共查询到20条相似文献，搜索用时 31 毫秒
1.
Kristen Hoerl 《Communication Studies》2013,64(4):355-370
Spike Lee's film Malcolm X (1992) presented Malcolm X's life story using the narrative framework of the American Dream myth central to liberal ideology. Working from Gramsci's notion of common sense in the process of hegemony, I explain how Lee appealed to this mythic structure underlying American popular culture to give a platform to Malcolm X's controversial ideas. By adopting a common sense narrative to tell Malcolm X's life story, this movie functioned as a form of cinematic jujitsu that invited critical consciousness about the contradictions between liberal ideology and the life experiences of racially excluded groups. Other formal devices in Lee's film incorporated Malcolm X's rhetoric within the common sense of mainstream politics and connected Malcolm X to more contemporary racial struggles. This analysis suggests that common sense framings of controversial figures may provide a limited space to challenge institutionalized forms of racism within popular culture. 相似文献
2.
This essay proposes the notion of the “jazz vernacular” as a tool specific to the Creole culture in New Orleans for understanding racial discourses of disposability both geographically and historically. We argue that the jazz vernacular is a discourse structured by musical repertoire. The jazz vernacular provides a channel for the historical pain of the black diaspora by playing in the background, both literally and figuratively, of communication in and about New Orleans. This essay considers Spike Lee's documentary When The Levees Broke to understand how the jazz vernacular frames hurricane Katrina as well as how it frames Lee's film as an intervention into “neoliberal” racial discourses. We argue that Lee's film utilizes the jazz vernacular as a metadiscourse to reinforce the ways in which residents used jazz to restructure cultural memory around the rhetoric of the dispossessed in New Orleans after Katrina. When the Levees Broke uses testimonials and affective communication to structure the narrative of Katrina through elements of the jazz vernacular like: displacement, embodiment, brashness, and improvisation to connect contemporary Creole New Orleanians to a long history of structural oppression and violence. By harnessing performative elements, Lee's film performs a jazz intervention into neoliberal discourses about freedom, defense, safety, and heroism that contrasts these discourses with the despair and the resistance of black America. Consequently, Lee's use of the jazz vernacular relies on native musical culture to recontextualize what neoliberalism had erased. 相似文献
3.
Naomi Schiller 《Mass Communication and Society》2013,16(4):478-502
This article analyzes the circulation and contingent social production of meaning of The Revolution Will Not Be Televised, the documentary film that chronicles the 2002 coup d'état in Venezuela and its dramatic reversal. Drawing on interviews and observations with distributors and activists in New York City in 2004 and ethnographic fieldwork with community media producers in Caracas between 2003 and 2007, I explore how social actors contribute to the ongoing production of Revolution's impact. In this multisited account, I argue that the work of activists and distributors to frame the importance and authenticity of Revolution has been vital in molding debates and facilitating public discussion not only about Venezuelan politics but also about the role of media producers in shaping truth. This article draws attention to the ironies and complexities that filmmakers, distributors, and activists face when they use documentary film to challenge mediated depictions of the historical world. 相似文献
4.
In this study we focus on the film The Siege (1998), as an illustration of how mediated representations of terrorism serve as a vehicle for Orientalist discourse. This text serves as a specific location of struggle and negotiation over interpretations of media characterizations of Arabs, Arab Americans, Muslims, and Islam. First, we focus on how the film represents these communities and the religion textually. Second, we consider news discourse offering critiques of the film by protesting organizations, and the defenses articulated by some of the film's makers. Third, we explore the interpretations of young U.S. viewers as they resonate with competing facets of the text and with public perspectives. Despite the varied possibilities within the text, these interpretations privileged rather than challenged an underlying Orientalist ideology. Still, news media did acknowledge the contestation of dominant discourse, a potential step toward improved portrayals. 相似文献
5.
This article explores how documentary film practice and visual storytelling can be used to help portray Qatari women's narratives, even though many are prohibited by cultural norms from appearing in visual media. We investigate which communication and media practices can provide a work-around, ensuring that women's stories and testimonies are documented. We also explore whether Qatar's social and cultural restrictions result in a form of “symbolic annihilation” for Qatari women, as articulated by Gaye Tuchman, and how this impacts Qatari women's position and visibility in local society. 相似文献
6.
Philip Effiom Ephraim Tutku Akter Martin Gansinger 《Critical Studies in Media Communication》2017,34(1):44-57
New media are increasingly providing spaces and opportunities for media houses and activist groups engaged in socio-political reform in Africa. In Nigeria, social media are becoming platforms for communicating messages of resistance against oppressive political and exploitative economic power structures. This study analyzed Ogas at the top (OATT), an online puppetry series by Buni TV, as a way of examining new platforms and message content in Nigeria’s rapidly changing media sphere. Relying on semiotics and critical discourse analysis perspectives, the study analyzed select episodes of the series, to gauge how producers constructed powerful visual and linguistic messages to boldly satirize social injustices perpetrated by Nigeria’s political elites. 相似文献
7.
Matthew S. Thatcher 《Journal of Applied Communication Research》2013,41(4):349-367
An ongoing debate regarding the nature of therapeutic communities concerns the extent to which these communities reinforce the ideologies of individualism and community. This article engages this discussion through a process of social text analysis informed by the dialogism theory of Russian philosopher and literary scholar Mikhail Bakhtin. Dialogism seeks to understand the multiple voices interpenetrating particular utterances, revealing an emergent social construction of meaning. Applying this approach to examples of discourse from a prominent therapeutic community, Alcoholics Anonymous, illustrates how meaning in the discourse of this movement can be understood to emerge among the interplay between the ideologies of individualism and community as expressed within the movement's narrative practice. 相似文献
8.
Sarah Stevens 《The Communication Review》2014,17(3):256-268
To date, feminists have conflated (and continue to conflate) historical understandings of bondage, discipline, dominance and submission, and sadomasochism (BDSM) as pathological and representations of BDSM in literature and popular media with the lived experiences of feminist BDSM practitioners. Feminist BDSM practitioner Madison Young’s pornographic film 50 Shades of Dylan Ryan (2012) takes the recent resurgence of the ongoing debate on women, submission, and popular literature as a starting point for reconsideration and possibility. By adapting the discourse surrounding 50 Shades of Grey, Young’s pornographic film points to the ways in which feminism also contributes to that which makes pleasure possible. Young’s film reimagines the dualities that have traditionally dominated feminist cultural critique through concepts the author calls “mediated authenticity” and “formal simultaneity.” Beginning with a brief, rigorous examination of the 50 Shades of Grey phenomenon, this article analyzes Madison Young’s 50 Shades of Dylan Ryan and seeks to provide a critical intervention in feminist studies of pornography and popular culture. 相似文献
9.
Burton St. John III 《The Communication Review》2013,16(3):249-270
This article examines how two factors—journalism's professionalized vigilance against co-option and its difficulty differentiating social action communications from propaganda—led to many in the press attacking public journalism as propagandistic. Sociologist Alfred McClung Lee's mid-20th century writings provide fresh explanations for how press critics conflated public journalism with propaganda. Finally, this article maintains that newspapers can improve their pertinence in a new media age by better linking citizen voices into news stories. 相似文献
10.
11.
Discursive strategy in social movements in China has received limited scholarly attention. This paper systemically examines the way in which contentious discourse in China is informed by its cultural repertoire and illustrates how activists strategically frame their culturally informed discourse in coordination with the usage of media platforms. We analyzed 143 slogans and banners from 22 environmental and land requisition protests, and found that activists in China draw heavily on Chinese cultural repertoire. They embed family values in a rank system that is mapped onto two axes – space vs. time and us vs. them – with family/self at the center, to frame diagnostic, motivational, and prognostic collective action frames. In order to unpack the dynamic process of strategic framing, we paid special attention to activists’ coordination mechanisms with media in our analyses drawn from extensive participatory observation and interviews in two protest cases. We found strategic framing (such as frame bridging, amplification, extension, transformation and borrowing) was used in coordination with both traditional and new media in an effort to adjust their contentious discourse to achieve consensus mobilization, action mobilization, and social mobilization at various stages of protest. This study brings cultural repertoire back into the study of contentious discourse in China and highlights the dynamic nature of strategic framing that is often practiced in coordination with media. 相似文献
12.
Yungeng Li 《亚洲交流杂志》2018,28(2):170-184
Neurasthenia (shenjing shuairuo) and depressive disorder are medical issues that have given rise to disputes in China for more than 20 years. Since the 1980s, the once ubiquitous diagnosis of neurasthenia in China was rapidly substituted by depressive disorder in the clinical context. Globally, the metamorphosis from neurasthenia to depressive disorder heralded the triumph of scientific rationality, which identifies neurasthenia as a categorical fallacy. In China, however, neurasthenia retained social and cultural significance; thus, it has become a contestable discourse in relation to depressive disorder. By examining the health reporting of both discourses over a decade, this study explicated how neurasthenia and depressive disorder were represented in a popular health newspaper in China. The content analysis showed that neurasthenia is a more culturally and everyday embedded discourse closely associated with Chinese medicine and laymen’s discourse, while depressive disorder is more associated with Western medicine and the professional discourse. The differentiation of two sets of medical discourse evinces that despite the ostensibly prevailing scientific rationality in media health reporting, cultural rationality is deeply embedded in communicating mental health issues with the lay public. It further suggests the significance of investigating the social and cultural expression of mental illnesses in China. 相似文献
13.
《Journal of Media Economics》2013,26(4):235-251
This article contributes to the understanding of how transnational media corporations enter, operate, and are structured in different national contexts. Specifically, it provides a detailed examination of News Corporation's use of sport as an instrument for successfully penetrating national television markets within the United States, the United Kingdom, and Australia. The discussion is divided into 3 sections, focused on (a) the cultural and economic rationales underpinning News Corporation's use of sport as a core aspect of transnational television market entry strategies, (b) examples of News Corporation's use of sport programming to enter and manage local media markets, and (c) the changes wrought in News Corporation's organizational structure and focus resulting from its transnational sporting orientation. 相似文献
14.
As the character of aesthetic experience becomes more complex and multi‐faceted, exhibitions become interfaces that actively mediate between physical and invisible realities. Challenging more conventional forms of exhibition‐making, this situation becomes exaggerated when producing affective exhibition experiences in non‐conventional event‐structures and site‐specific contexts. This article explores how digital mediation and spatial practice can be productively integrated into new program architectures, specifically the type of civic media spectacles associated with the cultural phenomenon of the White Night or Nuit Blanche. The co‐authors engage with the social and cultural dynamics of such “performance spectacles” through the twin perspectives of curator and exhibition designer, which informed the realization of exUrbanScreens, an image‐based arts and new media festival that operated as a multi‐site, distributed nocturnal event. Practice‐based insights give perspective on audience participation in this type of exhibition event and the social dynamics of civic engagement in this particular form of program architecture. 相似文献
15.
In light of a widening generational disconnect and the increasing fragility of the textile artifact itself, the cultural legacy of the AIDS Memorial Quilt is under threat. This article describes the collaborative creation of digital experiences that aim to augment and revitalize the AIDS Memorial Quilt as an artwork of continued social, cultural, and political significance. By discussing the past, present, and future of the AIDS Memorial Quilt, this article contextualizes the Quilt's technological journey, including the efforts to create digital datasets of images and metadata. This discussion will illuminate an important emergent area of design research in the digital humanities: the creation of cultural technologies for the purposes of digital memorialization. 相似文献
16.
本文分析了影响中日传媒对中日关系报道的主要文化因素。作者们认为,中日传媒应超越日常经验和民族文化的自我想象,跨越各自的知识边界,以更开阔的视野扫描关涉中日关系的历史背景、民族心理、社会文化潜因和当代社会变迁,构筑有利于中日关系发展的利益同心圆。 相似文献
17.
Content Analysis of the Portrayal of White Characters in Black Films Across Two Decades 总被引：1，自引：1，他引：0
Race and media research in the United States emphasizes the representations of ethnic minorities in mainstream media. These sometimes-poor representations of minority groups have implications for social attitudes. However, social groups are defined in relation to one another, and race specifically is a hierarchical category with Whites positioned above. Some scholars suggest that whiteness has meaningful implications for Whites’ racial identity formation. Yet little empirical attention has been given to the portrayals of Whites in racially targeted or ethnic-oriented media, where whiteness is most conspicuous. This study uses social identity theory and critical race theories to examine the portrayals of Whites in Black films. We conduct a content analysis of 32 Black-oriented films spanning two decades. We argue that such investigations (a) position race-oriented films as necessary sites for understanding racial discourse and (b) shed insight into how ethnic media creators may use film as a platform to accept or resist dominant ideologies. 相似文献
18.
Sandra Ristovska 《The Communication Review》2014,17(2):143-158
This article examines the Romani Holocaust experiences by mapping out the silences that haunt this question. As a case study, the article uses the testimonial documentary Porraimos: Europe’s Gypsies in the Holocaust and argues that the Romani Holocaust question is entangled in a moral discourse described in Lyotard’s Le Differend. Bearing witness to the differend can give new insights into the understanding of the Holocaust, the conceptualization of Romani identity, and the framing of media witnessing. The article concludes with a discussion of the face and its relation to witnessing arguing that the affective feel of the differend that interpellates one as a witness is delivered through the face. 相似文献
19.
Bonnie Dow 《Critical Studies in Media Communication》2013,30(2):123-140
–The discourses constructing the coming-out of Ellen DeGeneres/Ellen Morgan, star of and lead character in the ABC television sitcom Ellen, were permeated with implications of authenticity and liberation, illustrating the continuing power of the confessional ritual described by Michele Foucault in The History of Sexuality. In contrast to the popular interpretation of the coming-out as an escape from repression, media treatment of the Ellen phenomenon was productive, in Foucault's sense, constructing a regulatory discourse that constrained the implications of gay visibility on commercial television by channeling it through a narrative of psychological autonomy, through television norms for representing homosexuality, and through an overarching strategy of personalization. I conclude with a discussion of the problems of “poster-child politics” as exemplified by the Ellen discourse. 相似文献
20.
Angelina Russo Jerry Watkins Lynda Kelly Sebastian Chan 《Curator: The Museum Journal》2008,51(1):21-31
Abstract Major museums worldwide are starting to use social media such as blogs, podcasts and content shares to engage users via participatory communication. This marks a shift in how museums publicly communicate their role as custodians of cultural content and so presents debate around an institution's attitude towards cultural authority. It also signifies a new possible direction for museum learning. This article reports on a range of initiatives that demonstrate how participatory communication via social media can be integrated into museum practices. It argues that the social media space presents an ideal opportunity for museums to build online communities of interest around authentic cultural information, and concludes with some recent findings on and recommendations for social media implementation. 相似文献