| 《押沙龙,押沙龙!》的互文性解读 |
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| 引用本文： | 韩海琴.《押沙龙,押沙龙!》的互文性解读[J].邵阳学院学报(社会科学版),2010,9(2):90-92. |
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| 作者姓名： | 韩海琴 |
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| 作者单位： | 安阳工学院,外国语系,河南,安阳,455000 |
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| 摘 要： | <押沙龙,押沙龙!>标志着福克纳后现代主义的创作转向,其特征主要体现在互文性的写作策略之上.文章拟以文本结构、人物选择和神话模式的易位为切入点对文本进行互文性解读,以求对文学传统与文本独特性之间的关系进行新的思考.
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| 关 键 词： | 互文性 狂欢 剪贴 易位 |
The Study of Intertextuality in Absalom,Absalom! |
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| HAN Hai-qin.The Study of Intertextuality in Absalom,Absalom![J].Journal of Shaoyang University:Social Science,2010,9(2):90-92. |
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| Authors: | HAN Hai-qin |
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| Institution: | HAN Hai-qin (Foreign Language Department,Anyang Institute of Technology,Henan 455000,China) |
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| Abstract: | The work Absalom,Absalom! marks William Faulkner's post-modernistic turn in writing style,with the intertextual writing skill as the main characteristic.The paper attempts to make an intertextual interpretation on it from the points of text structure,character choice and mythology pattern to further think about the relationship between literature tradition and the particular text. |
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| Keywords: | intertextuality carnivalization scissor and paste transposition |
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