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Erdağ Göknar 《Culture, Theory & Critique》2013,54(3):321-341
AbstractThe Allied occupation of Istanbul is a little-known historical event outside of Turkey and the Middle East. European powers occupied Istanbul between 1918 and 1923 to enforce the partition of the Ottoman Empire after WWI in the construction of the Modern Middle East. Almost 100 Turkish novels that address occupied Istanbul have appeared over the last ninety years, beginning even before Allied armies left Istanbul in 1923. Turkey's present Middle Eastern re-emergence and post-Kemalist reassessment of secular modernity has also led writers and intellectuals back to the occupation of Istanbul. To examine why Turkish authors return repeatedly to the trope of occupied Istanbul, this essay surveys the first canonised novels about occupied Istanbul written during the Kemalist monoparty period (1923–50): Shirt of Flame by the exiled feminist and nationalist Halide Edib (1884–1964), Sodom and Gomorrah by the Kemalist ideologue Yakup Kadri Karaosmano?lu (1889–1974) and Outside the Scene by Turkey's first experimental, modernist author Ahmet Hamdi Tanp?nar (1902–62). As bilingual Istanbul intellectuals, all three made occupied Istanbul a central drama in their fictions. However, each represented it differently as a formative event in the construction and critique of the nation-state and of modern Turkish subject-formation. 相似文献
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陈勋 《遵义师范学院学报》2011,13(5):57-60,68
《伊斯坦布尔——一座城市的记忆》是奥尔罕.帕慕克的代表作。论文从书中的"我"、另一个"我"、伊斯坦布尔三个主角出发探索其作为小说、自传以及散文的可能,并从中考察了作者利用不同的文体表达了三个不同的主题并最终将三者融合为"呼愁"这种文化意识的形成过程。 相似文献
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Itir Erhart 《国际体育史杂志》2014,31(14):1724-1738
Istanbul's ‘Big Three’ football clubs, Be?ikta?, Fenerbahçe and Galatasaray, dominate the Turkish Super League. The matches between these fiercely rival teams, also known as ‘derbies’, are often intense and culminate in the eruption of violence, which has even been fatal on occasion. To many people's surprise, the anti-government protests which were sparked by outrage over police action against environmental protestors in May 2013 brought these eternal rivals together. Thousands of Be?ikta?, Fenerbahçe and Galatasaray supporters marched arm-in-arm to Taksim Square and demanded justice and freedom. Out of this solidarity is born Istanbul United, a seemingly new fan group with a new logo that combines the three rival logos. Çar??, the legendary fan group of Be?ikta?, also played an important role in the protests and received the support of all football fans as well. This paper will focus on the politicisation of football in Turkey during the second half of 2013. By looking at both the political role of football fans of the ‘Big Three’ during and after the Gezi protests, and the ways in which mutual respect and solidarity is born among diverse protesters, this paper discusses the possibilities of translating this positive genre to a peaceful spectatorship in Turkish football. 相似文献
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Asuman Suner 《Inter-Asia Cultural Studies》2017,18(1):104-119
This paper makes a parallel reading of two recent urban protest movements: the 2013 Istanbul Gezi Park Movement (GPM) and the 2014 Hong Kong Umbrella Movement (UM). As regional centers at both ends of Asia, Istanbul and Hong Kong might at f?rst sight appear to be incongruent cities for comparison. Istanbul’s recent past has been defined by contrasting opinions about the city’s post-imperial identity, while Hong Kong’s recent past has been shaped by competing visions around the city’s post-colonial status. Directing attention to the striking parallels between the GPM and UM in terms of the nature of the events themselves, the profile of the participants and opponents, the government response that they received, and the cultural sensitivities concerning the questions of belonging and identity that they rekindled, the paper argues that comparative studies of the new urban protest movements would provide significant insights for discerning the dynamics of emerging illiberal democracies across the world. 相似文献
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Aphrodite Papayianni 《Al-Masaq: Islam & the Medieval Mediterranean》2010,22(1):27-44
This article examines the reaction of the Greeks to one of the most momentous events in their history, the conquest of Constantinople by the Ottoman Turks in May 1453, as it is portrayed in works of Greek popular literature up to the seventeenth century. The popular lores, apart from reflecting the emotions and thoughts of the conquered Greeks, also contributed to the creation of legends, aiming at encouraging the Greeks to keep their hopes alive for eventual liberation from the Turkish occupation. 相似文献
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