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991.
At the behest of 39 members of the U.S. House of Representatives' Committee on Energy and Commerce, in 2007 the Federal Communications Commission (FCC) released a report that addressed the effects of violent television on children, the constitutionality of various strategies for regulating children's exposure to violent television content, and the viability and benefit of a congressionally developed definition of excessively violent television programming. This review evaluates how well the FCC carried out the tasks assigned to it by Congress, particularly in regards to the FCC's assessment of the social scientific research on the effects of exposure to televised violence.  相似文献   
992.
Basil Wright's The Long View (New York: Knopf, 1974—$15.00)

Paul Sylbert's Final Cut: The Making and Breaking of Film (New York: Seabury Press, 1974—$7.95)

Gerson Kanin's Hollywood: Stars and Starlets, Tycoons and Flesh-Peddlers, Moviemakers and Moneymakers, Frauds and Geniuses, Hopefuls and Has-Beens, Great Lovers and Sex Symbols (New York: Viking Press, 1974—$8.95)

John Milton Hagen's Holly-Would! (New Rochelle, N.Y.: Arlington House, 1974—$7.95)

David Madden's Remembering James Agee (Baton Rouge: Louisiana State University Press, 1974—$8.95)

Richard Lawton's A world of Movies: 70 Years of Film Art (New York: Delacorte Press, 1974—$19.95)

Bob Willoughby and Richard Schickel's The Platinum Years (New York: Random House, 1974—$25.00)

Stephen H. Scheuer's The Movie Book (New York: Playboy Press with distribution by Simon and Schuster, 1974— $17.95)

Cecil Munsey's Disneyana: Walt Disney Collectibles (New York: Hawthorne, 1974—$19.95)

George Barris and Jack Scagnetti's Cars of the Stars (Jonathan David, Publisher, Middle Village, N.Y. 11379, 1974—$16.95)  相似文献   
993.
David G. Clark and Earl R. Hutchinson, Mass Media and the Law: Freedom and Restraint (Wiley-Interscionco, $12.95)

John M. Kittross and Konnoth Harwood, Free & Fair: Courtroom Access and the Fairness Doctrino (Journal of Broadcasting, Temple University, $3.95)

Paul W. MacAvoy's The Crisis of the Regulatory Commissions: An Introduction to a Current Issue of Public Policy (Norton, $5.95; paper, $2.95)

Eric Moon, Book Selection and Consorship in the Sixties (Hawker, $10.95)

Edward De Grazia's Censorship Landmarks (Hawker, $19.75)  相似文献   
994.
Paul Smith (ed.) The Historian and Film (Cambridge, England: Cambridge University Press, 1976---$13.95)

Tino Balio (ed.) The American Film Industry (Madison: University of Wisconsin Press, 1976---$15.00/6.95)

Dale McConathy with Diane Vreeland's Hollywood Costume (New York: Abrams, 1976---$35.00)

David Chierichetti's Hollywood Costume Design (New York: Harmony Books/Crown, 1976---$15.00)

Anthony Slide's The Big V: A History of the Vitagraph Company (Metuchen, N.J.: Scarecrow Press, 1976---$9.00)

Michael G. Fitzgerald's Universal Pictures: A Panoramic History in Words, Pictures and Filmographies (New Rochelle, N.Y.: Arlington House, 1976---$25.00)

James R. Silke's Here's Looking at You, Kid: Fifty Years of Fighting, Working and Dreaming at Warner Brothers (Boston: Little, Brown, 1976---$24.95)

P. Adams Sitney (editorial director), The Essential Cinema: Essays on the Rims in the Collection of Anthology Film Archives (New York: New York University Press, 1976-420.00/ 8.95)

Leo Braudy's The World in a Frame: What We See in Films (New York: Anchor/Doubleday, 1976---$8.95)  相似文献   
995.
Martin Clifford's Microphones: How They Work and How to Use Them (Blue Ridge Summit, Pa.: TAB Books, 1977—$8.95/ 5.95)

James Carroll and Ronald Sherriffs, TV Lighting Handbook ($12.95, 226 pp.)

Harry Kybett, The Complete Handbook of Videocassette Recorders ($9.95/5.95, 280 pp.)

Dave Ingram, The Complete Handbook of Slow-Scan TV ($14.95/9.95, 304 pp.)

G. Paul Smeyak's Broadcast News Writing (Columbus, Ohio: Grid Publishing, 1977—$7.95, paper)  相似文献   
996.
Audiovisual Market Place 1978: A Multimedia Guide (431 pp.—$21.50, paper)

Fine Arts Market Place edited by Paul Cumnings (403 pp.—$19.95, paper)

Photography Market Place edited by Fred W. McDarrah (502 pp.—$15.50, paper)

Keith A. Larson's Public Relations, the Edward L. Bernaypes and the American Scene: A Bibliography (Westwood, Mass.: F.W. Faxon Co. "Useful Reference Series No. 114"—$25.00)

Ching-Chih Chen's Scientific and Technical Information Sources, (Cambridge, Mass.: MIT Press, 1977—$24.95)

Book Dealers in North America: A Directory of Dealers in Secondhand and Antiquarian Books in Canada and the United States of America (London: Sheppard Press, updated every four-five years—inquire on price)  相似文献   
997.
Cable Television     
CABLE PROGRAMMING RESOURCE DIRECTORY 1987 edited by Gregory Epler-Wood and Paul D'ari (Washington, DC: Broadcasting Publications, 1987—$34.95, paper)

SYMPOSIUM: CABLE TELEVISION by the editors of the Federal Communications Law Journal (UCLA School of Law, University of California, Los Angeles, 90024—price not given, paper)  相似文献   
998.
999.
Practical Guides     
THE DESIGN OF ADVERTISING by Roy Paul Nelson (Dubuque, IA: Wm C. Brown, 1989—price not given, ISBN 0-697-04374-6)

EXPLORING COLOR PHOTOGRAPHY by Robert Hirsch (Dubuque, IA: Wm. C. Brown, 1989—$30.00, paper, ISBN 0-697-06132-9)

VIDEO HELD PRODUCTION by Ron Whittaker (Mayfield Publishing Co., 1240 Villa St., Mountain View, CA 94041—$34.95, ISBN 0-87484-836- 9)  相似文献   
1000.
Abstract

The present article examines the impact of new digital technologies, services and markets on changes to television in Austria from a media‐economics perspective. This article started form the assumption that the process of transformation towards digital distribution modes would make questions about the role and legitimacy of public service television in Austria more prominent than ever before. Since the technical development of digitisation steps up competition in the programming, advertising and viewer markets, the continued existence of public service broadcasting in Austria is at risk. Already facing strong competition from private cross‐border analogue television, private digital services promise increased competition for the ORF, will take away advertising volume and accelerate the cost spiral for rights. The ORF will have to face these challenges as the regulator has assigned it the role of a chief enabler of digital television in the market segments for satellite and terrestrial transmission. This article argues that programme universality as leading principle for public service broadcasting faces a legitimacy crisis as digital competitors may better target minority demands in fragmented audience environments. It remains to be seen how far the ORF is able to being both distinctive and attractive to its target audiences, so to ensure its position into the next millennium. Affordability and reliability of technology comes as another critical success factor. For the time being, the continuous confusion about lasting, stable and interoperable receivers in viewer homes is the main cause for the poor development of digital TV in Austria. This is aggravated by excessive prices and the current difficulty in seeing any added value in new digital content. To conclude, much hope is put into the Digitale Plattform Austria, a working group of experts to produce a coherent and evaluable digitisation concept, that will take up these challenges in a competent way.  相似文献   
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