排序方式： 共有45条查询结果，搜索用时 234 毫秒
1.
叶军 《内蒙古师范大学学报(哲学社会科学版)》2002,31(5):26-29
色彩学将人们通常看到的各种物体的色彩称为“物体色”。当人们将形成“物体色”的要素之一：“物体本身”作为命名色彩的根据时，便产生了我们所谓的“物色词”。在动态的言语活动中，为了快捷而又准确地创造出符合语境的言语色彩词，不同的言语主体往往会不约而同地采取“近取诸身，远取诸物”的说明方法，从而使具有不同色彩特征的客观事物成为了言语主体说明某种特定色彩的最直观、最便捷、最形象的工具，最终使“物色词”成为色彩词随机造词活动中最常见的“产品”。 相似文献
2.
组织即兴、组织学习和组织记忆三者关系的研究 总被引：1，自引：0，他引：1
蒲明 《科学学与科学技术管理》2007,28(9):154-157
在回顾组织即兴、组织记忆和组织学习相关文献的基础上,指出现有文献只是研究了组织即兴与组织记忆,组织即兴与组织学习的两两关系,没能进一步探究组织即兴、组织学习和组织记忆三者之间的关系。因此,提出了组织即兴与组织学习和组织记忆三者之间的动态关系模型。 相似文献
3.
陈艳 《河北北方学院学报(社会科学版)》2010,26(1):66-68
普朗克是20世纪法国现代乐派最重要的作曲家、钢琴家之一。其创作的15首即兴曲以传统曲式为主,曲调优美、旋律明快、和声丰富、速度明确,力度对比鲜明,踏板独特、触键讲究,有着浓郁的法国气息,是其风格日臻成熟的写照。其创作手法融入许多古典主义音乐形式,具有典型的新古典主义特征。 相似文献
4.
Viktor Johansson 《Educational Philosophy and Theory》2019,51(5):519-530
AbstractThis paper aims to show how Emerson provides a reworking of Kantian understandings of moral education in young children’s Bildung. The article begins and ends by thinking of Emersonian self-cultivation as a form of improvisatory or wild Bildung. It explores the role of Bildung and self-cultivation in preschools through a philosophy that accounts for children’s ‘Wild wisdom’ by letting Emerson speak to Kant. The paper argues that Kant’s vision of Bildung essentially involves reason’s turn upon itself and that Emerson, particularly in how he is taken up by Cavell, shows that such a turn is already present in the processes of children inheriting, learning, and improvising with language. This improvisatory outlook on moral education is contrasted with common goals of moral education prescribed in early childhood education where the Swedish Curriculum for the Preschool Lpfö 98 is used as an example. 相似文献
5.
Peter H. Hackbert 《美中教育评论》2010,(10):10-21
Creativity is the process of generating something new or original that has value to an individual, a group, an organization, an industry or a society. Improvisational theater techniques are used to enhance creative thinking and action in a variety of disciplines as broad as education, theater, dance, painting, writing and music, law, business, and most recently, entrepreneurship. This paper describes an academic setting that draws upon the definition, techniques and improvisational methods as prerequisites for a progression of increased experiences of idea generation, new product invention and innovation. Improvisation is used as a critical ingredient to enhance creativity for undergraduate liberal arts students in a freshman general studies course leading to student product development and field-based innovations. 相似文献
6.
The topic of effective crisis prevention and response is attracting significant interests from corporations and governments. It is evident that the nature within any crisis is unpredictable, erratic and difficult to prevent. Organizations are therefore preparing for unexpected events by outlining their crisis response strategies. The fact that crises may not repeat themselves and a given crisis solution might not be directly applicable to another crisis represents radical shifts in routines. As such, an organization may have to improvise when putting together a set of resources and capabilities for a response. This case study complements existing crisis management research that emphasizes both prevention and response by focusing on how an organization may adapt and deploy resources and capabilities accordingly. To meet the objective, the research draws upon an in-depth case study of Singapore's response tothe Asian Tsunami disaster in 2004. Our findings offer a useful contribution to organizations’ knowledge of mobilizing resources and capabilities during dynamic crisis situations. The case concludes with several research and practical implications. 相似文献
7.
吴跃华 《成都教育学院学报》2006,20(3):104-105
造成高师钢琴即兴伴奏发展缓慢的原因主要有两个方面:当前我国社会主义市场经济的不完善是即兴伴奏缓慢发展的深刻的社会原因;与西方人的思维方式不同和高师音乐教育的课程设置存在缺陷是导致即兴伴奏发展缓慢的重要内因。 相似文献
8.
《Infancia y Aprendizaje》2013,36(69-70):111-126
AbstractWe anticipate and create the future in many ways. Through active planning, improvisation, and even procrastination, we move beyond the moment. The purpose of this paper is to argue that future oriented processes are creative processes. By engaging in formal and informal educational activities children learn to create the future from the present and the known from the unknown. In this paper I explore the uses of improvisation and planning as vehicles for creativity by describing some of my work as well as research and ideas of others in the fields of psychology, anthropology, and education 相似文献
9.
Cliff Yates 《English in Education》2007,41(3):6-19
This paper considers how ‘free writing’, derived from the automatic writing of the surrealists, can be used with students in writing poetry in order to emulate the successful practice of established writers. The paper considers how form can be taught, specifically line breaks and stanza breaks, both in relation to free writing and in relation to drafting, and argues that drafting should be considered an extension of the creative act of writing rather than as something which is done afterwards ‘to’ preexisting work. 相似文献
10.
Peter Augustine Lawler 《College Teaching》2013,61(3):105-106
Dozens and dozens of little deaths occur in college classrooms each day as teachers, mostly because of fear, steer themselves and their students away from what is alive and real and toward what is dead, safe, and boring. In this paper, I use a collection of stories to describe a practice that enlivens classroom dynamics that I call “Steering Into the Curve.” 相似文献