Yestermorrow,Notes on Man's Progress,by Kurt W. Marek (pen name C. W. Ceram), translated from the German by Ralph Manheim,New York: Alfred A. Knopf. 1961. 151 pp. $3.50     

James W. Russell 《The Educational forum》2013,77(1)

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DEVELOPING TRAITS OF CHARACTER IN LIFE SITUATIONS     

W. W. Charters∗ 《Religious education (Chicago, Ill.)》2013,108(7):753-757

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(Almost) All about error     

Kent W. Staley 《Metascience》2012,21(3):709-713

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LEADERSHIP TRAINING AMONG PROTESTANTS     

Herbert W. Gates 《Religious education (Chicago, Ill.)》2013,108(7):666-673

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Evaluating Growth for ELL Students: Implications for Accountability Policies     

Joni M. Lakin  John W. Young 《Educational Measurement》2013,32(3):11-26

In recent years, many U.S. states have introduced growth models as part of their educational accountability systems. Although the validity of growth‐based accountability models has been evaluated for the general population, the impact of those models for English language learner (ELL) students, a growing segment of the student population, has not received sufficient attention. We evaluated three commonly used growth models: value tables or transition matrices, projection models, and student growth percentiles (SGP). The value table model identified more ELL students as on track to proficiency, but with lower accuracy for ELL students. The projection and SGP models were more accurate overall, but classified the fewest ELL students as on track and were less likely to identify ELL students who would later be proficient. We found that each model had significant trade‐offs in terms of the decisions made for ELL students. These findings should be replicated in additional state contexts and considered in the development of future growth‐based accountability policies.  相似文献   

EDITORS' PREFACE   总被引：1，自引：0，他引：1  

W. Andrew Collins  Willis F. Overton 《Monographs of the Society for Research in Child Development》2006,71(3):vii-ix

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The open access movement at a crossroad: Are the big publishers and academic social media taking over?          下载免费PDF全文

Bo‐Christer Björk 《Learned Publishing》2016,29(2):131-134

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The future is not what it used to be: Changing views on contemporary color photography     

Nora W. Kennedy  Meredith Reiss  Katherine Sanderson 《文物保护研究》2016,61(3):91-97

Attitudes and approaches toward the collection, use, and care of color photographs have evolved enormously since the official arrival of commercially viable color photographic processes in the early twentieth century. This article traces the evolution of collection, exhibition, and preservation practices for works of art in color photography over the last few decades, as represented by one institution, The Metropolitan Museum of Art.  相似文献   

Technical analysis of a Central Asian wall painting detached from a Buddhist cave temple on the northern Silk Road     

Birgit Angelika Schmidt  Martin Andreas Ziemann  Simone Pentzien  Toralf Gabsch  Werner Koch  Jörg Krüger 《文物保护研究》2016,61(2):113-122

A great number of Central Asian wall paintings, archeological materials, architectural fragments, and textiles, as well as painting fragments on silk and paper, make up the so called Turfan Collection at the Asian Art Museum in Berlin. The largest part of the collection comes from the Kucha region, a very important cultural center in the third to ninth centuries. Between 1902 and 1914, four German expeditions traveled along the northern Silk Road. During these expeditions, wall paintings were detached from their original settings in Buddhist cave complexes. This paper reports a technical study of a wall painting, existing in eight fragments, from the Buddhist cave no. 40 (Ritterhöhle). Its original painted surface is soot blackened and largely illegible. Grünwedel, leader of the first and third expeditions, described the almost complete destruction of the rediscovered temple complex and evidence of fire damage. The aim of this case study is to identify the materials used for the wall paintings. Furthermore, soot deposits as well as materials from conservation interventions were of interest. Non-invasive analyses were preferred but a limited number of samples were taken to provide more precise information on the painting technique. By employing optical and scanning electron microscopy, energy dispersive X-ray spectroscopy, micro X-ray fluorescence spectroscopy, X-ray diffraction analysis, and Raman spectroscopy, a layer sequence of earthen render, a ground layer made of gypsum, and a paint layer containing a variety of inorganic pigments were identified.  相似文献   

On the changing appearance of,and potential treatment options for,softening and dripping paints in CoBrA oil paintings     

Ida Antonia Tank Bronken  Jaap J. Boon  Robert W. Corkery  Hartmut Kutzke  Calin Constantin Steindal 《文物保护研究》2016,61(3):269-270

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