| 明代戏曲歌舞的审美特点 |
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| 引用本文： | 蔡丽红.明代戏曲歌舞的审美特点[J].福建教育学院学报,2006,7(1):78-80. |
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| 作者姓名： | 蔡丽红 |
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| 作者单位： | 福建师范大学音乐学院,福建,福州,350007 |
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| 摘 要： | 明代是戏曲的勃兴与全盛时期,歌舞在戏曲中占有重要的地位。随着明代审美思潮的变化,明代戏曲歌舞也呈现出雅俗互补、趣味多元的审美风尚。本文结合文献资料从三个方面总结明代戏曲歌舞的审美特点。
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| 关 键 词： | 明代戏曲 歌舞 审美 特点 |
| 收稿时间： | 2005-11-11 |
| 修稿时间： | 2005年11月11 |
The Aesthetic Characteristics of the Dancing and Singing of Ming Opera |
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| CAI Li-hong.The Aesthetic Characteristics of the Dancing and Singing of Ming Opera[J].Journal of Fujian Education Institute,2006,7(1):78-80. |
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| Authors: | CAI Li-hong |
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| Institution: | School of music, Fujian Normal University Fuzhou 350007, China |
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| Abstract: | Ming is the heyday of the Chinese opera. Singing and dancing have paramount share in the Ming opera. With the thoughts changing on aesthetics, the Ming opera trended to suit both the refined and popular tastes with its amusing and various style.This article, refering to the relevant literature,generalizes the aesthetic characteristics of dancing and singing of Ming opera from three aspects. |
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| Keywords: | Ming opera singing and dancing easthetics characteristis |
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