On Adaptation and Alienation in Translation     

周小惠 《海外英语》2014,(22):173-174

From cultural point of view,there are two methods in translation:adaptation which is TL culture-oriented and alienation which is SL culture-oriented.What this article tries to prove is that each of them has its own strong and weak points,which leads to the conclusion that both methods are justified in their existence.And last,some points for attention are suggested for translation,which include the relationship between SL and TL,the type of texts and the translator’s purpose.  相似文献   

Blogadapting: Adaptation Experiences among Expatriate Bloggers     

Clark Callahan  Jesse King  Audrey Halversen 《Journal of Intercultural Communication Research》2020,49(3):227-241

ABSTRACT

Increased global communication is adjusting traditional models of cross-cultural communication. Specifically, changes in international communication processes have caused increased scrutiny of cross-culture adaptation theory. This is especially true when focusing on the difference between cultural adaptation and functional fitness. The purpose of this research is to address changes in global communications by testing to see if there is a difference between two important theoretical concepts within cross-cultural adaptation theory – linear and non-linear adaptation. Findings indicate that cultural sojourners do not equate cross-cultural adaptation with linear models of functional fitness. Models that equate the two should be revisited.  相似文献   

Identifying needs and enhancing learning about climate change adaptation for water professionals at the post-graduate level     

David Alan George  Poh-Ling Tan  Jeffrey Frank Clewett 《Environmental Education Research》2016,22(1):62-88

Using a participatory learning approach, we report on the delivery and evaluation of a climate change and risk assessment tool to help manage water risks within the agricultural sector. Post-graduate water-professional students from a range of countries, from both developed and emerging economies were involved in using this tool. Our approach included participative learning tools – group discussion, software, and risk matrices. The materials developed met the needs of the students, allowing these students to incorporate their learning and adapt the package of materials for use in their home countries. Analysis of evaluations show that the tools and materials are particularly useful and emphasizes the need for sound learning materials and tools, funding to deliver training, and policy support to accelerate education and adoption of authentic climate change adaptation practices. The expected benefits for water professionals about climate change will be translated into improved socioeconomic and environmental outcomes if adopted.  相似文献   

选择适应论视野下翻译中的图式移植     

魏薇 《湖南第一师范学报》2012,(6):98-101

翻译的过程在某种程度上可理解为“图式移植”的过程，移植内容、移植方式贯穿译者的整个创作过程。图式移植的实现是译者主动选择和适应的结果，移植成功与否与译者做出的选择和适应息息相关。  相似文献   

课程观的嬗变与教研文化重建管窥     

张建国 《太原大学教育学院学报》2007,25(3):33-37

教研文化滞后的根源之一在于对课程本质的误读。当代对课程认识的不断深化,要求重新审视“适应型”教研,构建开放、创生的教研新文化。其基本策略是制度的开放性、管理的人本化、教研的校本型,以及和谐舆论支持氛围。  相似文献   

论谭纶对汤显祖戏曲创作的影响     

杨安邦 《闽江学院学报》2007,28(1):68-71

明代名臣谭纶与杰出戏剧家汤显祖同为江西临川名人,虽然年龄差辈,未曾谋面,然而两人却书信往来.青年汤显祖十分仰慕家乡名将谭纶的英雄气概和兵备武功,谭纶的英雄业绩和爱国精神对汤显祖"临川四梦"战争描写产生积极影响,谭纶引进海盐腔、繁荣家乡戏曲艺术的功绩为汤显祖晚年戏曲创作与演出活动提供十分有益的条件.  相似文献   

中小学音乐教师:新课程实施的调适     

杨光白 《黔南民族师范学院学报》2003,23(1):99-102

音乐基础课程改革对中小学音乐教师提出了全新的要求。本文从教师理念的更新、教师自身知识技能的调适、教学模式的转换三方面，论述了中小学音乐教师在新课程实施过程中应进行的调整与适应。  相似文献   

论曹禺戏剧中的意象并置     

何宇宏  罗成琰 《湖南师范大学社会科学学报》2001,30(5):104-108

曹禺戏剧中常常运用意象并置的诗化手段将看似散乱的材料进行“聚”与“收”的处理,以达到对材料深层寓意的充分挖掘。其意象并置的运用普遍而又多样;既有相似意象的对等,又有对比性意象的“跳跃衔接”,还有相同意象的多角度重复,它们与剧中浓郁的叙事性相互对抗,形成戏剧的内在结构张力。  相似文献   

城市女性婚姻移民的社会适应研究——以上海市“外来媳妇”为例     

赵丽丽 《江西师范大学学报(哲学社会科学版)》2008,41(2):103-109

与一般农民工的社会适应表现为经济、社会、心理三个层面依次递进的特点不同,城市女性婚姻移民的社会适应首先是从心理适应开始的。虽然女性移民因为婚姻得以进入城市生活,但其社会地位并没有因此而得到提高;而这种低下的社会地位又直接影响了她们与城市居民的接触和交往,影响了她们对自我身份的认同。从社会适应的总体状况来看,城市女性婚姻移民应属于介于农民工和市民之间的"边际人"。  相似文献   

吴梅与王国维戏曲史观之比较     

平颖 《楚雄师范学院学报》2006,21(11):18-23

在对戏曲的认识上,王国维摆脱了正统观念的束缚,把戏曲当作“一代文学”、“纯文学”的代表来考察,从动作性、代言性的角度来阐述传统戏曲的美学特征,还戏曲文学应有的历史地位。特别是在宋元戏曲史的基础研究上,主要运用的是西方实证主义和传统的经学即乾嘉朴学的方法;相反吴梅则可以说是传统曲学体系的集大成者,较王国维研究,吴梅在对戏曲的认识上同样用文学进化论的思想来看待中国戏曲的发展,有一致性却更进一步,勾勒出中国戏曲历史的全貌。总的说来,吴梅在用严格的科学态度和方法做戏曲史资料建设方面的功绩不如王国维,但是与王国维从纵的历史方面进行考察的特点相比,吴梅的戏曲史观更具有联系社会生活、政治、文化情况及联系其他文艺形式的横的特点。  相似文献