| 二胡艺术的“苏南现象”与江南文化研究 |
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| 引用本文： | 黄永勤.二胡艺术的“苏南现象”与江南文化研究[J].怀化学院学报,2010,29(8). |
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| 作者姓名： | 黄永勤 |
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| 作者单位： | 镇江高等专科学校,丹阳校区,教师教育系,江苏,丹阳,212300 |
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| 摘 要： | 二胡亦称南胡,深含乐器的变迁与历史文化的积淀。二胡艺术的"苏南现象"的形成受到了江南文化环境的影响,也有着它形成的时代契机,再加上苏南二胡艺术家的推广传播和大量江南风格的二胡作品的出现,让二胡艺术有了它的地域性特征。二胡艺术中的江南音乐风格及其技法表现特点,充分显现了苍凉的胡琴和柔婉厚重的江南文化的结合,从而产生了独特的"苏南现象"。
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| 关 键 词： | 二胡艺术 江南文化 苏南现象 南派 地域性 |
Urheen Art "Southern Jiangsu Phenomenon" and Jiangnan Culture Research |
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| HUANG Yong-qin.Urheen Art "Southern Jiangsu Phenomenon" and Jiangnan Culture Research[J].Journal of Huaihua University,2010,29(8). |
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| Authors: | HUANG Yong-qin |
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| Abstract: | Erhu is also called Urheen,showing the changes of musical instrument cultural and the accumulation of history.The formation of "sunan phenomenon" of urheen art has greatly influenced by JiangNan culture environment,along with the chance of era.Erhu artists of jiangnan style popularization and the erhu works,which makes the urheen art has its regional characteristics.The urheen art music styles and techniques of the jiangnan performance characteristics have fully displayed the combination of bleakness of Erhu and the distinction of massiness,to generate a unique phenomenon of "Jiangnan". |
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| Keywords: | Erhu art Jiangnan culture Sunan phenomenon Southern faction Regional character |
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