| 郭沫若诗歌美学初探 |
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| 引用本文： | 刘德岗.郭沫若诗歌美学初探[J].许昌学院学报,2006,25(1):54-56. |
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| 作者姓名： | 刘德岗 |
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| 作者单位： | 漯河职业技术学院,河南,漯河,462002 |
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| 摘 要： | 郭沫若作为一代文学大师,一生创作了大量的诗篇,也发表了大量的诗论。他主张诗歌的本质专在抒情,诗歌要重视音乐性,新诗要打破一切形式束缚,新诗和旧诗应同时并存,写诗贵在自然流露以及写诗并不神秘等等。这些内容,构成了郭沫若诗歌美学的主干,在我国现代诗坛产生了重要而广泛的影响。
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| 关 键 词： | 郭沫若 诗歌美学 诗论 |
| 文章编号： | 1671-9824(2006)01-0054-03 |
| 修稿时间： | 2005年3月14日 |
An initial study on Guo Moruo's aesthetical thought of poetry |
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| LIU De-gang.An initial study on Guo Moruo''''s aesthetical thought of poetry[J].Journal of Xuchang University,2006,25(1):54-56. |
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| Authors: | LIU De-gang |
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| Abstract: | As a master in literare in his times,Guo Moruo wrote a large number of poems and published a lot of poetic theory.He advocated that the nature of poetry lied in its expressing emotions,poetry should attach importance to musicalness,poetry must break through all the shackles of form,old-style poems and new-style poems should coexist,poems writting should be the natural expression of one's emotions and poem writting was not mysterious at all,which were the main content of Guo Moruo's aesthetical thought of poetry and has had an important and wide influence in China's modern poem circles. |
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| Keywords: | Gu Moruo aesthetic thought of poetry initial study |
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