent variation in the ways journalism works across cultural boundaries, researchers are often quick to speak of ‘journalistic’ or ‘ professional cultures’ without conceptual clarity. Consequently, ‘journalism culture’ has become an increasingly vague concept, inviting misunderstanding and theoretical ambiguity. This paper, therefore, introduces a taxonomy of journalism cultures, consisting of the territorial, essentialist, value-centered, milieu-specific, organizational and professional journalism cultures. Empirical evidence is provided for three of these cultures, drawing on data from a survey of 385 professional journalists in Indonesia. The results suggest that if culture has some kind of severe impact on journalism, it is not likely to appear on the level of the individual (micro) and organization (meso), but rather on the societal level (macro). 相似文献
17.
ABSTRACTThe Aurukun archives held at the Australian Institute of Aboriginal and Torres Strait Islander Studies were initially developed in accordance with a ‘before it is too late’ model. In response to national controversy over proposed bauxite mining on Wik land, the Institute reorientated its documentation strategy towards collaborating with the Aurukun community. Wik people were not so much the subjects of the archive, but collaborators in its production. The outcome was an extensive multimedia archive which underpinned the Wik native title claim in 1993. Since then the collaborative relationship between the Institute and the Wik people has lapsed. Intermittent attempts to repatriate parts of the Aurukun archives were not successful in the long term. While revising controls over key Aurukun record groups, current Institute staff became aware of the extent and some of the strengths of the Aurukun archives. The staff have been attempting to revive the community’s awareness of their archives and their interest in them. Although the community’s interests presently have a different focus, revived collaboration between the Institute and the Aurukun community could result in some form of distributed custody and control of the Aurukun archives which may be of value to Wik society. 相似文献
18.
Jingrong Tong 《亚洲交流杂志》2015,25(6):600-616
This article examines how journalists defend their boundaries and epistemic authority in the face of the challenges from user-generated content (UGC). It investigates the issue through exploring 51 Chinese journalists’ views of UGC producers and journalism. The interviews reveal that in this case study, Chinese journalists’ commitment to their social identity as ‘people of work units’ (danwei ren), i.e. their identity is defined by the employment relationship between journalists and news organisations, forms the ground of demarcating the boundaries between journalists and UGC producers. As a result, this group of Chinese journalists reinforces their conventional journalistic norms and identity as ‘organisational men/women’ and keeps old-fashioned journalism alive. In the meantime, however, they are aware of changes in the environment within which they practice, and therefore they reflect on their work and (re-)define what journalism is in order to adapt to the changes. This case study shows that the boundary work of Chinese journalists interviewed in the study and their understanding of boundaries are contextually bound. The boundary work of journalism is not only about defence but also about adaptation. It offers a perspective for understanding both continuity and change in the transformation of Chinese journalism as well as the boundaries of journalism in general. 相似文献
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20.
《Journalism Practice》2013,7(4):373-389
This article analyses whether a specific news event is reported differently online compared to print newspapers. The question is hardly new but has increased in importance as more readers pass from print newspapers to online news. The conditions of news selection and production are discussed departing from the theories of market-driven journalism and media logic, and are related to aspects of audience needs and gratifications, as well as professional norms and standards. A content analysis of news reporting during the 2010 Swedish election campaign reveals no significant differences between how major newspapers reported the aspects, issues and actors online compared to in print. Individuals using online news received the same information about the election campaign as those reading the print paper, which indicates a displacing rather than complementary effect of online journalism on print journalism. 相似文献