武术套路的传统美学阐释   总被引：12，自引：0，他引：12  

梅杭强  陈蓓 《天津体育学院学报》2001,16(4):65-67

用传统美学的审美观点,分析了武术套路演练中传统美学与艺术表现的关系和深刻内涵.认为,武术套路的传统美学深受中国传统哲学思想的影响,套路演练的美学艺术表在于把握好动态中的“和谐”；演练客体“形”与“神”的“和谐”；演练客体与观赏主本的“和谐”。  相似文献   

竞技武术套路运动员新老规则前后运动损伤的调查分析和比较研究     

马祥房 《四川体育科学》2006,(4):55-58

本文通过对湖北武术队专业运动员、武汉体育学院竞技体校专业运动员、湖北高校武术运动员新老规则前后的损伤部位、损伤种类、损伤原因、损伤动作等方面进行调查分析研究,并提出一些对策与建议,为预防和减少运动损伤,提高训练效果,攀登技术高峰提供依据。  相似文献   

武当道教武术形成及其影响因素的探析   总被引：5，自引：0，他引：5  

甘毅臻  蔡仲林 《北京体育大学学报》2005,28(5):717-719

采用文献资料、专家咨询、实地考察等方法,对武当道教武术形成及其影响因素进行了深入系统的研究.研究结果表明:武当道教武术是在武当山这个特定区域内,由武当山地区远古猿人狩猎搏斗技能、冷兵器战争搏击技能所形成的武当山技击武术的生存需要,与武当道教宗教法式活动等的需要而产生、形成的一个受武当山社会环境影响、寓武当道教文化的一个武术派系.  相似文献   

竞技武术进入奥运会的困难及对策     

侯明英  梅杭强 《搏击·武术科学》2005,2(2):9-10

经过近二十年的努力,中国武术在走向奥运的过程中仍面临着多方面的问题。文章试从奥运会项目设置产生的影响以及两种不同文化的冲突和趋同,自身发展及武术规则和裁判方面存在的问题,来分析武术入奥所面临的困难,并能给制订解决问题的对策提供参考。  相似文献   

武术概念之研究   总被引：10，自引：4，他引：6  

李印东 《搏击·武术科学》2004,(5)

武术的概念问题是武术界长期以来争论的热点问题,本文在对武术功能研究的基础上,运用逻辑分析的方法对以往的武术概念进行了剖析,揭示了武术的本质属性和种属关系,将武术的概念定义为:武术是以技击为练习内容,以身体练习为基本手段,以追求个人安全和保卫个人利益为目的的中华民族传承的个人军事实践活动。  相似文献   

分科·应试·招生     

李占伦 《考试研究》2009,(2):14-26

“高中文理分科”由“应试”导致，并非“影响教育改革发展全局重大问题”。普通高等学校招生评价内容、评价标准的缺失和错位，才是“影响我国教育改革发展全局的重大问题”。建立、完善以高等学校为主体的考生多元素质评价、高等学校多样方式选拔、录取制度是纠正“应试”固疾的必行之路。  相似文献   

武术国际传播绩效评估框架体系建构的相关研究     

黄强  潘晓波  董植寿 《四川体育科学》2008,(3):92-95

本文根据武术国际传播科学化、规范化的要求，探讨了评估机制引入的必要性及意义．同时，以评估学理论为基础，以传播学中涉及的主要因素为轮廓，以涉及武术普及、推广的相关因素为主体，建构了武术国际传播绩效评估框架体系。  相似文献   

国立国术体育师范专科学校的产生、发展及启示     

刘帅兵  赵光圣 《上海体育学院学报》2020,(2):87-94

国立国术体育师范专科学校基于中西方文化冲突下的文化自觉而产生与发展,受政治、教育、文化等因素影响,引进西方自然主义体育,推崇本土国粹武术,注重军事训练,在发展过程中秉承培育师资和沟通中西方体育的办学目的,形成了完整的学校行政组织,以及课程设置、师资聘用、学生管理等制度,并通过访问和比赛提升社会影响力。对当代学校武术教育的启示体现为:学校武术教育应坚守社会责任担当,为社会培养所需的人才;强化武术文化认同,增强民族文化自信,规避对西方体育文化的依附和模仿;推行多元教育形式联动机制,维系武术教化的过程性。  相似文献   

Arts education partnerships: sources of harmony and dissonance with cultural institutions’ collaborative efforts     

Daniel H. Bowen  Brian Kisida 《Cultural Trends》2019,28(5):379-390

ABSTRACT

Due to budget constraints, schools in the United States have increasingly turned to community arts organizations for support. School-community arts partnership stakeholders collaborate because of shared missions to provide students with valuable arts learning experiences. Investigations of these initiatives indicate that these partnerships improve arts learning opportunities and increase public support and resources for arts education. However, not much is known about the experiences and perspectives of the arts organizations that participate in these partnerships. Coordinating collective efforts with a multitude of institutions and interests poses challenges. In this study, we examine survey data collected from arts organization administrators who participated in a large-scale school-community arts partnership initiative. We find that these organizations are generally positive about their impacts on students’ educational outcomes, but there is substantial variation in these views. We also find that organizations differ in their levels of support for these collective efforts. Sources of this variation appear to be attributable to organizations’ preexisting resources and extent to which they are established. While this difference in levels of support is potentially inevitable, we find evidence that the operations handled by the “backbone” organization, i.e. the initiative’s facilitators and overseers, can significantly influence organizations’ levels of support for these efforts. Organizations are more likely to support these collaborative efforts when they believe the backbone organization ensures transparency with initiative operations, provides regular, effective communication, and effectively resolves competing priorities.  相似文献   

Challenges of assuring the development of graduate attributes in a Bachelor of Arts     

K. Fraser  T. Thomas 《高等教育研究与发展》2013,32(4):545-560

All universities in Australia are asked to develop various attributes in their degrees. From 2011, the Australian Qualifications Framework has stipulated some of these attributes for the various levels of qualifications. There are many challenges that face assuring the development of graduate attributes in a Bachelor of Arts as the degree typically has very few core units (if any), a wide choice of subjects, a limited prerequisite structure and, unlike many professional degrees, the BA does not have an external accrediting body. This paper describes an approach used to identify the pathway undertaken by each individual student in a History major of the Bachelor of Arts. This pathway was used to identify the graduate attributes that each student should have developed, as articulated by the lecturers. Student perceptions were then compared with the graduate attributes that were intended to be developed through each individual's combination of units studied. In summary, through analysing the two methods (student perceptions and unit pathway) we found that they concurred with respect to only three-quarters of the graduate attributes. Possible reasons for the discrepancies and future research are discussed. The need for multiple methods of providing evidence of the development of graduate attributes is confirmed.  相似文献