| 试论中国“第六代”电影导演的美学追求 |
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| 引用本文： | 梁红伟.试论中国“第六代”电影导演的美学追求[J].宁波广播电视大学学报,2010,8(3):93-96. |
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| 作者姓名： | 梁红伟 |
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| 作者单位： | 西北师范大学文史学院,甘肃兰州,730070 |
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| 摘 要： | 中国电影史无法忽视＂第六代＂的存在。十多年来,第六代在故事主题、叙述手法、拍摄方式、美学风格等方面,表现出与传统不同的独特的个性风格。与＂第五代＂相比,＂第六代＂更加关注都市场景与普通人的生存状态,使宏大叙事逐步退场,他们以个体化、情绪化的叙事方式,以及关注个体生存状态的纪实性的拍摄风格,正在创造着中国电影的又一个神话。
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| 关 键 词： | “第六代”导演 电影 美学风格 |
On the Aesthetic Pursuit of the Chinese 'Sixth Generation' Directors |
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| LIANG Hong-wei.On the Aesthetic Pursuit of the Chinese 'Sixth Generation' Directors[J].Journal of Ningbo Radio & TV University,2010,8(3):93-96. |
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| Authors: | LIANG Hong-wei |
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| Institution: | LIANG Hong-wei(Xibei Normal University College of Literature and History,Lanzhou 730070,Gansu,China) |
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| Abstract: | The Chinese film history could never neglect the existance of its sixth generation directors.Over ten years,the sixth generation directors have demostrated their unique personalities and styles different from the traditional ones on themes,narrative methods,recording modes and aesthetic styles.Compared with the fifth generation directors,the＇sixth generation＇ focus more on the setting of cities and the survival state of ordinary people.They have withdrawn from the grand narratives,but have created another myth of the Chinese film with personalized and emotional narrative styles and the documentary recording syles concerning the individuals＇survival states. |
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| Keywords: | ＇Six generation＇directors Film Aesthetic styles |
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