| 论模糊图式的传达 |
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| 引用本文： | 王文新,李淑春.论模糊图式的传达[J].黄冈师范学院学报,2003,23(1):64-68. |
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| 作者姓名： | 王文新 李淑春 |
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| 作者单位： | 黄冈师范学院,美术系/大学英语部,湖北,黄冈,438000 |
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| 摘 要： | 模糊图式是现代绘画方式之一种。它表现一种不确定性、互渗性、混沌性的模糊美。西方绘画从印象派开始出现模糊图式的特征，其发展经历了从印象主义、新印象主义到当代的流变。模糊图式以其运动的、变幻的方式，以其神秘的、朦胧的、含而不露、引而不发的画面感传递着张力。与清晰的图式相比，模糊图式是一个更为开放的本。
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| 关 键 词： | 模糊图式 绘画 张力 流变 模糊美 |
| 文章编号： | 1003-8078(2003)01-0064-05 |
| 修稿时间： | 2002年10月19 |
About the Conveyance of Vague Pattern |
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| WANG Wen-xin,LI Shu-chun.About the Conveyance of Vague Pattern[J].Journal of Huanggang Normal University,2003,23(1):64-68. |
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| Authors: | WANG Wen-xin LI Shu-chun |
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| Abstract: | Vague pattern is one category of modern drawing methods.It presents a sort of vague beauty of uncertainty,mutual permeability and chaos.In western painting,impressionistic drawings first began to show the chgaracteristics of vague pattern,whose development has experienced the transformation from impressionism to new impressionism,to contemporary painting.Vague pattern transmits its tension by means of movement and fluctuation,by general appearances of the paintings which are mysterious obscure,implicit and drawing the bow but not discharging the arrow.Contrasted with clear image,vague pattern is a type of more open version. |
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| Keywords: | vague pattern conveyance transformation tension |
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