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六书与汉字构形
引用本文:陈顺芝.六书与汉字构形[J].江西师范大学学报(哲学社会科学版),2005,38(2):46-49.
作者姓名:陈顺芝
作者单位:江西师范大学,文学院,江西,南昌,330027
摘    要:汉字构形的分析研究,历来都将许慎的六书作为依据和准则。从汉字表意的特点入手来探讨六书与汉字构形的关系,可发现六书包含了汉字构形的两个方面:一是汉字形体构造的类别,二是造字的方法。象形、象声、形声是汉字形体构造的三种类型,转注、假借是造字的方法,二不在一个层面上。形声字是象形字与象声字的结合体,代表了汉字构形表意发展的方向。

关 键 词:六书  汉字构形  许慎  形体构造
文章编号:1000-579(2005)02-0046-04
修稿时间:2004年12月23

Liushu and the Topography of Chinese Characters
CHEN Shun-zhi.Liushu and the Topography of Chinese Characters[J].Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),2005,38(2):46-49.
Authors:CHEN Shun-zhi
Abstract:We always regard Xushen's Liushu as the basis and criterion on the analysis and research of the topography of Chinese characters. Proceeding with the characteristic of the meaning-symbol, this text probes into the relation between Liushu and topographies of the Chinese characters.It thinks Liushu concludes two respects of topography of Chinese characters: One is the classification, the other is the method to make word in physique of Chinese characters. Pictograph, onomatopoeia, ideophone are three kinds of the construction on topography, while metaideophone , the use of making similar examples are two methods to make word. The two are not on the same aspect. The ideophone character is the combination of the pictographic character and onomatopoeia character, and it expresses the direction of development on topography of Chinese characters.
Keywords:topography  meaning-symbol  pictograph  onomatopoeia  ideophone  
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