| 先锋与媚俗——大众文化与中国当代先锋电影 |
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| 引用本文： | 韩琛.先锋与媚俗——大众文化与中国当代先锋电影[J].青岛大学师范学院学报,2007,24(4):73-77. |
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| 作者姓名： | 韩琛 |
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| 作者单位： | 青岛农业大学,传媒学院,山东,青岛,266019 |
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| 摘 要： | 大众文化与中国当代先锋电影存在着复杂的辩证关系。先锋电影会利用大众文化的艺术元素,商业电影也从先锋电影那里获得技巧,先锋电影甚至可以直接成为一种商业时尚。在当代中国的文化语境中,一方面,大众文化与先锋电影具有相似的反叛主流意识形态的功能;另一方面,先锋电影也与大众文化一道成为主流意识形态统治和整合大众的工具。
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| 关 键 词： | 先锋电影 大众文化 先锋 媚俗 |
| 文章编号： | 1006-4133(2007)04-0073-05 |
| 修稿时间： | 2007年10月20 |
Avant-garde and Fishing for Cheap Popularity——Popular Culture and Chinese Contemporary Avant-garde Movies |
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| HAN Chen.Avant-garde and Fishing for Cheap Popularity——Popular Culture and Chinese Contemporary Avant-garde Movies[J].Journal of Teachers College Qingdao University,2007,24(4):73-77. |
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| Authors: | HAN Chen |
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| Abstract: | Popular culture and Chinese contemporary avant-garde movies have complicated dialectical relations.Avant-garde movies can take advantage of elements of popular culture,and commercial cinemas can directly obtain skill from avant-garde movies.Moreover,the latter may become a kind of commercial fashion.In the Chinese contemporary culture surroundings,popular culture and avant-garde movies have similar functions to rebel against mainstream ideology,but at the same time,they also become ideology means to dominate and integrate the general public. |
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| Keywords: | avant-garde movies popular culture avant-garde fishing for cheap popularity |
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