| 表演理论在动画角色设计中的应用研究 |
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| 引用本文： | 陈春娱.表演理论在动画角色设计中的应用研究[J].广东职业技术师范学院学报,2014(8):14-21. |
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| 作者姓名： | 陈春娱 |
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| 作者单位： | 广东技术师范学院美术学院,广东广州510665 |
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| 摘 要： | 文学戏剧作品中，角色形象是作品内涵传达的符号，动画中的角色形象担当了同样的任务。角色是动画作品中以其生命形式来活动的表演主体。动画角色的设计过程，实际就是影视作品中演员塑造角色的二度创作过程。现代角色表演体系是建立在实践的基础上，更为深刻地研究角色的多重性和其心理情感的深层结构的理论知识。从借鉴传统、解放天性、调动情感、自觉创造等四方面分析表演理论在动画角色设计中的实践应用，能较好地阐释角色表演与动画角色设计的内在关联及其所发挥的至关重要的作用。
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| 关 键 词： | 表演体系 斯坦尼斯拉夫斯基 自然天性 情感体验 角色体现 |
Study on the Application of the Theory of Performance in the Animation Role Design |
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| CHEN Chun-yu.Study on the Application of the Theory of Performance in the Animation Role Design[J].Journal of Guangdong Polytechnical Normal University,2014(8):14-21. |
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| Authors: | CHEN Chun-yu |
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| Institution: | CHEN Chun-yu (Guangdong Polytechnic Normal University, Guangzhou 510665) |
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| Abstract: | In literary dramas, character images are the symbols expressing the connotation of the works, which is the same as different roles in animation where the role is performed in animated form. The design process of animation roles is the actual second creation made by film actors in their acting. The modern role playing system is established on the basis of practice, theoretical knowledge of from deep study on the multiplicity of different roles and their deep psychological and emotional structure. The present paper analyzes the practical application of performance theory in animated role design from four aspects including learning from traditional experience, emancipation of nature, stimulating emotion, autonomous creation, with an aim to explain the internal connection between role play and animation role design, and its significance. |
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| Keywords: | performing system Stanislavski nature emotional experience role expression |
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