| 试论林纾的戏曲创作 |
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| 引用本文： | 邹自振.试论林纾的戏曲创作[J].福建工程学院学报,2012(5):487-491. |
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| 作者姓名： | 邹自振 |
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| 作者单位： | 闽江学院中文系 |
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| 摘 要： | 林纾作为清末民初重要戏曲家,撰有传奇《天妃庙》《合浦珠》《蜀鹃啼》三部,并有闽剧《上金台》一部。其剧作贴近生活,贴近现实,通俗易懂,但大都重抒情而疏于叙事,情感浓烈却情节平淡,缺乏戏曲冲突,成为极少演出而仅靠欣赏的案头文学。
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| 关 键 词： | 林纾 剧作 叙事 抒情 情节 |
Discussions on Lin Shu’s playwriting |
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| Zou Zizhen.Discussions on Lin Shu’s playwriting[J].Journal of Fujian University of Technology,2012(5):487-491. |
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| Authors: | Zou Zizhen |
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| Institution: | Zou Zizhen(Chinese Department,Minjiang University,Fuzhou 350121,China) |
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| Abstract: | As an important playwriter in late Qing dynasty and in the early period of Republic of China,Lin Shu wrote three legendary plays "Tianfei Temple","Hepu Pearls" and "Shujuan’s Weeping" as well as a Fujian-style play(Min-play) "Shangjintai".His plays were close to life and the reality,which were popular in his time.Although his plays were romantic with intense feelings,their story-telling was not striking with relatively common conflicts and plain plots.Consequently,his plays were plays for reading rather than plays for performance. |
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| Keywords: | Lin Shu playwriting story-telling romance plot |
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