拥抱技术的变革:智媒时代对公共图书馆服务重塑的启示     

卫军英  刘晶 《图书馆杂志》2018,(1):27-32

随着信息和人工智能等技术的发展,"智媒时代"正在加速来临,智能化、场景化、共享化成为内容传播的三大趋势,图书馆与用户、内容的关系也将重新连接、深度交互。作为推广"全民阅读"重要阵地的公共图书馆,已经迎来了发展和变革的重要时间节点,以人、馆和资源之间的智能互联为特征,公共图书馆的运营模式、服务转型和空间生态都在发生深刻变化,一切职能转型和服务创新都必须围绕用户的需求和体验进行,进而成为提供智能化、泛在化、人性化服务的——"智慧型"第三文化空间,实现从"书的图书馆"到"人的图书馆"的终极跨越。  相似文献   

基于Usage Metrics的中文学术论文用户平台偏好和兴趣偏好比较研究     

陈必坤  周慧娴  钟周燕  王曰芬 《中国图书馆学报》2018,44(6):90-104

研究中文学术论文用户使用模式有助于分析使用规律,为应用决策提供依据。本文以八个学科被CSSCI或CSCD收录的61本开放获取期刊发表于2014—2015年的学术论文为样本,以期刊官网和信息集成平台上的使用数据为来源,采用Usage Metrics的方法,从用户平台偏好和用户兴趣偏好两方面比较中文学术论文的用户使用模式。研究发现:①期刊官网与信息集成平台的用户平台偏好存在差异。一是从学科视角看,用户整体上倾向于使用期刊官网而不是信息集成平台获取所需论文,而社会科学的信息集成平台篇均下载次数均大于自然科学。二是从期刊视角看,社会科学用户比自然科学用户更倾向于使用信息集成平台获取所需论文;与信息集成平台相比,期刊官网的用户下载数据呈现更为明显的“两级分化”现象;期刊官网下载次数与信息集成平台下载次数整体上的相关性较低。②期刊官网与信息集成平台的用户兴趣偏好存在差异。每本期刊官网和信息集成平台下载次数前20%的学术论文的Jaccard相似系数较低;在所列举的图书馆、情报与文献学中,期刊官网与信息集成平台的用户关注主题不同。图7。表5。参考文献37。  相似文献   

“搞”的艺术化用法探略     

施发笔 《毕节师范高等专科学校学报》2014,(11):9-12

阐述“搞”的艺术化用法及其修辞效果，澄清对“搞”字运用的某种误解。认为“搞”具有随意性、口语化、概括性等特点，实际运用中出现的适应特定语境之用法，含有亲切、谦虚、个性化等意味，能表达出各种复杂的意思，可以收到精炼简洁、轻松诙谐、容易理解等表达效果。有的带“搞”的说法还呈现凝固化、词汇化趋势，说明某些“搞”字在词语组合中具有不可替代的功用。  相似文献   

The Artist Initiative at San Francisco Museum of Modern Art     

Robin Clark  Michelle Barger 《文物保护研究》2016,61(3):24-28

The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print.  相似文献   

Tweeting Facts,Facebooking Lives: The Influence of Language Use and Modality on Online Source Credibility     

Gamze Yilmaz  Jessie M. Quintero Johnson 《Communication Research Reports》2016,33(2):137-144

The present study examines how language use (e.g., personalized vs. depersonalized language) and modality (e.g., tweets vs. Facebook status updates) influence source credibility interdependently. A total of 257 participants read personalized or depersonalized health messages embedded in mock-up tweets or Facebook status updates. The results show that users perceive depersonalized tweets as more credible than depersonalized status updates posted on Facebook. On the other hand, personalized status updates on Facebook generate higher credibility judgments than personalized tweets. The findings are discussed in light of the MAIN model as well as the preconceived user expectations and communication norms of social media.  相似文献   

Using Political Journalists’ Definitions of Public Opinion to Predict Source Use in Political News     

Jennifer Hoewe 《Communication Research Reports》2016,33(3):247-252

This study examined political journalists’ definitions of public opinion and how these definitions influence the structure of political news stories. After considering prior conceptualizations of public opinion, a scale of two distinct definitions of public opinion was created, consisting of the optimist’s and the pessimist’s definitions. Using a survey of political journalists in the United States, these public opinion definitions were significant predictors of the use of particular sources in political news stories. Importantly, the two definitions had opposite influences on the use of opinion polls, shedding light on the discrepancy in use and perception of poll results in political news.  相似文献   

COUNTER: Looking Ahead to Release 5 of the COUNTER Code of Practice     

Oliver Pesch 《期刊图书馆员》2016,71(2):83-90

Since its first Code of Practice was published in 2003, setting the first international standard for reporting usage of scholarly content, Counting Online Usage of Networked Electronic Resources (COUNTER) has been continually refining the code of practice to meet the evolving needs of its library, publisher, and vendor membership. The latest release of the Code of Practice went into effect in early 2014 and introduced several improvements over the prior releases. Work is now underway on Release 5 of the COUNTER Code of Practice with a promise that it will provide further improvements to better report on usage of scholarly information in an ever-changing discovery and access environment. This column discusses current challenges and how Release 5 might address them.  相似文献   

The Development of Social Media and its Impact on the Intercultural Exchange of the Olympic Movement, 2004–2012     

Yinya Liu 《国际体育史杂志》2016,33(12):1395-1410

Abstract

The development of social media, in the form of Internet and mobile platforms, has rapidly flourished in the early twenty-first century. The changes in broadcasting forms of the first three Olympic Games of the twenty-first century, Athens 2004, Beijing 2008 and London 2012, have corresponded and reflected the speedy expansion of this social media. This phenomenon invites not only attention to the historical transformation of the roles of media for the Olympic Games but also reflection on the concept of culture and intercultural exchange based on this phenomenon. This paper studies the relationships between social media, cultural exchange and the Olympic Games in the context of globalization. It argues that the characteristics of social media as ‘participation; openness; conversation; communities; connectedness’ will meet up with the goal of the Olympic Movement and aid the realization of the Olympic Ideal.  相似文献   

媒介融合背景下出版业内容编辑体系的变化     

白林 《出版科学》2016,24(1):34-38

技术发展推动媒介融合快速发展,不断发展形成“大媒体产业”：传媒业内部界线模糊,外部边界不断扩大,呈现融合式发展,深刻地改变了人们获取信息和阅读的方式,对出版业未来发展产生重要影响。本文以媒介融合理论为基础,研究媒介融合对出版产业的一般影响,进而研究对出版业的生产核心——内容编辑体系带来的影响和变化。  相似文献   

话语分析:如何为媒介社会语言实践提供说明?--兼评《话语与社会变迁》的传播学意义     

殷晓蓉 《广播电视大学学报》2005,(2):22-24

当代英国语言学家诺曼?费尔克拉夫是西方传播学中批判的话语分析学派的著名代表人。他通过自己的著述和教学活动，为当代媒介等社会语言实践提供了独特的分析视角。本文侧重于他的《话语与社会变迁》的传播学意义的问题，讨论话语分析与媒介话语实践之间的关系。  相似文献