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中国现代美学发生论
引用本文:李欣复,刘洪艳.中国现代美学发生论[J].西北师大学报,2007,44(5):28-34.
作者姓名:李欣复  刘洪艳
作者单位:[1]曲阜师范大学教育科学学院,山东曲阜273165 [2]山东大学文艺美学研究中心,山东济南250100
摘    要:从发生学角度阐述了我国在19世纪与20世纪之交的20多年时间内在中西思想会冲碰撞的变革时期,现代美学的发生原因与动力机制及其重要成果表现。指明在粱启超、蔡元培、王国维、鲁迅及萧公弼等精英人物那里提出和建立的美学思想的内涵、特征统属现代范畴,并各有其不同个性作风特点表现。他们是我国现代美学的开创者、奠基者,对于后来美学发展与生活指导有多方面的意义与参考价值。

关 键 词:现代美学  发生论  动力机制  文化精英  多元形态
文章编号:1001-9162(2007)05-0028-07
修稿时间:2007-05-24

On Genealogy of Modern Chinese Aesthetics
LI Xin-fu,LIU Hong-yan.On Genealogy of Modern Chinese Aesthetics[J].Journal of the Northwest Normal University(Social Sciences),2007,44(5):28-34.
Authors:LI Xin-fu  LIU Hong-yan
Institution:College of Educational Science, Qufu Normal University, Qufu, Shandong, 273165, PRC
Abstract:This paper from genealogical perspective, discussed evolution of the conflicts between Chinese and western ideologies during the end of 19th century and the beginning of 20th century, the cause and motive system of modern aesthetics, and some important achievements. This paper also showed that the elites such as Liang Qichao, CaiYuanpei, Wang Guowei, and Lu Xun, have established the modern Chinese aesthetics, and each has his own style. They made the great contributions to the development of modern Chinese aesthetics.
Keywords:modern aesthetics  genealogy  motive system  cultural elites  multi-pattern
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