首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   2509篇
  免费   41篇
教育   1839篇
科学研究   168篇
各国文化   22篇
体育   215篇
文化理论   28篇
信息传播   278篇
  2022年   21篇
  2021年   21篇
  2020年   47篇
  2019年   87篇
  2018年   93篇
  2017年   94篇
  2016年   79篇
  2015年   54篇
  2014年   62篇
  2013年   576篇
  2012年   66篇
  2011年   61篇
  2010年   44篇
  2009年   48篇
  2008年   59篇
  2007年   49篇
  2006年   59篇
  2005年   38篇
  2004年   52篇
  2003年   55篇
  2002年   34篇
  2001年   39篇
  2000年   44篇
  1999年   44篇
  1998年   24篇
  1997年   28篇
  1996年   30篇
  1995年   22篇
  1994年   30篇
  1993年   24篇
  1992年   27篇
  1991年   21篇
  1990年   19篇
  1989年   23篇
  1988年   14篇
  1987年   15篇
  1986年   24篇
  1985年   27篇
  1984年   26篇
  1983年   21篇
  1982年   19篇
  1981年   20篇
  1980年   15篇
  1979年   24篇
  1978年   18篇
  1977年   17篇
  1974年   17篇
  1972年   10篇
  1971年   18篇
  1926年   10篇
排序方式: 共有2550条查询结果,搜索用时 15 毫秒
971.
Research in Science Education - We use the framework of cognitive resources to investigate how students construct understanding of a complex physics topic, namely, a photovoltaic cell. By observing...  相似文献   
972.
Abstract Interactives—computers and other multimedia components, physical manipulatives (including whole‐body and tabletop activities), and simulations—occur in all types of museums. There is considerable interest in the nature of the learning that happens when visitors use interactives. Museum professionals have enlisted constructivist theory to support the notion that interactive elements are invaluable components of any exhibition experience, and are effective learning tools that enable active visitor engagement. Interactives are also seen as vital to sustaining institutional image and expanding institutional popularity. Despite the increasing use of interactives in exhibitions and the substantial investments being made in their design and maintenance, there is a paucity of research as to whether these constructivist assumptions are supported. There is little work exploring visitors' perceptions of specific types of interactives, or the role of interactivity in the visitor experience generally. Museum staff thus have a limited ability to make informed decisions about the level and type of interactivity that might enhance exhibition experiences. This paper describes a collaborative effort in 2001 by researchers at the Powerhouse Museum (PHM), Sydney; the Institute for Learning Innovation (the Institute), Annapolis, Maryland; and Curtin University of Technology (Curtin) and Scitech Discovery Centre (Scitech), both in Perth, Western Australia. This study investigated two aspects of interactivity: 1) visitor perceptions of interactivity in two different contexts, a museum and a science center; and 2) the types of short‐ and long‐term learning that resulted from use of interactives in these two institutions.  相似文献   
973.
974.
The Recipe 4 Success preventive intervention targeted multiple factors critical to the health and well-being of toddlers living in poverty. This randomized controlled trial, which was embedded within Early Head Start home visits for 12 weeks, included 242 racially and ethnically diverse families (51% girls; toddler mean age = 2.58 years; data collected 2016–2019). Compared to parents in usual practice home visits, parents in Recipe 4 Success displayed greater sensitive scaffolding of toddlers' learning and more responsive food parenting practices (Cohen's d = .21–.30). Toddlers in Recipe 4 Success exhibited greater self-regulation and had healthier eating habits (Cohen's d = |.16–.35|). Results highlight the value of Recipe 4 Success in promoting parent and toddler behavior change that could have life-long benefits.  相似文献   
975.
976.
A random sample of 55 WRAT-R protocols, completed by nine practitioners for a metropolitan school district in the South, was analyzed for examiner errors. All nine practitioners made errors, which occurred on 95% of the protocols and averaged 3.0 errors per protocol. The most frequent errors included failures to obtain a correct ceiling or basal, and failures to record examinees' responses. Correction of the examiner errors resulted in changes in 11 standard scores, and 3 additional changes in grade equivalent scores. These results indicate that WRAT-R administration and scoring are not as objective as assumed by the test developers, and that examiner errors on this test can adversely affect diagnostic decisions.  相似文献   
977.
There is much interest among cultural economists in assessing the effects of heritage preservation policies. There has been less interest in modeling the policy choices made in historic and cultural landmark preservation. This article builds an economic model of a landmark designation that highlights the tensions between the interests of owners of cultural amenities and the interests of the neighboring community. We perform empirical tests by estimating a discrete choice model for landmark preservation using data from Chicago, combining the Chicago Historical Resources Survey of over 17,000 historic structures with property sales, Census, and other geographic data. The data allow us to explain why some properties were designated landmarks (or landmark districts) and others were not. The results identify the influence of property characteristics, local socio-economic factors, and measures of historic and cultural quality. The results emphasize the political economy of implementing preservation policies.  相似文献   
978.
We conduct an empirical analysis of the effect on the auction price of a Canadian painting of the age of the painter at the time of creation of the painting. We consider over two hundred artists, active over the entire history of Canadian art, who are pooled in the estimation of a hedonic regression in which a polynomial function in age enters as a regressor along with several other control variables. We consider the possibility that the age–price relationship has changed over time by: (a) estimating separate age–price functions for three generational groups of artists—those born before 1880, between 1880 and 1920, and after 1920 and thus coming of age in the world of post-war ‘contemporary art’ and (b) estimating a parameterization where the shape of the age–price profile is permitted to change continuously depending on the year of birth of the artist. Our principal result is that artists born more recently tend to ‘peak’ earlier in their careers than those of previous generations.  相似文献   
979.
980.
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号