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Sylvia Pantaleo 《English in Education》2011,45(2):113-131
A multifaceted, classroom‐based research project explored how developing Grade 7 students’ knowledge of literary and illustrative elements affects their understanding, interpretation and analysis of picturebooks and graphic novels, and their subsequent creation of their own print texts. Analysis of two sources of data, the students’ written responses to Amulet ( Kibuishi 2008 ), one of the graphic novels read and discussed during the study, and the students’ opinions about the knowledge that is required to read and understand a graphic novel, indicated how the instruction about various graphic novel conventions had impacted the students’ awareness of and knowledge about the structural design of these multimodal texts. 相似文献
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Sylvia Pantaleo 《Early Childhood Education Journal》2007,34(6):439-447
Mercer, N. (1995) coined the term interthinking to link the cognitive and social functions of group talk. Essentially, interthinking
means using talk to think collectively, to engage with others’ ideas through oral language. In this article I share four excerpts
from small group interactive read-aloud sessions that were conducted with Grade 1 children, and examine the nature of the
interthinking that occurred during these discussions of picture books with Radical Change characteristics (Dresang, E. 1999).
I examine the types of discourse that occurred during these read-aloud sessions and some of the techniques I used to guide
the children in their construction of knowledge of these contemporary picture books. 相似文献
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Joyce Millman 《Children‘s Literature in Education》2005,36(4):381-393
Faith Ringgold, best known for Tar Beach, her 1991 Caldecott award winning picturebook, has been addressing social issues
in her art since the early 1960s. The purchase of her Tar Beach story quilt by the Guggenheim Museum demonstrates the acceptance
of her fabric art by the fine arts community. An examination of the connections between Ringgold’s fabric art and picturebooks,
including connections between themes, characters, narrative style and her use of visual elements, points to the conclusion
that her quilts and picturebooks are related in their use of literary and fine art elements. Using Ringgold’s work as an example,
this article supports the view that picturebooks should be considered a fine art form.
Joyce Millman is an art teacher in the Philadelphia public schools and teaches in the Art Education Department at Moore College
of Art and Design. As a teacher and former Philadelphia Writing Project Scholar, she continues to explore art and literacy. 相似文献
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Picturebook discussions are commonplace literacy events in contemporary classrooms. The different experiences, backgrounds and ways of being that individual students draw upon during talk around texts prompt a broad range of ways to make, negotiate and share meanings. In addition to developing students' literacy skills such as oral language, vocabulary and comprehension, these discussions have been shown to be instrumental in developing students' interpretive competence which is important for achieving learning outcomes. In this article, we report a study that investigated how four diverse groups of 10‐ and 11‐year‐old students and teachers from two schools experienced such reading events. The study found that making sense of these books was more productive when students were given permission to switch identities and make connections to their out‐of‐school cyber and popular culture worlds. Using discourse analytic techniques, we uncover the identity work during a number of discussions around two different picturebooks and show how this enabled these learners to enter the academic space and demonstrate interpretive competence. 相似文献
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Brian Alderson 《Children‘s Literature in Education》2005,36(4):325-342
An account of the publishing history of four picturebooks with texts by the major 20th century British author, Graham Greene,
and illustrations by Dorothy Craigie and, later, by Edward Ardizzone.
concluding section questions whether the texts of three other books, nominally by Dorothy—or “David”—Craigie, ought more accurately
to be ascribed to Graham Greene.
Brian Alderson is a distinguished critic, bibliographer and author of children's books. He has curated many exhibitions and
is involved in sundry organisations, such as the Beatrix Potter Society and the Children's Books History Society. He is children's
book consultant to The Times Newspaper. He lives in Richmond, North Yorkshire, in the United Kingdom. 相似文献
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This article offers new perspectives and theoretical tools to interpret and appreciate the complex relationships that can exist between words and pictures. The spectrum of text/image interaction is laid out and analyzed, and several picturebooks from different countries are explored to uncover a number of intriguing dynamics ranging from the simple to the highly elaborate. Text/image interaction may give rise to significant ambiguity, and the article points to future opportunities for dual audience research in this field. The article offers a taste of Nikolajeva and Scott's How Picturebooks Work (Garland, 2000). 相似文献
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Victoria de Rijke 《Education 3-13》2021,49(1):63-78
ABSTRACT This article covers the contribution reading and stories (children’s literature) have made to reading, its study, its material world, and the implications for teaching and learning to read -particularly with picturebooks – at the heart of that practice. It first explores the category of children’s literature as a possible ‘lie’, but also its special contributions: animal story or fable as a ‘creativity and criticality genre’ par excellence, attracting artists and writers of extraordinary talent, frequently breaking boundaries, and unashamedly taking partisan positions on matters of identity formation and socio-political justice. Distinctive experiments in crosswriting and originality are cited, and the material poetics, or ‘thingness’ of books, from the constructivist tradition onwards, as one of children’s literature’s leading innovations. The article then engages with the role children’s literature has played in the ‘reading wars’, including teaching strategies and governmental policies for learning to read; the controversies and competitive tensions inherent in the metrics and mechanisms of reading ‘for the test’ or for pleasure. After decades of reader-response theory emphasising the active roles of the reader and the text, the piece concludes with a plea to re-describe reading for new, screen-based, visual literacies offering linear, radial, spatial forms of reading, or reader-as-player. 相似文献
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Sylvia Pantaleo 《English in Education》2015,49(2):113-129
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This article discusses the idea of intra-generational education. Drawing on Braidotti’s nomadic subject and Barad’s conception of agency, we consider what intra-generational education might look like ontologically, in the light of critical posthumanism, in terms of natureculture world, nomadism and a vibrant indeterminacy of knowing subjects. In order to explore the idea of intra-generationalism and its pedagogical implications, we introduce four concepts: homelessness, agelessness, playfulness and wakefulness. These may appear improbable in the context of education policy-making today, but they are born of theorising our practices in the age-transgressive field of Philosophy with Children. We argue that these concepts help to reconfigure intra-generational relations, ways of being and becoming. They express the longing, corporeality and visionary epistemology of nomadic enquiry. These inventions express a non-hierarchical philosophy of immanence. We draw some tentative conclusions about educational practices more generally. 相似文献