| 论全真教对神仙道化剧题材结构的影响及其它 |
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| 引用本文： | 贺玉萍.论全真教对神仙道化剧题材结构的影响及其它[J].洛阳工业高等专科学校学报,2003,13(3):67-69. |
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| 作者姓名： | 贺玉萍 |
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| 作者单位： | 洛阳大学,成人教育学院,河南,洛阳,471023 |
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| 摘 要： | 神仙道化剧是元杂剧作家在全真教理念指导下,本着“以我为主”、“为我所用”的创作思想来选取题材、塑造人物、设计结构、安排情节的．全真教对神仙道化剧题材、结构、情节、人物形象等打上深深的烙印．
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| 关 键 词： | 全真教 神仙道化剧 题材结构 影响 人物塑造 人物形象 |
| 文章编号： | 1008-8814(2003)03-0067-03 |
| 修稿时间： | 2003年6月23日 |
The Influence of the Quan Zhen Faith on the Theme and Structure of the Plays about ghosts and Others |
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| HE Yu-ping.The Influence of the Quan Zhen Faith on the Theme and Structure of the Plays about ghosts and Others[J].Journal of Luoyang Technology College,2003,13(3):67-69. |
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| Authors: | HE Yu-ping |
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| Abstract: | Guided by the thoughts of the Quan Zhen Faith, with the idea of "taking myself as the dominant factor", the playwrights of Yuan Dynasty wrote the plays about ghosts. These ideas have great influence on selecting subject, portraying characters, designing structures and arranging plots. The Quan Zhen Faith brands deeply on the subjects structure plot and characters of the plays about ghosts. |
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| Keywords: | The Quan Zhen Faith The Plays about ghosts Plots Structures The influence |
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