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Carolyn Rovee-Collier Joann B. Capatides Jeffrey W. Fagen Val Negri 《Learning & behavior》1983,11(1):127-133
The selective nocturnal persistence of death feigning, an antipredator behavior, was assessed in four studies involving single daily trials. In Experiments 1 and 2, White Leghorn chicks exhibited a progressive decline in death feigning durations in both the light and the dark phases of their photoperiods over 8 days, but resistance to habituation was greater at night. When nocturnal death feigning was induced to a habituation criterion (Experiment 3), it was extremely persistent and was not completely abolished in some chicks, even after 25 consecutive test days. Because nocturnal response durations of chicks tested cross-sectionally increased over the same developmental period (Experiment 4), a shifting developmental baseline was excluded as the basis for the declining response durations observed in the first three studies. The differential plasticity of death feigning at two times of day is consistent with the argument that predatorprey synchrony confers a selective advantage, and suggests an additional biological constraint on learning. 相似文献
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Peter Pollack David Simon David Essoe John Springer Pola Negri Alexander Walker 《Communication Booknotes Quarterly》2013,44(1):4-6
Peter Pollack, The Picture History of Photography (Abrams, $25.00) David Simon, Fifty Classic Motion Pictures (Crown, $9.95) David Essoe's The Films of Clark Gable (Citadel, $10.00) John Springer's The Fondas (Citadel, $10.00) Pola Negri's Memoirs of a Star (Doubleday, $7.95) Alexander Walker's Stardom (Stein & Day, $10.00) T.J. Ross, Film and the Liberal Arts (Holt, Rinehart, and Winston, price unknown) Lewis Jacob's The Movies as Medium (Farrar Straus & Giroux, $8.95; or Noonday paporback, $3.95) Benjamin B. Hampton, A History of the Movies, originally published in 1931 and re-issued now as History of the American Film Industry (Dover paporbacks, $4.00) The Literature of Cinema Don Slay, Conversations: Volume I (Kaleidoscope Press (Albuquerque, New Mexico), $10.00) Raymond Durgnat, The Crazy Mirror: Hollywood Comedy and the American Imago (Horizon Press, $7.50) Harry M. Geduld and Ronald Gottesman's edited collection Serge Eisenstein and Upton Sinclair: Tho Making and Unmaking of “Quo Viva Mexico” (Iniana University gross, $15.00) Verne and Sylvia Carlson's Professional 16/35 mm Cameraman's Handbook (Hastings House, $15.00) Julius Bellone's edited collection, Rennaisance of the Film (Collier paperbacks, $2.95) Richard Randall's excellent Censorship of the Movies (University of Wisconsin Press, $7.95) 相似文献
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