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1.
Betsy Wackernagel Bach 《Journal of Applied Communication Research》2005,33(3):258-268
In this paper narratives submitted to this issue are reviewed and critiqued using the feminist lenses of othering and organizational irrationality. Four emergent themes in the narratives are identified and discussed, with the themes and the feminist critique of them used to provide a set of recommendations for developing researcher-IRB working relationships. 相似文献
2.
In this essay, we respond to the narratives and essays in this issue by examining organizational power issues related to researchers and institutional research boards (IRBs). Rather than taking a singular perspective on power, we use multiple perspectives and suggest that the cumulative analyses provide the best understanding of IRBs and organizational power. 相似文献
3.
Sian Barber 《Media History》2018,24(1):99-114
This article explores the relationship between the British Board of Film Classification (BBFC) and government during the implementation of the Video Recordings Act (VRA). It considers the public Parliamentary debates about the VRA, and places them alongside private correspondence between the Home Office and the BBFC, and internal BBFC material from the recently catalogued James Ferman papers held at the BFI. As well as exploring the introduction of the VRA, this article also aims to briefly consider its implications for the BBFC, how they set about interpreting and implementing its stringent recommendations and how this impacted upon the organisational working practices of the Board. While the VRA was without doubt one of the most significant pieces of legislation within the history of film regulation in Britain, the time is ripe for its reappraisal and with it a re-evaluation of the role played by the BBFC in securing statutory regulatory powers. 相似文献
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Turnout, or external rotation (ER) of the lower extremities, is essential in ballet. The purpose of this study was to utilise physical examination and a biomechanical method for obtaining functional kinematic data using hip and knee joint centres to identify the relative turnout contributions from hip rotation, femoral anteversion, knee rotation, tibial torsion, and other sources. Ten female dancers received a lower extremity alignment assessment, including passive hip rotation, femoral anteversion, tibial torsion, weightbearing foot alignment, and Beighton hypermobility score. Next, turnout was assessed using plantar pressure plots and three-dimensional motion analysis; participants performed turnout to ballet first position on both a plantar pressure mat and friction-reducing discs. A retro-reflective functional marker motion capture system mapped the lower extremities and hip and knee joint centres. Mean total turnout was 129±15.7° via plantar pressure plots and 135±17.8° via kinematics. Bilateral hip ER during turnout was 49±10.2° (36% of total turnout). Bilateral knee ER during turnout was 41±5.9° (32% of total turnout). Hip ER contribution to total turnout measured kinematically was less than expected compared to other studies, where hip ER was determined without functional kinematic data. Knee ER contributed substantially more turnout than expected or previously reported. This analysis method allows precise assessment of turnout contributors. 相似文献
6.
朱〓奕 《广州体育学院学报》2017,37(5):80-83
马王堆"导引术"源自汉墓出土的帛画《导引图》中的图式,是迄今为止我国流传最广的一套用来保健与治疗疾病的养生功法;舞蹈作为一种人体动作的艺术,远古时代已被运用为导引养生手段.从梳理马王堆"导引术"与舞蹈养生同源、同功的渊源关系出发,运用中医哲学思想的"整体观念"理论,通过研究其形与神俱、精气神、经络说的养生观点,揭示了基于两者保健预防、祛病治疗、心理调剂的中医养生的实践价值. 相似文献
7.
唐代进士入仕的主要途径及特点 总被引:1,自引:0,他引:1
俞钢 《上海师范大学学报(哲学社会科学版)》2003,32(6):94-102
唐代举子进士及第后,只是获取了入仕前的一种身份。若要得到官资,必须先通过关试,再由吏部铨选、制举、吏部科目选以及使府辟署等途径入仕。吏部铨选为通常仕进之路,制举和吏部科目选为快速仕进之道,使府辟署为回旋仕进之途。多种渠道选拔人才是唐代选官体制的基本特点,修业奋进跻身官场是唐代进士及第者的普遍心态,由此散发出的文化气息,影响着有唐一代的社会生活。 相似文献
8.
明朝郑汝璧登进士后,任官近四十年,最后升至兵部右侍郎,为国为民鞠躬尽瘁.全文从名起京师、仙山日月、威震塞外、巡抚山东及总督宣大五部分略述了郑汝璧一生的主要事迹. 相似文献
9.
在发达国家高等教育体系中,董事会制度是大学治理结构的中心环节,在筹集办学经费、选拔校长、监督裁决和沟通外界社会等方面扮演着关键角色,为大学的发展提供了强大动力。美国和日本的大学董事会在职责、成员构成、组织结构和运行机制等方面存在较大差异。以美、日两国为代表的大学董事会制度在一定程度上可以纠正我国高校行政化倾向。 相似文献
10.
孙文辉 《湖南城市学院学报》2011,32(4):68-72
"还都猖大愿"是遗存在新化县洋溪镇官渡桥的一种汉人大型傩仪,"跳鼓坛"是保存在新宁县八峒瑶乡的一种大型瑶族傩仪。两地相距数百里,隔着崇山峻岭,均地处幽寂偏僻,但两处的傩仪有许多相似之处。这种相似,能为我们提供一些文化人类学的思考。 相似文献