| 从音乐文学的角度看古诗歌之兴衰 |
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| 作者单位： | 长江大学文学院中文系 湖北荆州，434023 |
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| 摘 要： | 音乐魅力之大至于"夫乐者、乐也,人情之所必不免也".而诗歌如诗骚、如乐府、如唐诗、宋词、元曲作为音乐文学,在雅、清、燕、俗四代音乐的羽翼下,经三千年风雨盛传不衰,然至明清却"莫能继焉也"。终其要因,盖失文人、知识分子参与将明清俗乐与明清山歌(民歌)结合以明世。于是,诗歌至明清竟成遗韵绝响。故曰:"作诗苟不为声,虽意止而不能远。"
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| 关 键 词： | 音乐文学 古诗歌 兴衰 |
Rise and Fall of Ancient Poetry from Perspective of Music Literature |
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| Authors: | GOU De-pei |
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| Abstract: | The charm of music is as great as "one who engages in music will inevitablely make music sounds", while poetry, such as Shishao, Yuefu, Tang Poetry, Song Ci, Yuanqu, as music literature, is widely rumoured over 3000 years, whereas during the Ming and Qing dynasties, poetry could not be carried forward. It is due to the loss of scholar, and the combination of popular music and folk songs that poetry in Ming and Qing dynasties becomes eternal music. Therefore, "Poetry, though expressed the meaning, would never be a good one without music literature." |
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| Keywords: | Music Literature Ancient Poetry Rise and Fall |
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