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《Cultural and Social History》2013,10(4):453-466
ABSTRACTIn the fifth and early sixth centuries, numerous objects in northern Europe were decorated in a particularly consistent visual style (‘Germanic Animal Style I’). This article argues that we should treat these images not simply as representations of cultural notions, but as an active part in the process of creating a shared elite identity, formed during a particular period of historical crisis. 相似文献
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Rob Standard 《English in Education》1997,31(2):14-22
This article is an examination of the language, structure and imagery of the World Wide Web. It argues that the Web is not just a rich source of information but offers new ways of seeing and engaging with the world. As well as a consideration of the nature of electronically mediated texts, it looks at the World Wide Web as a kind of meta-text itself which has mythopoeic resonances. 相似文献
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The recording of cultural heritage objects' data and information is constructed throughout the registration of different media items, which function as an anchor of the original object in digital space. The article investigates the application of a theoretical framework for the organization of information related to the visual works, on the base of the identity of their single constituent elements. The framework is, then, used for the formalization of an ontology which is constructed as an extension of CIDOC-CRM. The result is tested with information gathered over the Asinou Church in Cyprus, expressed throughout an ontology for recording propositions over the iconographical attributes and the characteristic of images. 相似文献
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傅小凡 《天水师范学院学报》2013,33(3):29-35
根据图像学的方法,分析中国古代佛教造像艺术风格产生的原因及其美学意义与文化价值.按照时代顺序、地域分布和艺术风格,将目前保存的佛教造像作品,分为8大类:1.佛教初传时期,形成“河西三样式”;2.剽悍的西北民族塑造出雄浑强健的“后秦风格”;3.北魏早、中、晚期,在复杂的周边环境的熏染下形成三种形态各异的风格;4.东西两魏,既不同于北魏,又两相迥异;5.北周佛像充满着新生政治集团的朝气;6.新一度的大一统,使隋代出现巨佛崇拜;7.大唐由盛转衰,经历四个不同阶段,佛教造像各有千秋;8.宋代俗世化的佛教,使造像艺术充满了人间情趣. 相似文献
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闽浙木拱廊桥作为中国传统建筑的一部分,其精致的装饰图案体现了中国装饰艺术的魅力,具有重要的历史和研究价值。围绕闽浙木拱廊桥建筑装饰,运用图像学方法对其材质、工艺、构件、色彩、题材等特征进行系统分析,可知其装饰图像反映出儒家文化、道家文化和佛教文化等深层次的文化内涵。系统研究木拱廊桥的装饰特征,对深入探究闽浙地区人文、民俗、地域特色文化具有一定价值,也为研究传统古建筑装饰艺术提供一定的参考。 相似文献
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杨传中 《阜阳师范学院学报(社会科学版)》2011,(3):30-33
亳州花戏楼作为清代戏曲艺术表演场所,建筑带有明清时代风格和徽派建筑特色,其形制、结构和历史变迁,反映着大清盛世亳州地方戏曲艺术演进的轨迹,印证着宋代以降以民间戏曲艺术为代表的中国俗乐形成、发展和繁荣,具有特殊的音乐历史学价值。 相似文献
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