大战中的热烈与冷静——民初十年《东方杂志》民族主义观评析     

洪九来 《江西师范大学学报(哲学社会科学版)》2006,39(3):60-65,80

1912-1922年间,杜亚泉为代表的知识分子群体以《东方杂志》为舞台,集中地表达了他们的民族主义思想。他们倡导的和平、民主、文化的国家主义思想有合理可贵的积极价值,是中国现代民族主义思想史上的重要资源。  相似文献   

Nations in shame and art’s shame: towards a radical politics of image and affect around “Okinawa”     

Mayumo Inoue 《Inter-Asia Cultural Studies》2018,19(4):536-550

ABSTRACT

This article first examines the resurgence of popular, semi-academic nationalist discourses that solidify the figures of “Japan” and “Okinawa” within post-1945 U.S.-led formation of nation-states across the Asia-Pacific. It critiques two discourses that are symptomatic of such a return to the figure of the nation: developmental economist Matsushima Yasukatsu’s thesis of “Ryukyu’s independence” and philosopher Takahashi Tetsuya’s call to relocate the U.S. military bases from Okinawa to mainland Japan. These symptomatic instances of the mutually transferential nationalisms in Okinawa and mainland Japan rely upon crudely culturalist assumptions about the self and the others and are thus surprisingly oblivious to how the very nation-forms have been instituted as part of imperial modernity. Their implicit figurations of the exemplary national subjects partake in the biopolitical assumptions as to whose lives must be “made to live” and “made to die” within and outside the border of the national. Ultimately, such nationalist discourses about Japan and Okinawa engage in a zero-sum exchange of imperial shame and colonial shame, a process that further stabilizes the co-operative placement of local nation-forms within the U.S.-led inter-state regime of warfare and biopolitics. But insofar as these discourses require the images of the nations that they seek to represent, their (re)production of what Naoki Sakai calls “a schema of co-figurative” nationalities needs to be critiqued through an exploration of a radical aesthetics and affect that pertain to image production.

The second part of the article presents my interpretation of artist Nema Satoko’s recent book of photography titled Paradigm, a work in which both bodies and objects explore their potential transformations in the midst of their precarious exposure to one another. I argue that Nema’s images of fragile bodies and objects in the present landscape of Okinawa are poised on the cusp between the past that invokes a sense of shame and this past’s potential future that necessitates an ethical posture of humility. In the vicinity of Adorno’s notion of “art’s shame,” Nema’s photographic images illuminate an amorphous realm of fragile beings, whose linkage and exposure to one another opens a space of viability that is obscured by the biopolitical imaginaries of nation-forms.  相似文献   

Korean-Wave celebrities between global capital and regional nationalisms     

Olga Fedorenko 《Inter-Asia Cultural Studies》2017,18(4):498-517

This article examines conflicts over the transnationalization of South Korean celebrities in the wake of the Korean Wave (Hallyu) in the twenty-first century. I consider a number of celebrity controversies to argue that the demands placed upon Hallyu celebrities by domestic observers, foreign audiences, and global capital are fundamentally irreconcilable. South Korean nationalist appropriation of Hallyu, as well as the local celebrity culture, demand that Hallyu stars firstly be exemplary Korean patriots, whereas international audiences expect sympathy for their own causes. Local nationalist agendas have proven particularly troublesome because of postcolonial sensibilities and ongoing territorial disagreements between South Korea and its neighbors. Finally, as circulating commodities and commercial assets, Hallyu stars are also pledged to global capital. Their value is highest when they appeal to as broad an audience as possible and alienate no one with their politics. An apolitical neutrality on regionally controversial issues, however, is an untenable position when antagonistic geopolitical interests are concerned and nationalist passions flare. I situate this argument within critical scholarship on cultural globalization flows within Asia, while engaging celebrity studies to frame Hallyu stars as transnational commodities.  相似文献   

E.E. Fournier d’Albe’s Fin de siècle: Science,Nationalism and Monistic Philosophy in Britain and Ireland     

Ian B. Stewart 《Cultural and Social History》2017,14(5):599-620

The fin de siècle witnessed radical shifts in the intellectual and cultural landscapes of the British Isles in the context of a general revolt against Victorian values. E. E. Fournier d’Albe – physicist, spiritualist, inventor and Pan-Celticist – personified the ability of intellectuals to latch onto and advance new trends, made available by the emergent intellectual pluralism. Like many contemporaries he rejected traditional religion, but he also disdained scientific materialism, and sought a deeper metaphysical meaning to life, pursued through his various interests. Influenced by the totalising theories of figures like Herbert Spencer and Ernst Haeckel, Fournier concocted his own brand of scientific monism, rejecting materialism, embracing spiritualism, and ever optimistic in the notion of scientific progress, even in the wake of the carnage of the Great War. The article aims to give Fournier a fuller historical treatment, allowing his story to add to understanding of the milieus in which he lived and operated, and revealing how his monistic philosophy incorporated some of the disparate cultural strands explored by intellectuals in the fin de siècle reaction against conventional Victorian ideals.  相似文献   

A true original     

Martin Jacques 《Inter-Asia Cultural Studies》2013,14(2):174-177

Abstract

This study analyzes Japanese and Korean ethno-national (minzoku-kokumin) education in postwar Japan. During a period of political unrest in Japan (1945–1955), some of the Korean residents and Japanese worked together to overcome the culture of Imperial Japan and its assimilative education. They also regarded themselves as people colonized by the United States, and pursued a political-cultural movement for their liberation and independence from American imperialism. The Koreans in Japan rejected compulsory education in the Japanese language. As a result, since 1956, Korean schools (Chōsengakkō), funded and supported by North Korea, were founded all across Japan. Their ethno-national education was in fact incorporated into North Korean politics, and has been considered in many studies as having overcome Japanese assimilation and ethnic inequalities. Such a view was a result of many academic Zainichi Korean studies that come from an “insider's perspective” to criticize Japanese colonialism and discrimination. In order to go beyond this insider's view, I focus on the political alliance between Zainichi Koreans and the Japanese people in their pursuit of ethno-national education. Since 2010, the Japanese state funding for Korean schools has become a major controversy in Japan. By tracing the historical background, this article intends to explain why this political issue has arisen. The ultimate purpose of this article is to suggest an ethical perspective to resolve the current political conflict regarding Korean schools in Japan.  相似文献   

全球化语境中的民族偶像建构——以姚明为样本     

付晓静  李保存 《新闻界》2007,(3):40-41,24

作为首位进入美国主流文化中的体育使者,姚明被媒体塑造成为中国的民族偶像。本文将姚明置于跨文化传播语境中,以中美传媒建构姚明形象的关键词为切入点,揭示其中存在的显著差异,剖析民族主义叙述语境中的姚明形象内涵,同时指出,“姚神话”的塑造受到以NBA为代表的西方消费主义意识形态的支配。  相似文献   

论《白鹿原》三段论手法的美学意义     

赵德利  孟改正 《河南师范大学学报(哲学社会科学版)》2002,29(6):90-94

三段论是学创作中的一种审美叙事手法。《白鹿原》成功地将传统故事叙事三段原理创化为审美三段论。人物塑造三段论在发展中塑了鲜活的人物形象,展示出复杂的人物性格,挖掘出人物命运的悲剧意义;情节演进三段论通过丰富复杂的意象情节变化强化了作品的可读性,探寻到人物的心路走向,展示出广阔的社会生活和历史真实;主题意蕴三段论在社会事物的互动发展中揭示了民族化心理的演变轨迹,反思和建构了民族化。  相似文献   

Not Quite Free? Irish Postcoloniality and the Career of Pat O'Callaghan     

Mike Cronin 《国际体育史杂志》2015,32(7):899-908

This paper explores the career of the Irish Olympian Pat O'Callaghan. He won successive hammer-throwing titles in the 1924 and 1928 Olympics as a representative of the independent Irish state. The paper argues that in these Olympics, O'Callaghan can be considered as representing a postcolonial state, in line with much scholarship on other aspects of Irish culture. However, the Irish later fell into a dispute with the International Amateur Athletics Federation and the International Olympic Committee, which were largely steered by the British in dealing with contentious issues over the Irish border, and the Irish were thus effectively banned from the 1936 games. The paper concludes with a discussion over the nature of postcolonial identities in sport, and the complexities around the issue in relation to the constant mediation over what national identities mean within the context of rule-making by international sporting bodies.  相似文献   

Reclaiming Canada Through Its ‘Ancient’ Sport: Lacrosse and the Native Sons of Canada in Late 1920s Alberta     

Robert Kossuth  David McMurray 《国际体育史杂志》2015,32(14):1642-1660

Lacrosse has long been considered Canada's national sport and, beginning in the latter half of the nineteenth century, became tied to the nationalist ambitions that sought to promote a national identity through the ‘creation’ of a uniquely Canadian game. Popular in the decades prior to the turn of the twentieth century, lacrosse in Alberta began to decline after the First World War, becoming a marginal sport played only in the province's larger cities. A brief and unexpected revival of lacrosse occurred in two communities, Edmonton and Lethbridge, in the 1920s championed by a nativist organization, the Native Sons of Canada (NSC). For this group lacrosse represented a natural means to promote their ‘Canada First’ ideology to young male Albertans. In Edmonton, the Native Sons sponsored a senior men's lacrosse team that garnered some local and regional attention, while attempts by the Lethbridge assembly to promote youth lacrosse in 1927 were largely unsuccessful. Despite the continuing affinity between Canadian nationalism and lacrosse, the NSC were ineffective in their efforts to revive interest in the sport. The ‘national’ game did not provide nativists in Alberta the platform they sought to promote their nationalist agenda.  相似文献   

《凯利帮真史》内德·凯利身份认同研究     

张计连 《怀化学院学报》2015,(1)

彼得·凯里第二次获布克奖的小说《凯利帮真史》将澳大利亚官方历史记载中面目狰狞的"丛林大盗"内德·凯利塑造成为一个本性良善但为生活所逼而反抗殖民当局的爱尔兰裔英雄。复活历史人物,让历史人物站出来为自己辩护,凯里巧妙地安排小说人物展开了一场历史话语权的争夺。在他看来,爱尔兰裔澳大利亚人是白澳内部的"他者",他们挑战了澳官方宣称的"澳大利亚是白人的澳大利亚"的观点。  相似文献