Descriptive Courses Can Be Creative     

Robert B. Wentworth 《College Teaching》2013,61(4):93-94

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Developing Intellectual Perspective     

Wilson F. Wetzler 《College Teaching》2013,61(4):108-110

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CURRICULAR INTEGRATION IN ROMAN CATHOLIC EDUCATION     

Robert B. Nordberg 《Religious education (Chicago, Ill.)》2013,108(1):127-142

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PARALLELS OF PROGRESS IN RELIGION AND EDUCATION∗     

Charles F. Thwing LL.D. 《Religious education (Chicago, Ill.)》2013,108(5):388-393

The careful distinctions in this article assist in clarifying the tasks of educators  相似文献   

Aesthetics and Astronomy: How Museum Labels Affect the Understanding and Appreciation of Deep‐Space Images     

Lisa F. Smith  Jeffrey K. Smith  Kimberly K. Arcand  Randall K. Smith  Jay A. Bookbinder 《Curator: The Museum Journal》2015,58(3):282-297

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Anne Marcovich and Terry Shinn,Toward a New Dimension: Exploring the Nanoscale     

Sean F. Johnston 《Minerva》2015,53(4):431-434

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Time spent on new songs: word-of-mouth and price effects on teenager consumption     

Noémi Berlin  Anna Bernard  Guillaume Fürst 《Journal of Cultural Economics》2015,39(2):205-218

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EDITORS' PREFACE   总被引：1，自引：0，他引：1  

W. Andrew Collins  Willis F. Overton 《Monographs of the Society for Research in Child Development》2006,71(3):vii-ix

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‘Fractured communities’: uncertainty,stress, and (a lack of) communal coping in Palestinian refugee camps     

Tamara D. Afifi  Walid A. Afifi  Anne F. Merrill  Najib Nimah 《Journal of Applied Communication Research》2016,44(4):343-361

This study examined how communal coping reveals itself in Palestinian refugee camps and the conditions that promote or prevent its occurrence. Individual and dyadic interviews were conducted with 40 mothers and one of their adolescent children living in Palestinian refugee camps in Lebanon. The results revealed that communal coping existed within the mother–adolescent dyad to a certain extent, but was rare within the larger context of the refugee camps. While families and neighbors did not typically verbalize their hardships and actively cope with them as a group, there was often an implicit recognition that they were all experiencing the same uncertainty and stress. Acting upon their uncertainty as a collective, however, was greatly hampered by mistrust within and outside the camps, due to widespread violence, privacy violations, vying for scarce resources, and disloyalty. Parents and adolescents also engaged in protective buffering whereby they attempted to reduce the stress of the family by keeping stress and fears to themselves rather than communicating about them. Even though protective buffering helped the refugees cope with chronic uncertainty and maintain a sense of normalcy, it prevented them from acting upon the problem as a group. Finally, parents emphasized that the child’s education provided hope for the future. Practical implications are discussed.  相似文献   

This is so contemporary? Mediums of exchange and conservation     

Robert Lazarus Lane  Jessye Wdowin-McGregor 《文物保护研究》2016,61(3):104-108

What conservation strategies can be used for Tino Sehgal's 2005 work This Is So Contemporary, and what are their relations to oral traditions? Sehgal's art leaves no material traces, as the artist resists the use of photos and videos acting as a documentary surrogate for his work. This paper will explore how Sehgal's non-written documentation strategies connect to the work of Yumutjin Wunungmurra, a contemporary artist and ceremonial leader from Northeast Arnhem Land, Australia. The connection will be tracked through the role of caretaker and custodian that features in the workflow of both artists. The paper asks whether the performance-based strategies discussed can support the notion of conservation as a social process with multiple stakeholders.  相似文献