| 浸润东方文化精神的民艺美学 |
| |
| 引用本文： | 赖大仁.浸润东方文化精神的民艺美学[J].江西教育学院学报,2003,24(1):82-84. |
| |
| 作者姓名： | 赖大仁 |
| |
| 作者单位： | 江西师范大学文学院,江西,南昌,330027 |
| |
| 摘 要： | 20世纪初，日本学者柳宗悦以一个东方人独到的慧眼，从朝鲜、中国、日本等民族的民艺品中，发现了“出发超谷的美”，从而创立了民艺美学。他的民艺美学思想的一大特色，是从民众的日常生活出发，从人们身边美的事物和人们的审美实践出发，去阐明关于美的本质，美的自由创造以及审美直观等基本美学问题。让人切实透彻地领悟到美的真谛、领悟到美对于我们生活的意义。这是一种贯注着东方思维方式和浸润着东方文化精神的返朴归真的美学。
|
| 关 键 词： | 民艺 美学 美的本质 自在美 审美直观 |
| 文章编号： | 1005-3638(2003)01-0082-03 |
| 修稿时间： | 2002年9月11日 |
Folk Art Aesthetics Soaked in Oriental Culture Spirit |
| |
| LAI Da-ren.Folk Art Aesthetics Soaked in Oriental Culture Spirit[J].Journal of Jiangxi Institute of Education,2003,24(1):82-84. |
| |
| Authors: | LAI Da-ren |
| |
| Abstract: | At the beginning of 20th Century, with oriental unique insight Japanese scholar of LIU Zongyue found the extraordinary beauty from the works of folk art in Korea, China and Japan, etc. An important characteristic of his folk art aesthetics is expounding the fundamental issues about aesthetics such as the essence and free creation of beauty and aesthetic intuition from the daily lives, beautiful things and aesthetic practices of the masses, which makes people thoroughly grasp the ture essence of beauty and its meaning to our lives. It is original and simple aesthetics permeated with oriential mode of thinking and soaked in oriental culture spirit. |
| |
| Keywords: | folk art aesthetics essence of beauty free beauty aesthetic intuition |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
