| 绘画的形式美在美术教学中的位置 |
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| 引用本文： | 李大俊.绘画的形式美在美术教学中的位置[J].湖北生态工程职业技术学院学报,2006(2). |
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| 作者姓名： | 李大俊 |
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| 作者单位： | 湖北生态工程职业技术学院 湖北武汉430200 |
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| 摘 要： | 美与漂亮是有区别的;创作与习作是不应有明确界限的;个人感受是宝贵的,风格有的时候也会害人;古代东方和现代西方并不遥远,还可以结合:油画必须民族化,中国画必须现代化;画什么不是问题,怎么画才是该探讨的,因此,形式美是美术教学的主要内容,描画对象的能力居于从属地位。
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| 关 键 词： | 形式美 描画能力 教学方向 |
Externality of Painting Aesthetics in Fine Arts Teaching |
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| Authors: | LI Da-jun |
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| Abstract: | Aesthetics and prettiness are different; creation and exercise works should have no distinct boundary; individ-ual experience is sometimes more invaluable than some stereotyped genre; the ancient orient art and the modern westernart can be combined; characterizing the Chinese nationality of oil painting and modernizing traditional Chinese paintingare imperative; no painting subject but technique should be studied. Therefore, fine arts teaching should weigh in favor ofexternality of painting aesthetics, while drawing ability should give subordinate considerations. |
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| Keywords: | externality of aesthetics drawing ability teaching orientation |
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