"三个代表"重要思想是马克思主义哲学理论的重大发展     

谢俊 《重庆职业技术学院学报》2004,13(3):48-49

"三个代表"重要思想是在马克思哲学的指导下产生的,它的提出是对马克思主义哲学的继承和发展,"三个代表"的具体内容及其精神实质,都集中体现了马克思主义哲学的科学理论."三个代表"准确地把握了当代中国社会的基本矛盾运动,升华和拓展了马克思主义的文化导向论,丰富和发展了马克思的群众理论."三个代表"重要思想已成为建设有中国特色社会主义的行动指南.  相似文献   

修辞论美学视野中的象征系统     

邵维加 《宁波广播电视大学学报》2005,3(3):7-9,13

在修辞论美学视野中,“象征”系统内的各种象征子概念都是相关的,但又是有界定的：象征主义文学思潮和运动是一种时代性很强的与其他人类活动相并存的人类社会意识活动;象征主义文学是象征主义文学思潮和运动的直接结果：象征型文学是文学作品的三大类型之一,象征主义文学包含于内;象征手法是象征型文学的主要艺术表现手法：象征性是一种与文本共生的“体匿而性存,无痕而有味”的文本性质,它不局限于象征型文学,也不是一种非物质性的独立实体。  相似文献   

知识空间:知识组织的概念基础   总被引：11，自引：0，他引：11  

王知津 《中国图书馆学报》1999,25(5)

文章从情报组织和知识组织的具体化出发 ,提出了“知识空间”这样一个知识组织的新的概念基础。探讨了可在多维空间中表示的知识领域的“概念向量”、基于对这些概念理解的个人“状态向量”、包括知识子空间的检索系统中可能存在情报项的“表示向量”、用户扩检或缩检子空间的“检索体积”,以及这一新概念意义。参考文献 1 1  相似文献   

视觉文化中存在的历史叙事问题——基于对“海角七号现象”个案研究的思考     

李杰琼 《国际新闻界》2009,(12)

本文采用话语分析与叙事分析的研究方法,通过台湾社会对《海角七号》意义的阐述与解读,借鉴现有历史研究的成果,对其叙事策略及各方围绕电影建构的意义体系进行了分析,力图将此过程中对历史叙事的阐释与解读问题化,借此揭示流行视觉文化在调用历史资源进行叙事或再现时存在的问题与面临的困境,进而促进对历史-媒介-文化三者互动关系的深入思考。  相似文献   

全球化语境下中印媒体对社会冲突的再现之比较——一个传播政治经济学角度的分析     

宋晶 《国际新闻界》2009,(8)

本研究在全球政经大变革的背景下,选择以中国和印度两个第三世界国家对社会冲突的媒体再现为例,结合内容分析和话语分析的方法,考察在不同的媒介体制下,政治制度和市场驱动如何错综复杂地影响媒介产制和媒介内容。  相似文献   

Research and teaching cultures in two contrasting UK policy contexts: Academic life in Education Departments in five English and Scottish universities   总被引：3，自引：0，他引：3  

Rosemary Deem  Lisa Lucas 《Higher Education》2007,54(1):115-133

The paper explores academic staff and departmental research and teaching cultures in the Education Departments of five universities in Scotland and England, countries with increasingly diverging public policies in respect of education. The relationship between research and teaching, how the purposes of universities are defined and the status of research in Education are current UK higher education policy preoccupations. Data is drawn from interviews with 40 academics, observation of department settings, documentation and websites. The analysis draws on the work of Bourdieu, considering the changing habitus of individual academics, their departmental and academic subject context and the forms of symbolic capital now required in Scottish and English Education departments in response to new policies affecting their academic field. The paper also utilises recent literature on the research–teaching relationship. The career trajectories of respondents, their habitus and the forms of symbolic capital that they bring to academic life are examined, as are the extent to which the teaching and research cultures in each of the five departments studied mirror each other and whether these also reflect the two different policy contexts. The themes how academic cultures are shaped and research/teaching connections viewed have international as UK relevance.  相似文献   

An Analysis of Symbolism in The Unicorn in the Garden     

刘洪梅 《海外英语》2012,(17):180-181,184

The Unicorn in the Garden,written by James Thurber,is an ironic short story.It is believed that this short story can be considered as a representative of the war between men and women.The purpose of this thesis is to analyze the use of symbolism in this short novel and therefore reveal the indifferent relationship and marital conflict between the husband and the wife.By the interpretation of the symbolic meanings of several images,this thesis will explore the humor,theme,as well as the characters of the husband and the wife.  相似文献   

Bring on the Shock Troops: Artists and Gentrification in the Popular Press     

Daniel Makagon 《传播与批判/文化研究》2013,10(1):26-52

Gentrification is one of the most important and talked about contemporary urban issues. Critics have tended to treat the class remake of urban neighborhoods as a geographical and sociological phenomenon. This article critically examines gentrification as symbolic action. Focusing on press coverage of artist-led gentrification, I argue that reporters present a diffusion narrative that casts artists as both urban pioneers and victims of gentrification and glosses over the function of artists as the first gentrifiers in some urban neighborhoods. Ultimately, press accounts of artists as victims of gentrification reflect an underlying desire to find and maintain bohemian spaces in the face of homogeneous and sterile corporate urban revitalization projects that have contributed to a broader sense of urban placelessness. Yet, this vision is based on a bohemian image of the city that consists of young white artists while stigmatizing (through a frontier discourse) the more diverse population(s) that lived and worked in the urban neighborhood prior to the arrival of the artists.  相似文献   

Holocaust Perversions: The Stalags Pulp Fiction and the Eichmann Trial     

Amit Pinchevski 《Critical Studies in Media Communication》2013,30(5):387-407

The Stalags, an Israeli pulp fiction series whose advent coincided with the 1961 trial of Adolf Eichmann in Jerusalem, portrayed sadomasochistic scenarios between SS female guards and Allied soldiers in POW camps. Written in Hebrew by native Israelis, these cheap pocketbooks were enormously popular with Israeli teenagers, many of whom were children of Holocaust survivors. We posit the Stalags (a) as a fictional counterpart of the trial, complementing the legal procedure with feats of the imagination, and (b) as a text upon which the Israeli young generation negotiated issues of power and identity.  相似文献   

A Fish Out of Water: New Articulations of U.S.–Latino Identity on Ugly Betty     

Guillermo Avila-Saavedra 《Communication quarterly》2013,61(2):133-147

This essay examines representations of U.S.–Latino identity on the ABC television program Ugly Betty. The analysis argues that the show articulates a tension between ethnic “otherness” and cultural assimilation that symbolizes current negotiations of individual and collective identities among young, English-speaking Latinos in the United States. Furthermore, the essay argues that Ugly Betty symbolically endorses a new conceptualization of Latino identity in the United States. The conceptual framework of the analysis is the relationship between media representation and identity.  相似文献