| 浅谈荣格美学观 |
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| 引用本文： | 李薇.浅谈荣格美学观[J].遵义师范学院学报,2007,9(1):47-51. |
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| 作者姓名： | 李薇 |
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| 作者单位： | 贵州大学,中文系,贵州,贵阳,550025 |
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| 摘 要： | 荣格作为20世纪极具影响力的心理学家之一，其独创的集体无意识理论及与之相关的原型概念被广泛地运用于艺术创作和审美研究，对20世纪的中西方文学及美学研究都产生了极为深广的影响。本文以集体无意识为重点，对荣格的心理学理论进行了梳理，并在此基础上初步探讨了荣格的美学观点。
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| 关 键 词： | 集体无意识 原型 艺术创作 审美态度 |
| 文章编号： | 1009-3583（2007）-01-0047-05 |
| 收稿时间： | 2006-08-28 |
| 修稿时间： | 2006年8月28日 |
A Preliminary Talk about Jung's View f Aesthetics |
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| LI Wei.A Preliminary Talk about Jung''''s View f Aesthetics[J].Journal of Zunyi Normal College,2007,9(1):47-51. |
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| Authors: | LI Wei |
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| Abstract: | As one f the most influential psychological aesthets in 20th century, Jung, whose theory of collective non-consciousness and its relavent prtotypical conceptions is widely used in arts creation and the study of aesthetics, and produces wide,farreaching infuence on both western and Chinese literatures and the studies of aesthetics. Concentrating on the theory of collective non-conciousness, this paper cards psycholgical theory,based on which his aesthetics is also discussed briefly. |
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| Keywords: | cllective nonconsciousness prototype arts creation aesthetic attitude |
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