Between Policy and Practice: Archival Descriptions,Digital Returns and a Place for Coalescing Narratives     

Sharon Huebner  Stella Marr 《档案与原稿》2019,47(1):113-130

ABSTRACT

The Strathfieldsaye Estate collection at the University of Melbourne Archives is discussed in relation to recognising, protecting and reclaiming Koori (First Peoples of southeast Australia) heritage. The settler collection includes early 1900s photographs of Koori people within two distinct albums – a family album that includes a series of studio portraits of Koori adults and children, and an album depicting Koori families on Ramahyuck Aboriginal Mission Station. In the past, these albums have been defined by, and limited to, traditional archiving practices excluding Koori interpretation, authorship and social context. Restoring Koori ownership and authorship of intangible heritage plays a large part in consolidating ancestor photographs with Koori perspectives of identity and culture.  相似文献   

Managing Health Care in Oregon: The Search for a Civic Bioethics     

Sharon Bracci 《Journal of Applied Communication Research》2001,29(2):171-194

Managed health care deliberations in Oregon point to a "civic bioethics" model to resolve allocation issues through publicly articulated community values and priorities that influence legislative action. Communication practices in the Oregon experiment provide data to develop an evaluative framework to assess public moral deliberation in value-laden contexts such as health care distribution. The Oregon experience also points to dialogical virtues to heighten citizens' ethical sensibilities and political will, discursive tools to inform ethical communication practices in a civic bioethics model.  相似文献   

Standing up for standards: Proceedings of the second annual conference of the Society of Freelance Editors and Proofreaders. Sheffield, 17-18 September 1991. 94 pp. Paperback £5.60. Available from SFEP, 10 Grange Close,Godalming, Surrey GU7 1XT. ISBN 0-9517527-23     

Sharon Toop 《Learned Publishing》1993,6(3):60-60

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An Antebellum Woman's Scrapbook as Autobiographical Composition     

Patricia P. Buckler  C. Kay Leeper 《Journal of American culture (Malden, Mass. : 2003)》1991,14(1):1-8

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Students Demonstrating Persistent Low Response to Reading Intervention: Three Case Studies     

Jeanne Wanzek  Sharon Vaughn 《Learning disabilities research & practice》2009,24(3):151-163

Three students with severe reading disabilities participated in a 3‐year intervention provided by trained tutors from first grade through third grade (175–231 hours). All three students demonstrated very low response to initial levels of intervention and were provided adjusted intensive intervention in an attempt to remedy their low response to instruction. Findings revealed that two of the three students realized limited growth and did not accelerate progress toward reducing the gap between their performance and the expected grade level performance. One student accelerated growth considerably during third grade and made accelerated progress toward grade level expectations. Information on intervention implementation and student progress as well as implications for practice and further research are discussed.  相似文献   

IS CRITICAL THINKING BIASED? CLARIFICATIONS AND IMPLICATIONS     

Sharon Bailin 《Educational theory》1995,45(2):191-197

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Evolving wireless access technologies for municipal broadband     

Marvin Sirbu  William Lehr  Sharon Gillett 《Government Information Quarterly》2006,23(3-4):480

In recent years, the landscape for wireless technology has changed substantially, with profound implications for the evolution of last-mile access infrastructure. This paper provides a high-level introduction to emerging trends in wireless technology, with a special focus on how these are impacting municipal broadband deployments. Also discussed are some of the key architectural and design choices for wireless networking systems and their implications for cost and system performance. In addition, examples are provided regarding how the new wireless technologies are being deployed by municipalities in a variety of contexts, with reference to wireless technologies currently available from vendors. The policy implications of these trends are discussed further in a companion paper in this issue.  相似文献   

White lies: a racial history of the (post)truth     

Robert Mejia  Kay Beckermann  Curtis Sullivan 《传播与批判/文化研究》2018,15(2):109-126

In the aftermath of the 2016 election of President Trump, a veritable cottage industry of opinion pieces, blogs, and articles emerged overnight, most of which seemed to agree that only the post-truth could explain how a racist, misogynistic, neo-nationalist member of the economic elite could win a presidential election. This article, in contrast, is inspired by Barbara Christian’s injunction that we question why a given statement, concept, or theory is now acceptable when before it was not. Operating in this spirit, we critique post-truth critics for neglecting the material tradition of ideological criticism in favor of epistemological explanations for understanding post-truth literature; we then offer two case studies—American drug policy and housing policy—to illustrate the racial amnesia required for claiming that only now do we live in a post-truth era.  相似文献   

“There’s nothing I hate more than a racist:” (Re)centering whiteness in American Horror Story: Coven     

Amanda Kay LeBlanc 《Critical Studies in Media Communication》2018,35(3):273-285

This article examines race and racism in the popular cable horror-drama American Horror Story: Coven. Centered around a feud between a white witch coven and a black, voodoo group of witches, Coven overtly deals with the issue of racism, but presents racism as a phenomenon contained in the past; something that does not happen anymore. Using critical post-race theory and scholarship on colorblind racism, whiteness, as well as black feminist theory, I show that although the narrative of Coven explicitly decries racism, it simultaneously invests in colorblind racist narratives and dialogue. Whiteness is central in Coven, operating through discourse that ignores racial difference and contemporary forms of oppression and erasure. Coven uses graphic depictions of violence against black bodies, makes explicit connections between black sexuality and animals, and uses exotic and aggressive stereotypes of black women to tell its story. Thus, Coven’s narrative both condemns racism and relies on it. This article shows that the contemporaneous presentations of explicit anti-racist dialogue and racist imagery work to (re)place whiteness at the center of Coven, a TV show that purports to forward a message of equality and justice for those who are different.  相似文献   

From the President     

Kay A. Persichitte 《TechTrends》2016,60(1):4-4

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