| 试析《唱论》在我国音乐史上的地位 |
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| 引用本文： | 余晓芸,李新庭.试析《唱论》在我国音乐史上的地位[J].江西师范大学学报(哲学社会科学版),2003,36(6):126-128. |
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| 作者姓名： | 余晓芸 李新庭 |
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| 作者单位： | 江西师范大学,音乐学院,江西,南昌,330027 |
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| 摘 要： | 元代燕南芝庵所作《唱论》是我国第一本论“唱”的专。它是对古典戏曲声乐实践理论的总结,由于它总结了演唱方法的基本规律,所以,对于一般意义上的声乐活动同样具有现实的借鉴和指导意义。本对《唱论》拟从五个方面加以论析,从而进一步肯定它在我国音乐史上的地位及作用。
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| 关 键 词： | 唱论 声腔 气息 唱法 中国 音乐史 |
| 文章编号： | 1000-579(2003)06-0126-03 |
| 修稿时间： | 2003年4月19日 |
The Analysis of the Place of "On Singing" in Musical History in China |
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| YU Xiao-yun,LI Xin-ting.The Analysis of the Place of "On Singing" in Musical History in China[J].Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),2003,36(6):126-128. |
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| Authors: | YU Xiao-yun LI Xin-ting |
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| Abstract: | On Singing" is first monograph on singing, composed by Yuan dynasty Yannan Zhian. It summarizes the practice and theory of classic opera and vocal music. It has realistic use for reference and instructive significance to vocal music activities in a general sense, because it sums up basic laws about singing methods. The paper analyses "On Singing" from five aspects, and is further sure of its place and function in musical history of our country. |
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| Keywords: | on singing tone breathe singing methods |
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