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Karol Estreicher (1827–1908) compiled Bibliografia polska [Polish bibliography], an extraordinary retrospective national bibliography of the body of written works of Poland. Chronologically covering the entire history of printing in Poland up to 1900, it consisted of three distinct parts: the nineteenth century; a universal chronological bibliography of Polish publications; and pre-nineteenth century, conventionally called Bibliografia staropolska [Bibliography of old Poland]. So far a total of 56 volumes of Bibliografia polska have been published. That total includes the 35 volumes that constitute parts 1, 2, and 3; the four volumes that, covering 1891–1900, were published outside the framework of the three parts; and the seventeen volumes that constitute the second edition of part 1, the nineteenth-century bibliography. It was an exhaustive but also complicated bibliographic opus. A prolific writer and literary scholar himself, Estreicher devoted—with remarkable endurance and resilience—50 years of his life to its making. Much of the complexity of his bibliography reflected the cultural and intellectual roots of the author and the way he interpreted the meaning of his project.  相似文献   
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The article examines five major sources of data on inflation in Russian book prices: professional book magazines, organizations' publications and Web sites, vendor catalogs, the reports written by John and Kristine Bushnell, and automated library management systems. The author discusses the limits, advantages, and methodologies for each of them.  相似文献   
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文章从叔本华区分逻辑理性与审美感性所采用的根据律理论入手,指出他一方面在理论上洞见了审美感性的独立性和不可替代性,从而张扬了文艺中的感性生命和解放了读者的感性生命;另一方面作为哲学家,叔本华又陷入了强调审美感性与哲人求真的矛盾.  相似文献   
4.
文章从叔本华区分逻辑理性与审美感性所采用的根据律理论入手,指出他一方面在理论上洞见了审美感性的独立性和不可替代性,从而张扬了文艺中的感性生命和解放了读者的感性生命;另一方面作为哲学家,叔本华又陷入了强调审美感性与哲人求真的矛盾。  相似文献   
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